Categories
1995 our music videos

Our Practise Room

The Speak music video shot in the practise room

Link to three live performances in our practise space

It was 1995 and there was a small advert in the music section of the Falkirk Herald; a practice room for hire, kit supplied and there was a phone number supplied.

Greg and I had just put the finishing touches to our new, as yet, unnamed band and we needed a place to play loud. I phoned the number printed and was met with a friendly chap who spoke in a low smoky husk. He explained that the room was near Grangemouth docks, a basement round the back of the bingo hall next to some wasteland. He added we’d be able to play as loud as we wanted. I booked a slot. It was to be a Wednesday night.

February 8th approached and we had bagged a lift off my Dad. Here was four young lads without much in the way of gear and band experience nervously wondering what was to happen next. I jumped out of the car in excitement to collect the keys. I frantically knocked on the door of the address that I was to pick up the keys. In the winter darkness the door creaked open and an elderly man, clearly dragged from his bed, mumbled that I was at the wrong door.

Later we finally found the dude he explained, under a haze of green smoke, the rules. We agreed a time for him to close the room and all was good. He dropped the keys into my hand and I raced back to the idling fiat Uno my Dad drove at the time.

After a great practise and three new songs we heard Greg’s dad Arthur pull up outside. He had kindly offered to take us all home. The hour came for the dude to meet us however there was noone to be seen. 15 minutes later Arthur was no longer waiting and we were to get going. We had to leave the room and all the gear unlocked.

The next week I nervously phoned the dude and for some strange reason he explained the location and rules of the room as if I had never used it and we had spoken for the first time. Then he explained that some arseholes booked last week left the room unlocked. He was so stoned that night he forgot we were even there. Had he remembered that fact we wouldn’t still be in that very room today.

In 1995 Grangemouth was a different place. We were in a basement, above us were various business that have come and gone over the years. There was noone around in this slightly dodgy location it was just a mass of overgrown trees swaying in the breeze from the forth river. The sky was (and still is) often lit orange by the flares of the refinery.

The basement is the size of a fairly large living room with a smaller passageway that leads around the back. There was never a toilet, just a sink. Heating was supplied via a gas heater that we used to huddle around in the coldest nights. We’d pay towards the gas as well as the rent and it was Greg’s job to get it lit.

In the early days there were white washed brick walls that gave it a clean look. There was a couch to dive onto and mirrors to check that the rock poses were all good; it was bright and spacious and a cool place for young musicians to create music. There were a number of bands booked in the room at that time.

In the late 90’s we used to cross the road to Haddows to buy carry outs prior to practising. Greg was now a driver and the rest of us saw this as an excuse to drink a number of midweek beers. It got ridiculous, I used to take down a pint glass and sink a few calders creams. The three of us would be plastered and Greg would drive us home via the BP garage at Earls gate where we would buy food and Derek would take on any eating challenge presented to him. This included fitting a whole packet of cheese bites into his mouth.

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Haddows and drink; we had a lot.

The owners eventually ditched the room and we were forced to find a new rehearsal place which turned out to be in Bonnybridge. This lasted for a few months but as soon as we heard our old room was back up under new ownership we went start right back

Practise became a drunken stupor, we had lost focus and we stopped playing gigs so Wednesday nights were the only time we’d play music particularly around 1999 2000. The room was repainted by its new owners Frazer Law (Beany) and Russell Dickson in more a psychedelic palette and the drums were placed on a riser. We started taking a four track down and recorded a full album that would become Cold Home Street.

With the band stalling, Stu left for a few years and we became the Seventeenth. The room was now rented from a flower shop owner and we found the space was filling up with pots and flower beds (but sadly with no flowers). The room was split with a third used for storage for the florist. This was unfortunate as the place lost its feel for a while. However we still huddled around the same old gas fire in the heart of winter.

Time passed and in 2004 Weird reformed, the dividing wall fell much to our delight and the room was whole again however things were changing outside.

The bulldozers rolled in and swept aside the wild trees then an ASDA sign appeared. Our wee secret corner would soon be changed beyond recognition. A building merchant moved in upstairs and a fast food outlet next door to that. Then came the rats.

One cold wintry evening as Greg tried to start the gas fire I asked him to stop, the rest of the guys fell silent as I listened. Then from the pipes came the scurrying. The rats were here and getting bolder by the day. The room started to feel dirty and rundown.

Thankfully the rats were dealt with and Beany made an almighty attempt to clean the room to its past glory, however he was scuppered by the strange appearance of couches. Several monolithic chairs started to appear and we were battling for space with the furniture. Some of it was Greg’s and he promised to get rid of it (tomorrow, promise). Then the couches got mouldy, still he promised to get rid of it (tomorrow, always tomorrow).  Months passed and the mould grew greater; my love for the room was wilting. Finally one Wednesday when i was expecting to open the door to its usual musk I was delighted to see the seats were gone. Once more the room was spacious albeit a little grubby.

Today we still use the room most weeks and at occasionally we use it for recording. We do have to wait for the boy racers to drive out of the ASDA car park with their exhaust blaring. Haddows is gone, now it’s a sober trip to ASDA for water and sweets. Alcohol is gone, replaced by Tea and coffee supplied from flasks that I bring down during the winter months. A Chinese moves in upstairs every few months and one of the delivery drivers spends his life in his car with the engine running all night for some heat or to charge his phone as he attempts to combat the boredom of waiting for the next Chicken Chow Mein.

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We’ve adapted. When we get bored of writing songs in the room we hire a cottage to refresh the creative minds however even to this day we are still inspired by our rehearsal space to create new songs. We’ve now used the practise room for 22 years. Recently we moved things around the room and the sound feels refreshed; when I strike the first chords on the guitar and look around the room at the other guys I can’t picture us being anywhere else. Fingers crossed we can stay a while longer as we’ve had many many happy times in that wee basement. We even shot a music video in the room and several songs. Check them out at the top of this post.

