CD 030
“I want to look up to a shelf and see it full of our own CD’s” Derek once said this to me as we were putting the finishing touches to an album years ago. I can’t remember which one but it was early in our career and I thought it was a wonderful target to have. Some 17 years into its existence HMR or HameMade Records has now reached its 30th release.
We are not signed to any label, we have, for various reasons, been ignored by the record labels so we decided to catalogue our own releases and this directory became HameMade Records or HMR. Before the taxman knocks on the door HMR is not a record label or a company, but you never know someday we might just make it official. So below is the catalogue and a look at each release; I hope you enjoy this look back at our work so far.
CD001 P H Smith ‘Twist And A Turn‘ LP 1999/ re 2001
Things are a little back to front in the early years of HMR my solo career started after the creation of Weird but before the start of HMR. The label (let’s give it that title for now) started when I converted my early solo records from DCC tapes to CD. The first conversion was my third solo record ‘Twist and a Turn’ which was an undisciplined record but a guy in his early 20’s starting to find his songwriting guise. It was also my only ‘break up album’; thank goodness.
CD002 P H Smith ‘Monkeys On A Stage‘ LP 1999/re 2001
The second HMR release was my second album the lop sided ‘Monkeys on a Stage’. There were some good moments on this album and some bad, experimenting is so important in music and when you have nothing to lose you take risks. But this was a bit of a mess.
CD003 P H Smith ‘Gods In The Kitchen‘ LP 1998/re 2001
Debut solo record ‘Gods In The Kitchen’ is not great but it was essential to start cutting my recording teeth. Had some good moments like the desperation in the track ‘Isolated’ but I’ve no idea what I was trying to achieve with ‘Gods In the Kitchen’ (the title track) and ‘Eve’s Song’ (sorry sis) messy songs.
CD004 Weird ‘Cold Home Street‘ LP 2001
The first HMR release from Weird (Decibels) was our third ‘Cold Home Street’ which is arguably Weird Decibels poorest album although it does have its moments. It’s a pity the recording was pretty bad. It’s fair to say that HMR got off to a slow start!
CD005 P H Smith ‘Let Autumn And Winter Pass‘ Single 2002
Armed with a new digital tascam 788 the work load did not ease and this song was the only single released from ‘The Armour is Broken’ it also had the errie B-side ‘The Armour is Broken’ this time experimenting went well but this tale of an android getting attacked by his enemies was too abstract to appear on the album.
CD006 P H Smith ‘The Armour Is Broken‘ LP 2002
These moments are why I write and record music. Occasionally you hit form and I feel that I did in 2002. It had moments that I still enjoy today, ‘Let Autumn and Winter Past’ and ‘Frayed Ropes’. You write music to make music you enjoy listening to, I’m not ashamed to say I enjoyed listening to this record and the CD accompanied me on my long walks with the dogs in Killin. God I miss the boxers…
CD007 P H Smith ‘Scraping The Barrel’ LP (b sides) 2003
This was a double CD full of rough recordings B-sides and throw away recording from the early 4 track era. Some interesting stuff. Again it is so important to be able to experiment and discover your musical tastes and ability. There are many moments on this record that would challenge even the most liberal listener! Not released
CD008 Weird ‘Whapper Stormer’ LP 1995/2004
In 2004 we finally got round to recording the album we had written in 1995 the rumpus grunge infected Weird debut ‘Whapper Stormer’. HMR’s 8th release was the first album we made. This album remains a favourite of mine some 21 years after it was first created. There is an innocence about it; however it does remain sharply observant.
CD009 P H Smith ‘Mallaig ep‘ EP 2004
After the ‘Armour is Broken’ I got a bit of that old ‘writer’s block’ and scrapped an album that was in the works. The only tracks to survive the cull ended up in the ‘Mallaig EP’ which had a nice track called ‘The Morning’ and ‘Tied Down and Useless’ was not too bad but the EP trails off towards the end.
CD010 The Seventeenth ‘The Unit Manager’ EP 2003
Things are a little confusing here as the HMR catalogue numbers and release years seem to not relate. Thinking back the Seventeenth EP’s were recorded around 2001/02 but took ages to eventually surface. There was also a reluctance from Jon to add the Seventeenth recordings to the HMR roster; this explains why the 1st EP is not in the catalogue. When he left I catalogued EP2 and 3 which perhaps explains the strange order. Not a bad EP, nice tunes that are not recorded particularly great.Hopefully we’ll be able to re-release this.
CD011 The Seventeenth ‘ep 3’ EP 2003.