Categories
1996 Gigs music

We Played in A Prison (a story from 1996)

It was around 1996 when on a normal Wednesday night we gathered for practice, Stu asked us if we fancied playing a gig in a prison. He had a relative who organised entertainment for the inmates HMP Longriggend (which has since closed). We had reservations, as four young guys all we knew about prison was the stuff you saw on television. Prisoner:  Cell Block H was terrifying… However when Stu added that it would be our first paid gig we quickly manned up, did a few push ups and agreed to play.

We had to learn a few of our first cover songs to mix in with our own numbers; and we hired Jim Dunbar to do the sound. For additional support we brought our friends John Baines and Ruari Pearson. For the purposes of security Stu had to phone the prison with the names of our party. For some reason he couldn’t remember Ruari’s surname so under a bit of pressure from the gruff voice of the warder on the line, Stu said Ruari’s name was John, John Ruari…

Longriggend was located near Airdrie and as you drove along the winding B803 taking in the desolate back farmland your eyes would be drawn up the hill towards the walls of the prison, it was an eerie scene often shrouded by the clouds that hung to the hillside.

WDB Original 3 track demo photoshoot
One of our first photoshoots for our first demo

On the day of our gig we drove up to the gatehouse unsure what lie ahead. It was the late 90’s and while the prisons had settled back to some sort of normally after the turbulent start to the decade there was still an imposing welcome at the gate.

We gave our names. Ruari gave his; Rurai Pearson he said to the guard. Sorry we don’t have that name stated the gatekeeper. Derek whispered, today you’re John Ruari. ‘John Ruari’ said Ruari. Finally we were in.

We were led around to the games hall past the prison wings; the cell windows were adorned with steel bars no doubt there was an unknown soul awaiting his fate from the courts locked within. Barbed wire hung to every wall. Some of the inmates were having a kick about in a five aside pitch they took little interest as we passed.

The guard escorting us pointed to a parking bay and showed us inside the hall. Some prisoners were in the wing adjacent, staring at us through a grill gate as we went in. Intimidating to anyone first entering these institutions however to the guards this was just another backshift.

It didn’t take long for us to set up, Jim turned up the volume and it was loud. Time passed and slowly the prisoners shuffled into the hall in an orderly fashion and took their seats. Derek noticed a couple of guys from our school that had wandered onto the wrong side of the law. Not one of the guys heckled us, indeed they seemed happy to be free from the confines of their cells. When we started playing things changed slightly.

As we launched into our first songs some of the prisoners walked out to the toilet. A few minutes later they came back with toilet roll stuffed into their ears. Others sad impassively, some laughed as I tried to rock out to the music.

It was a fine gig though and our inhibitions were unfounded; for as we neared the end of our set the power cut and the lights went out…that was hairy but we got a warm round of applause at the end. It was nice to get paid, just a bit unnerving seeing the guard counting out the money in front of the captive audience!

A few weeks later Stu and I were in Glasgow picking up our printed demo tapes that were still to be filled with the audio tracks. As we headed down Sauchiehall street back to the station we heard a ‘hello’ from behind us. A young guy staggered towards us, ‘you guys played at the LRU didn’t ye?’ ‘eh yes’ we replied; ‘Brilliant you got me oot ma cell for the afternoon’. ‘I’ll buy wan eh yer tapes’ Stu tried to explain that the tapes were blank but he waved his words away. He handed us a couple of quid and stumbled down the busy street with one of our demos before disappearing into the mass of shoppers.

 

Categories
The Falkirk Music Scene

Inverno (One Weekend In Falkirk Part 2)

words and pics Pabs

After the high of playing the Artisan Tap I was looking forward to seeing more bands on the Saturday as part of the excellent One Weekend in Falkirk. Now that I was returning as a listener I felt part of a festival. Both playing and listening to the acts has been a brilliant experience.

On the Saturday we were spoiled with Calum Baird, the Blue Lights, Fuzzy Star, Patersani and Grim Morrison.

Greg and I were keen to get to the Tap to see the first act Callum Baird, we had to drop some gear off at the practise room on the way to Falkirk. (the joys of being in a band, a gig can mean two days of work)

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We arrived in time to catch most of his gig. Callum is a confident player who is keen to sing his message to the people who listen. He has a feel of folky blues and there is a brooding anger in his performance which gives him an edge over his singer songwriter peers. Callum thanked the crowd for listening. He politely explained that he had to head off to Linlithgow to play another gig. Here is an artist who plays non stop, hopefully the hard work will pay off.

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As Callum Baird packed his guitar into his case to head out the venue a band that I have been impressed by, The Blue Lights, started to set up. Staying High is one of the best tracks I have heard from this scene in many a year. Unfortunately their drummer could not make the gig so they played a stripped back set. Kirsten Hamilton is a powerful vocalist, I preferred their original songs to the their covers. I got the impression that Kristen’s heart was in her own songs and I look forward to hearing the whole band live.

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Fuzzystar, from Edinburgh, were amazing . Before they played I had went to the toilet (as you do) and this bearded man in a white tee shirt stumbled into the mens. I thought he looked rather unsteady on his feet as he looked for a cubicle, I smartened up and headed out to get ready for the next band. As I sipped on my Bitter and Twisted (now my favourite beer at the Tap) I couldn’t contain my surprise as the same fellow donned in beard and white tee shirt took up his guitar and proceed to lead Fuzzystar through a wonderful set of bittersweet melodies. Their clean guitar floated nicely then they would lace some distorted tones to change the mood. Their lead guitarist was superb, he provided focus for the band. One of the delights in exploring the live music on your doorstep is discovering bands like Fuzzystar.

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After the bearded fellows departed the stage Patersani entered and these guys were slick and reminded me of a Scottish Kings of Leon (if there is such a thing). I was foot tapping to a nice blend of indie rock. Very enjoyable.

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Last up was Grim Morrison, a band that I enjoyed at Behind the Wall as part of the Loft sessions last year. For various reasons unknown to me their regular drummer was absent so up stepped one of Falkirk’s best drummers Ian Simpson who is very adaptive and was able to stitch together Grim Morrisons sound. I’m not sure what has happened to their bass player, however the chap who was on the four strings handled his duties well. Lead singer James McManus blended into the crowd all night. He has a mop of jet black hair tinged with a streak of white. He does not stand out in a crowd however it is a different story when he steps onto the stage. While I’m not sure where his band is going he presents as an accomplished guitarist and vocalist. Again luck had departed him as a string broke (The worst thing that can happen to a musician) James had tried to string up this guitar but it wouldn’t play ball so he borrowed a semi acoustic from another musician and after this their set exploded. Whether it was frustration at the events that had unfolded James snarled and belted his way through the remainder of their songs and it was a superb recovery.

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I finished the rest of my pint and headed out into the night to hastily catch the last train, it was at Falkirk High. The view from this station overlooks Falkirk. As I waited for the Edinburgh train I turned and looked over the town. In my drunken sway I had a smile for I knew that there is a chance we could have a music scene that we can call great again.

Categories
Gigs music

Rock On Tap

Words Pabs

Photographs Juls Sampson.

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photo juls sampson. Look at those lovely shoes I’m wearing.

Thanks to the crowd, Afterglow and everyone involved in the organisation of One Weekend in Falkirk  

2017 was just a couple of days old when the hype for the first ‘One Weekend In Falkirk’ music event was starting to build. It seemed as if a lot of people were genuinely excited and we were delighted to be part of it.

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another fine flyer from Rikki Toner

The Falkirk Herald got in the act with a full spread article listing all the events; our picture (taken by Kevin Byrne) took centre stage on the page. It was nice to see the local paper helping to raise the awareness of the gig.

One Weekend in Falkirk was hosted by the Write Angle with a little help from several people including Adam Donaldson and Afterglow music. It was five days of music, poetry, open mic and arts. We were asked to be part of the Rock on Tap, the Friday night at the Artisan Tap (Falkirk’s best new pub in years). We were also asked to recommend a band to complete the lineup and we could not look past the wonderful Buzzards of Babylon.

On gig day I was a little more nervous than usual as there seemed to be quite a bit of gravitas with this event. Also it was the start of January and I was worried that wallets would be lights and that would stop people coming out. After a small bowl of pasta I headed out with my wife kindly dropping me off at the venue. (when you get dropped off for a gig your first thought is often ‘beer’)

I was first, gear in hand it was nice to see the punters opening doors when they saw I was laden with an amp and guitar. In other venues you do not get this show of kindness. There was a good vibe around the Tap as people were tucking into their pizzas and burgers which looked damn nice but my stomach was not up to it.

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Pic Pabs Greg, Derek and Stu take in the best street in Falkirk

Given that Artisan Tap had all its tables full of diners the stage was set in the center of the venue; the stage area was small but manageable so all was good. Slowly the bands filtered in, warm handshakes were exchanged between Blind Daze, ourselves and the young duo of Skelfs. When Buzzards arrived it was great to see our friends again and we shared some stories of gigs from the past. These stories often included many an ale and the last time the Buzzards soared over Falkirk they scooped up an almighty amount of beer that only Greg could match however this time it was strictly Irn Bru as some of the gents had commitments the following day including taking the kids to the Marvel stage show!

Soundcheck was fine, quick and straight to the point the mix from the stage sounded great at this point I started to look towards the bar, yearning for a beer but i didn’t want to over do it . Greg in his usual laid back style strolled up and ordered a pint at the back of 7.

The punters finished their meals and most stayed throughout the soundcheck which was a great sign, some of our crowd started to file in and the venue was looking rather busy. Skelfs stepped up first, these guys have only been together a year or so, now on a new lineup they had only played a handful of gigs to date. The played a set of bluesy rock tunes not dissimilar to the White Stripes and they went down well with the crowd.

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Pic Pabs. Skelfs debut gig in Falkirk

The Buzzards of Babylon were next; they marched up to the mics and played a blinder. Monkey Knife Fight remains a favourite and they played a ‘ballad’ in reflection of the venue however it was a heavy brooding number. They also knocked out some blues with Eck showing his skills on the mouth organ although at one point it looked as if he just about run out of oxygen belting out the notes. Fine stuff.

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Pic Pabs Nice tee Rab
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Pic Pabs The masses approve

Our Falkirk peers Blind Daze cranked up the volume to 11 they have a good mix of melodies and pure rock, the place was busier now and the crowd soaked up the tunes. The band really seemed to enjoy the atmosphere.

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Pic Pabs Blind Daze crank it up

Then it was us. We stepped up to a welcome applause and we were determined to blow away the slightly disappointing performance of our last gig. First tune Kill it Kill it was nailed and our confidence grew. As a rule we tend to play an easy track first to set us up.

We belted through the tunes and tonight I felt we were on form, then around halfway through the set, a familiar call came from the crowd. Once again our friend Chris Wilson shouted for High Heels. I asked the rest of the venue and eventually an almighty roar gave us no option but to play Waiting on The Sound of Your High Heels, which is great as I love playing that song!

I loved playing Feeling and Medicine; Curtain Hits The Cast went down well and Industry seems to have growing support as a set finisher which is fine by me!

As we neared the end of the set I could not help but pay tribute to Jim Dunbar who has been providing PA for Falkirk for many years, including our first gig back in 1995. To see him doing the sound for our gig 22 years later is simply amazing.

 

  1. Kill it
  2. It’s Who You Know
  3. I Hear The City
  4. Feeling
  5. Joker
  6. Quoted
  7. Medicine
  8. Wait
  9. Speak
  10. Curtain hits the cast
  11. Deliverance
  12. Industry

 

The set was over too quickly and before I knew it I was standing at the bar necking a few pints of Bitter and Twisted. The atmosphere was still great but by this late hour the crowd was slowly filtering out the door, I had the warm fuzz you get when a gig has went well. Stu was delighted, he tends to get very nervous even after all these years and you could see he was floating on the euphoria of a successful night.

I’m glad that rock music got its place in One Weekend in Falkirk and the organisers should be commended for that. The following night I went along to the Inverno event (more on this later) and from my own experience One Weekend In Falkirk has been great success; it’s been years since I spend a whole weekend both playing and enjoying acts from Falkirk and beyond. The venue, the atmosphere and the music all added to a brilliant experience. I hope this becomes our ‘winter’ event from Falkirk, yet another sign that our music scene is back and in good health.

 

Artisan tap as part of one weekend in Falkirk festival 6th January 2017

 

Categories
falkirk music venues Gigs Live radio sessions music our music videos photographs review of the year The Falkirk Music Scene

Our year 2016

Words Pabs

Photos. Kevin Byrne Photography, Eindp Photography, Purple Dot Photography Juls Samson.

While the world around us was erupting in unexpected vote results, civil unrest and the Great British Bake off scandal; some of our music legends decided enough was enough and packed their bags for heaven. We released our 8th album Weird Decibels 2, we embraced the local scene and won our first award, although we didn’t play live as much as I would’ve liked. 2017 will be fun. (its got to be!!)

So we wish our listeners, friends and family a healthy new year. Here is our 2016.

January

10th. The master (of Weird Decibels 2) is finished but Pabs went and re-mastered…

13th. January, front cover of Weird Decibels 2 is leaked!

February

17th. Firkin Outburst our second album written years ago in 1998,  is shared across the world including Spotify

27th. We told the story of how we made weird decibels 2 including our temporary studio in the Springfield cottage down in the Scottish borders.

March

4th. Kill it! Kill it! Video is unleashed. Cracking piece of work from Kevin Byrne and a great performance from the indefectible Ruari Pearson.

10th. We are featured artist on the Third Class Ticket. Tommy done us proud with this show. Sadly due to an increasing workload Tommy later closed the Third Class Ticket.

We had a good spread about the album in the Falkirk Herald big thanks to James Trimble and co for the article. 

11th Weird Decibels 2 is released on all digital platforms and a thing called a CD

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29th Great review of the album in the Moshville Times. Thank you!

moshville times review

April

May

8th. Live tracks from the rehearsal room are released and filmed from our practise room that we’ve called home for two decades. Find the videos on our YouTube channel

18th. Another great review from Kenny Bates and Gregor Flynn at Stirling DIY press collective

27th May we rock out with The Sonic Blues and Rabid Dogs at the North Star. This is the story

 

June

20th. We head off for a lovely family day gig at Whitecraigs. Here are our thoughts.

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pic purple dot photography

July

August

20th. Pabs returns to the studio for some solo work. Slow Motion Action Punch

28th. Pabs teams up with Neil Logan and they release two songs hear them here

September

4th. Pabs starts a wee look back at Falkirk venues which proves popular with the community. The Martell and Firkins both feature with more to follow in 2017

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a younger Stu playing the Martell

16th We pay homage to the photographers who have kindly taken snaps of us over the years.

26th. Pabs and Stu release a single Passers By from their EP Hero or a Villain

October

14th Stu and Pabs release their debut EP Hero or a Villain

17th We head through to Stirling City Radio for a live acoustic session. Read about it here

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November

24th. Coldest rehearsal for years but something great happened; you’ll find out next year

December

One More Solo appears on digital platforms commuters everywhere listening to the sound of high heels as they walk to work.

We win our first award! AMiF Falkirk’s Best rock/metal/punk act 2016. Humbled to say the least and you should check out our follow nominees 13, The Animal Mothers, Media Whores and Blind Daze.

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A great moment for us, thank you for voting

26th Stu, Derek and Greg didn’t notice the ‘No Parking’ folder which had been on the drive since early November…in this folder there was a live album…

wedb 20 yrs 8 - Copy

Categories
Live radio sessions music

Weird Decibels in session at Stirling City Radio (the story)

Huge thanks to Stirling City Radio, Stephen Franklyn and Jim Kettles

words Pabs

Social media can be great at times and in terms of raising awareness of the local scene it can work (although I find it increasingly frustrating and the ‘boost’ button is always just a click away asking you for money). So when Stirling City Radio appeared on my news feed I was interested to see what this new internet radio station had to offer. Intrigued, I had a look at the schedule and I was delighted to see that the station, that has been broadcasting on the internet since August 2016, had various shows to cater for all genres. This included rock and live performances from local acts so I sent them a message.

A nice guy called James returned my inquisitive email, he was more than happy to organise a slot on a Monday evening with Stephen Franklyn, a presenter who has an easy approach to playing rock and pop, in addition he hosts live local acts.

Once I got the guys to commit to a night James sent back some instructions, basically head to Stirling arcade and record some acoustic songs and talk about our musical journey so far.

Greg opted to sit this one out, his new house needed a bit of work and this included fitting shelves. More on that later…Derek, Stu and Myself rehearsed a couple of the quieter songs from Weird Decibels 2, we arranged a time to meet and the plan was set.

The train rolled through Polmont and I hopped on, Stu joined me later in Camelon with Derek running a half hour behind us. Stu and I walked onto the Stirling Platform and headed up to the arcade just up the hill from the station. As we approached we could hear tunes drifting out from the main entrance. We walked into the empty corridor of the arcade and headed to the centre where there is a cafe and the radio station itself. There, in the studio booth for all to see, was Stephen Franklyn broadcasting live. Our time to play was 7pm so we had 25 minutes to set up.

After a warm handshake Stephen explained what we needed to set up. It didn’t take us long, as Stu picked up his guitar to soundcheck Derek walked through the door with his beat box that was borrowed from our friend Kevin Byrne.

After some Aretha Franklin we were ready to go live on air, the clock hit 7 Stephen welcomed us to the airwaves. My 5 year old son Lewis was listening and I was told he went crazy at this point! We had a brief welcome and chat with Stephen about the band before we launched into Curtain Hits The Cast.

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Lewis listens to Daddy on the radio.

Thankfully it’s a fairly easy song to play as, surprisingly, the nerves had kicked in. I’m not sure how many people were listening but Stu, Derek and I wanted to get this right. It went well and Stephen asked us more questions about the band. We discussed how we write songs and Derek stated that I have an idea which is developed by the band, I said it was  more a collaborative approach whereas Stu, bold as brass asserted, Pabs comes out with a riff and I make it better! It was a great moment.

After Stephen played It’s Who You Know from the album we moved onto Almost Beautiful. We explained that Greg couldn’t attend the show as he was hanging shelves so we dedicated the song to him and renamed it ‘Almost Level’. It was a stuttery start from me, it’s a tricky wee riff when the nerves kick in but I recovered and it seemed to go down well. Cue another brief chat with Stephen before he closed with a play of Medicine, again from the album.

We had a chat with Jim Kettles who broadcasts on the station, he does rock show just after Stephen and he played It’s Who You Know later in the night which was a nice touch. Then we signed the pillar which was adorned with names of local acts who have played previously. We stood on a table to reach the top of the pillar; all was going well until Stu stood upon the frame, it slid from under him but luckily his reflexes are still razor sharp and he landed like Batman, on his feet.

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This is the view as Stu fell back to earth but like a pro he landed on his feet

We said our goodbyes and headed out of the door back into the arcade as the radios tunes floated across the empty concourse. I was tempted to have a pint but Derek sensibly said he needed to get back for the kids.

Stirling City Radio is a wonderful station set up to serve the local community, it is a fair distance away from the bland automated ‘local’ stations we have on traditional frequency. The station gives local artists the chance to play to a broader audience, the music it plays is varied to try and  capture the ears of the Forth valley. Central FM used to do this before it was turned onto a bland franchise. Now motivated people like Stephen and Jim are staring up their own platforms (Tommy Clark’s Third Class Ticket is also a prime example) and the local music scene can only benefit. Tune in here and find out for yourself.

Pabs

 

Categories
Gigs

Whitecraigs Rugby Club June 18th 2016

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Pictures taken by Purple Dot photography and Kirsty Smith

We had been invited to play a set of cover songs at Whitecriag rugby club as part of their yearly beer festival and family day out. We decided to go along and join in with the festivities.

We do not play a lot of gigs these days and we play cover gigs even less. So this set played at the Whitecraig’s summer beer festival was a welcome change.

For various reasons our confidence hit a wee bump at our last gig at the North Star so some easy (but enjoyable) covers would help us get back on track.

13433273_1356522297695425_3147361512921178835_oIt was also a chance for our kids to finally see the band live.

I packed the gear into the car and this time Kirsty and Lewis joined me, a stark contrast to the normal band banter that the designated driver has to face on the road to the normal gigs! The Scottish sun was scorching the sky, our wee nation looks fine when the blue skies are up high.

We reached the rugby club in Whitecraigs without fuss. Standing proud in the southern outskirts of  Glasgow this lovely club had already started the party. When we arrived Lewis helped his dad flit the gear onto the small stage that was sheltered by a canopy tent.

13497562_1134545353249938_5255583186297035836_o (1)It looked brilliant. The only gig we had played outdoors was years ago at Crossgates (a story for another day). It was a small area in which to play but as soon as i saw the surroundings and felt the atmosphere i had a good vibe about the afternoon ahead.

A DJ was blasting tunes as I met the rest of the guys who were busy setting up. It wasn’t long before we  were ready to go. Then there was the power cut.

13483142_1134545273249946_8832837971535641227_o (1)As guys organising the music were scratching their heads, i was told the sound guy hadn’t turned up. Thankfully our experience has taught us there are always ways around these things. We found the problem with the power, a plug had come loose. Always carry duct tape… we used that to hold the connection together, and viola, the rest of the DJ set went well,

We had a song to soundcheck, no time at all but the sound was floating into the fields below. The vocal PA, as it was setup, was fine so we went with it. The guy who was running the show had a cowbell.. We would hear more of that later. He was in good spirits and introduced us to the crowd that was not interested in us. They were drinking fine ale and basking in the rare sun. We could’ve been naked and they wouldn’t have noticed. Thankfully we weren’t. Now that I understood we were music for the background I was more than content and it was brilliant to see Lewis and Niamh in the front row! (Luke was there as well but I think he went for his nap!)

13442628_1134545253249948_449859285787194552_o (1)Whitecraig setlist

  1. Teenage kicks
  2. Fight for your right (to party)
  3. Should i stay or should i go
  4. Last time
  5. Say something
  6. Wonder
  7. All or nothing
  8. Creep
  9. Ever fallen in love
  10. Don’t you forget about me
  11. Come as you are
  12. Get back
  13. Curtain hits the cast
  14. Jumpin jack flash
  15. Sex on fire
  16. Whole lotta rosie

13443320_1356522304362091_1020145119376325230_oThe set went well without any problems and it was a tight gig which we thoroughly enjoyed. A real boost for the band as soon as the set was finished we agreed we had to get back on the live scene. After the first song Lewis covered his ears and walked away. It’s great to i see my kid is my most honest critic. However he came back when we played Wonder (he knows our songs more than the covers). Niamh and Lewis danced away as we played, A sweet moment.

13482857_1134545349916605_7663655686751780004_o (1)As we packed up Stu and Derek nicked all the beer tokens delighted that Greg and I were driving. With grins and empty glasses they headed to the bar.

Kirsty and I soaked in the family atmosphere and let Lewis jump around on the trampolines before heading off into the sunset.

 

Categories
music Pablo likes this The Falkirk Music Scene Uncategorized

There are hidden treasures up in the loft

Credits

The audience

Rikki Toner (Afterglow) local music scene pioneer

Eindp Photography capturing the scene, his work is used on this blog with his kind permission

Bootsie Blue, The Projection and Grim Morrison the artists!

Ben White sound

Before I entered Behind the Wall to head upstairs into the Loft (the ale house for the older bairns) I had no idea who was playing tonight. The fact that event organiser Rikki Toner has made so much of an effort to continue his push to rebuild the local music scene has made me determined to go and support it.

Once I had paid at the door, pleased that my fiver would be going towards the bands I met up with the one and only Stewart McCairney, quickly followed by Greg McSorley. We reflected on our last gig (the week before at North Star) and planned our next assault on world music domination.

While we plotted to headline Glastonbury the soundcheck was one two-ing in the background preparing for the night ahead. Just before 9 the first band would adorn the stage.

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Bootsie Blue take to the stage. 

The tall, confident singer/guitarist Aidan Buhrmann of Falkirk’s Bootsie Blue held things together well and was clearly happy to be upon the loft stage. Dressed in black jeans, that looked welded on, the big chap strutted about the stage. Their drummer, Ian Simpson was manic. This guy truly delivered stunning beats hammering the poor drum kit to within an inch of new skins. You could see he felt every beat, superb. The bass player Callum Barret  balanced things by being subtly calm and focused on keeping the Bootsie’s sound tight.

There were great songs unfortunately I don’t know the titles but ‘Bad Apples’ was a highlight. The first half of these guys set was probably the best I’ve heard in the local setting for a long time. The songs were dynamic and well structured. Once they flesh out their set I’d be surprised if they don’t make some sort of impression on the Scottish scene and are one of Falkirk’s most promising bands. (lets hope the scene grows with them)

As the night wore on I sampled more Tryst Carronade and blether to both Stu and Greg about the local scene we were thoroughly enjoying supporting other bands. For a while we, like many other people, stayed away from Falkirk bemoaning the lack of live music in our town. Yet we failed to realise that staying away contributes to the problem.

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Falkirk finds its place. The Projection

Up next was Glasgow band The Projection. Now I can be dumb at times so when I explained to Greg and Stu that I was looking forward to a visual spectacle by the projection I was ridiculed. (in my defence many bands use projection, most recently at Shuffle Down, when Paddy Steer was performing)

No offence but these guys are ‘experienced’ and it’s great to see Rikki had booked a diverse set of acts. These guys, bar James Lee Brodie on the guitar, are older and still belting out the tunes.

Stewart Cuthill was shielding his eyes looking for the crowd and eventually he left the stage to dance with the audience. They had a punk ethic with good melodic licks and Stewart had donned a nice ‘London, Rome, Paris, Falkirk’ tee shirt. Its great to see our fine town in the same light as these cities!  At one point he explained that there “should be thousands of people here” before launching into No Fracking in Falkirk. Which had the biggest crowd response.

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Grim Morrison

The headline act, also hailing from Glasgow, were Grim Morrison a three piece who borrowed the excellent Ian Simpson from Bootsie Blues to play drums. They grooved well and I thoroughly enjoyed their set. James McManus on guitar and vocals gave it his all and he looked like he enjoyed it, Meg Kenny on bass donned with a floppy hat danced away as she skillfully handled bass duties.

By end of the night I was tipsy; full of Carronade ale and ready to get the train home. There is no doubt that I enjoyed the night with good company and it was good to catch up with Falkirk music scene once again. Long may this continue. Please support it if you can.

Categories
music The Falkirk Music Scene

Shuffle Down 2016

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the impressive Dobbie hall

Shuffle Down hits its stride.

A one point during this years Shuffle Down I soaked in the atmosphere I found myself  genuinely impressed by what the festival organisers Laura and Rikki Tonner have achieved.

Now in its second year Shuffle Down is the Falkirk areas yearly fundraising music festival held in the elegant surroundings of the Dobbie hall. Laura, Rikki, their friends and family bring together the artists, sound crew, stalls, food and beer; much of which is produced in the local area. This year Strathcarron hospice was chosen to receive the funds raised.

Shuffle down first caught my eye when they booked the band Broken Records for last years headline act. This was when I believed that the festival meant business.

The first year was good, a strong line up and a good crowd. These were the first tentative steps of running a music festival. This year it felt like Shuffle Down had hit its stride.

The sound was improved, there is no doubt it’s a challenging room, it’s a large space with a high ceiling. The sound guys did a sterling job.

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the crowds gather early on.

The vibe was good, the hall was bustling with a mixture of people intently watching the bands and others having a catch up with old friends.

The stalls were varied and my wife and I spent more than we planned to. John Grieve should get a mention for his artwork. I bought two of his sketches, one for my son and one for the studio but my son has claimed them both… Later Noise Noise Noise would set up a stall for the night time punters eager for merch.

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merch stalls for the bands. I was treated to two Yossarian cds!

Beer was flowing and the staff were happy to pour it. Tryst Brewery had set up a craft ale stall separately from the main bar which was an inspired idea as this helped reduce the waiting times for thirsty music lovers.

 

I didn’t know many of the bands in the line-up this year but this is part of Shuffle Downs appeal, you’re guaranteed to discover a band you’ll enjoy. Yossarian, from London, were superb. They started playing as I made my way to the bar, I was stopped in my tracks.

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Yossarian played a blinder

Their guitar driven tunes that build to a grandiose conclusion and singer Ash Spencers baritone immediately had me drawing comparisons with Matt Berninger of National fame (which is a noted comparison in their Bandcamp page). After their set Kirsty and I headed out for some food, the May breeze thankfully didn’t take the edge off my tasty chilli dog.

Satisfied we headed back into the festivities. The second stage is run by Gavin Brown and his crew. I caught a one man multi instrumental electronica sensation that is Paddy Steer. We waited a while for him to set up and that was part of the curiosity, there was a mixture of live drums, synths, keys and costumes.

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Paddy Steer, simply brilliant

When he started his beats he had the modest crowd engaged within the first loops. Behind him, as he amazingly played several instruments at once, a video stream was projected onto the wall, one scene had bananas on the moon, yes it was mad.

About half way through his set he asked the now swelling crowd, ‘Do you want more chaos?’ he didn’t wait for the answer as he reached for a mask. On his head he put a white robotic dome with glowing eyes that stared around the room as the artist inside continued to offer a varied melee of electronica. His music has a hint of Grateful Dead’s spontaneity. A superb live show and one of the nights highlights.

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Esperanza. Superb to watch live

Back down stairs there was a buzz in the air for Glaswegian ska rockers Esperanza. The numerous band members confidently strode onto the stage and launched into 50 minutes of infectious music. My wife and I were dancing about at the back of the hall with the rest of the crowd, it was a fantastic part of the night.

The Treetop Flyers finished the festival and their set was watched by a slightly smaller but enthusiastic crowd. I enjoyed their music on Spotify and they came across well live. By this time the craft ale was taking effect and my hazy head needed to get home.

We grabbed the last train on the Falkirk line both happy at what was a very enjoyable day of music surrounded by friends.

Rikki and Laura should take pride in what they have achieved. It’s hard enough to organise a successful gig in Falkirk let alone run a festival. This town has often had an apathy towards live music; you can’t really say that Falkirk has vibrant scene but Shuffle Down is certainly helping to address this.

So hopefully once all lights have dimmed and the amps are turned down; they’ll have a chance to appreciate that not only have they raised money for charity, but they have also brought many people together to celebrate the great things that our local area can create.

 

 

 

Categories
Gigs weird decibels 20th celebrations

Gig Diary. 20th Anniversary gig at North Star, Falkirk 7th Nov 2015

Gig Diary.

thanks to Kevin Byrne, Juls  Sampson, Gary Ivady and Kirsty Smith for taking photos/videos some of which are posted in the blog.

Lets raawwwk. pic Byrne
Lets raawwwk. pic Byrne

Upstairs Downstairs

The ever laid back Greg McSorley. Pic Byrne
The ever laid back Greg McSorley. Pic Byrne

I burst through the front door of the house exhausted after another day in the office. It was the end of a long week; now I had to jump from one life to another. You can’t beat being the frontman of Weird Decibels but before that I needed a wee 20 minutes nap on the couch. It wasn’t to be.

Mince and tatties in the microwave, I rushed upstairs to grab my gig bag, rushed back downstairs to grab a black tee shirt out of the dryer then back upstairs to check if the printer was working as I frantically tapped my last gen ‘smartphone’ to try and type up the set list.

Then I stood alone in the living room and tried to calm myself down; it worked for a minute as I ran back upstairs to grab mic leads then back downstairs when I heard the microwave ping!

Fed, watered and prepared I heard the doorbell ring and the ever laid back Mr Greg McSorley, 20 years served Bass player, and band gear fixer presented me with his usual enthusiasm for our latest gig. This time it was to be special.

I flung my gear into the back of his car and we set off on the thankfully short journey to North Star in the centre of Falkirk. It had been the best part of four years since we had played locally.

Snappy Singer

Snappy singer. pic Gary
Snappy singer. pic Gary

Stu and Derek were calmly setting up as hurricane Smith bashed through the doors with two guitars and a bag of leads. Two sighs later I flung the gear down and with my hands on my hips, I surveyed the scene. North Star looked the part, it was cosy and the tables had been neatly stacked away. I looked down at the empty floor and hoped that the free entry would tempt our loyal fanbase to fill this place.

Some diners were carefully tucking into their pizzas as I started to set up with the guys. It took a wee while to get the balance of the guitars right. Stu grew increasingly worried as he had to turn his guitar amp down 1. That’s -10 from the usual recommended rock level…

We balanced the guitars and then adjusted the bass slightly, Craig was dealing with the vocals and acoustic guitar which he mixed in well. Although there were no monitors on stage but we’ve played many gigs like that so it wasn’t a problem.

setlist

Setlist north star

  1. Home sweet home (Riot Act)
  2. Kill it Kill it (Weird Decibels 2)
  3. Educational suicide (Whapper Stormer)
  4. Show your face (Whapper Stormer)
  5. Joker (Weird Decibels 1)
  6. Just for today (Whapper Stormer)
  7. The rain (Whapper Stormer)
  8. Speak (Weird Decibels 1)
  9. Miss Asphyxia (Weird Decibels 2)
  10. The Ending (One More Solo
  11. Culture Creature (Firkin Outburst)
  12. Glass People (Whapper Stormer)
  13. Medley (Mix of One More Solo, Firkin Outburst and Riot Act)
  14. Wonder (Weird Decibels 1)
  15. Sofa girrrrl (Whapper Stromer)
  16. It’s who you know ( Weird Decibels 2)
  17. Vancouver (Whapper Stormer)
  18. Cold calling (One More Solo)
  19. Rosie (AC/DC)
  20. *last minute request Deliverance (Weird Decibels 1)
  21. High heels (One More Solo)

Our guests

After all the soundchecks were done Kevin Byrne kindly stepped up to entertain the crowd; he played a few acoustic songs which went down well with the audience.

It was fast approaching quarter to nine and the incredible Buzzards of Babylon, great friends of ours, took to the stage. By now numbers were starting to grow and the placed was getting warmer. The guys rocked through a tight and dynamic set with some hilarious banter from their captivating front man Rab Dempsey. A superb set from these guys. Suddenly it was game on!!

More people piled through the door (some literally) as the charged atmosphere added to our excitement. Nerves were kicking in now, we hadn’t played a lot of these songs live for years. I forgot the riff to Home Sweet Home just minutes before we were due on. I was snapping at the guys as the adrenalin was flowing. Guitars weren’t tuning and the mics were squealing feedback.

However when I hit the B chord of Home Sweet Home it all clicked in. The sound settled for a while and we burst into the opener from Riot Act. It was an apt song for playing back to our hometown of Falkirk after a few years trying to spread our name in Glasgow.

Going Back to the 90’s

Derek on fine form. pic Byrne
Derek on fine form. pic Byrne

The first third of the set flew past; after new single  Kill it Kill it was nailed I placed the guitar down; in that moment I was transported back to the Martell in 1995 when I was simply a vocalist. We played Educational Suicide and Show Your Face Soon. It was brilliant to be able to run about the stage without the guitar.

I loved singing Just for Today and Vancouver as well; the heat was building and I was gulping more water in between the free beer supplied by the venue (nice touch North Star).

The Ending was a bit wobbly, Greg couldn’t quite nail it and it took us until the end to find our feet. I made a hash of the end as well. So yeah there were a few mistakes on the night but what the hell, it was fun.

I lifted the trusty old Tanglewood which was nestled in its rack; this was the first guitar I had bought and became fused with our late 90’s sound. Culture Creature was the best song to come from that era. It sounded good although I didn’t nail the solo. Stu managed to carry us through that part. Derek and Greg kept things solid.

Glass people was next; the first time in perhaps 15 or so years the public it was pretty much spot on and once again the indefectible Stu nailed the solo; the chatter in the venue had lowered to a murmur as the crowd took in his playing.

The mood was changing though, restless perhaps, it was time to turn it up a notch so we played our first ever medley.

The Medley

We had many requests from our kind kind listeners; these included Hell Never Felt So Good, Underachiever and Fighting With Forever. We wanted to fling in Brought A Gun and the Nirvana version of the Vaselines Molly’s Lips before leaving the guitars to ring into Wonder.

As we switched from Hell to Bought A Gun I screwed up the change; with a shake of the head from Derek we soldiered on and got the rest right much to the delight of our listeners who were pleased with the new take on old songs.

The Final Straight

Stu gets the crowd going. Pic by Gary
Stu gets the crowd going. Pic by Gary

Sofa Girrrl was a riot; by this time I had a few beers and was trying to get the crowd to sing along to songs they might not know. So I dived away from the stage in search of some backing singers and a special dancer. Rooz stepped up and we Sofadanced through the 3 mins of punk. A superb moment.

New song it Who You Know burnt out the last strings of my vocal chords but the guys were now in full rock mode. We reached Rosie, our 2nd last song, or so we thought. The chants of (the much missed) Dave Broon echoed through the Star from our friends as Derek and Stu started our famous cover song.

After the guitars rung out my father stepped up to the stage, ‘you need to play Deliverance! There is a guy from Stockport here just to see you!!’ That guy turned out to be Falkirk bairn Harry Watson who had traveled 234 miles to take in the sights and sounds of his home town.

After Craig kindly allowed some more time (past 11pm now..) we launched into Deliverance. I disappeared into the crowd, guitar in hand. Stu was in stitches wondering who was going to sing the choruses!

friends! Pic by Juls
friends! Pic by Juls

We ended with one of the most requested songs in our history, it’s always the same voice that shouts for it! High Heels, Wilson’s favourite ended a superb night for us. As Stu And I played back to back during the solo it felt great to be on a Falkirk stage again. I went out into the audience and I was surrounded by people that had came to see us. It was a great  moment.

The Merch stand is open!

Merch did well, Derek set it up rather nicely, a great effort. We sold a number of Tee’s that Greg had spent hours making. We shifted a few of the back catalog CD’s as well. Thank you everybody.

The Buzzards were Buzzing!

Rab asked for a guide to Falkirk pubs that would be open until 3am I gulped… the adrenaline was seeping away, and my bones were aching. These guys meant business. Greg was the only Decibel to rise to the Buzzards challenge. They stayed up to 3am downing shots and proving that Stu, Derek and myself may have to brush up on our rock and roll skills.

The Greatest of Nights.

A fine night in the North Star. Pic Byrne
A fine night in the North Star. Pic Byrne

It was a great night at North Star. It’s a neat wee venue for bands to play and we would like to thank Craig for having us on. Both Kevin and the Buzzards were brilliant, the latter clearly looked like they were out for a party all night and morning. The crowd was brilliant as well. Many of you turned up to support us and it was nice to see the place full of much loved friends and family.

So thanks once again for your support. As we say so long to our first 20 years and look to the years ahead.

With a new album due soon we must acknowledge that it would never have happened without you. Our wonderful Weirdos..