The final release from the Seventeenth a rather good EP that highlights the disappointment I felt that The Seventeenth did not do more in our 4 years together. ‘Hindsight 2002’ is a highlight. Hopefully this will be re-released soon.
CD012 Sllablo ‘9 Hours’ LP 2004
the most fun I’ve had recording. This new artist to the HMR roster was Derek and I having a lot of fun recording music. A very limited release and now one of HMR rarest recordings.
CD013 Weird ‘Cold Calling ep‘ EP 2004
I can’t recall why we released an EP which had 3 albums tracks and 1 additional song ‘This Is The Last Time’ which was taken from the Sllablo album. This EP was perhaps a demo that was to be distributed to eager record companies around the world.
CD014 Weird ‘One More Solo‘ LP 2004
Now 14 releases into HMR’s existence and the shelf was now half full; Weird’s comeback One More Solo’ is a whole lot of fun with a whole lot of bass! ‘Waiting On the Sound Of Your High Heels’ remains one of our most widely known tracks. ‘The Ending’ and ‘Easy Way’ help, define this record.
CD015 K Byrne ‘ep’ EP
Great 4 track EP from Kevin Byrne recorded in two sessions; criminality Kevin did not record anything after this despite several nudges from me. (he did go on to have a massive influence on Morningday). Final track ‘Feeling Like I Can’ is a HMR highlight.
CD016 Weird ‘Official Bootleg’ LP (b sides) 2005
I was brought up with bootlegs, my Dad loves them and he played Grateful Dead LP’s throughout the years as my young ears listened. I waited years for someone to bootleg us but it wasn’t happening so I did it myself. I waded through a box of tapes and CD’s and found some wonderfully quirky recordings including a four track capture of us playing at a BBQ ( I think that’s on Bootleg 2). There was radio clips and live performances lying unattended for years. It was wonderful putting this together.
CD017 P H Smith ‘Fortune Favours the Brave‘ LP 2005
A rather pedestrian LP from myself as my solo career treaded water. I was getting fed up with the guitar singer setup. It’s not all bland there were some good tracks ‘Don’t Go Far’ being one.
CD018 Weird ‘Firkin Outburst‘ LP 1997/2010
Another ‘finally getting around to recording an album’ record. Firkin Outburst was recorded on several different studios and machines. I stitched it all together, we had to watch old videos of our rehearsals to remember some of the songs. Dam alcohol.
CD019 Weird ‘Riot Act‘ LP 2007
During these years Weird reduced their live appearances and played a lot of cover songs however we still had time to release the ‘Acts’
CD020 Weird ‘Quiet Act‘ LP 2008
Weirds first fully acoustic album and is rarely mentioned by our loyal listeners. It was also the first Weird album not to have the band name on the cover. This caused a ruckus, I hated the name. Adding Decibels has helped! Its an album we had to do; it would help focus our creative minds for what lay ahead…
CD021 Sllablo ‘The Weekend’ SP 2008
No cover art
More focused follow up to the first Sllablo; it had some good tunes including ‘ The Window’. We never officially released this mini album.
CD022 Weird ‘Official Bootleg 2’ LP 2009
Another collection of demos, b-sides and an interesting re-recording of ‘Easy Way’ perhaps not as dynamic as the first bootleg. Not released.
CD023 P H Smith ‘Creeping Ash‘ LP 2009
My 6th solo record had its moments. I couldn’t resist starting another album but this was a struggle to finish and after I had finished I swore I’d never record another acoustic album.
CD024 Weird ‘Live at the Lodge’ LP 2009
This album was a live recording of cover songs; on the last day of the Quiet Act sessions we set up the mics and hit record. A fun record that we have never released but it was included in the HMR catalogue. This was not released.
CD025 Weird ‘Live! Tonight! Not Completely! Sold out! LP 2010
Our first recorded gig up at the Argyll that Derek had owned for a while. A mixture of original and cover songs. The sound was not the best but it had feeling. A limited release.
CD026 Weird Decibels, ‘Weird Decibels 1‘ 2012
It’s hard to know where Weird Decibels 1 came from; it hasn’t changed our fortunes we are a still an unknown band but it changed a lot of things for us. We had written a great album, ‘Wonder’, ‘Speak’ and ‘Joker’ were credible singles and the ‘Wonder’ video went down well within our community. We played a number of shows in Glasgow and it felt great to be back on the scene. We even added ‘Decibels’ to our name (try typing Weird into a search engine…). We were still writing songs in the same room, so I guess we hit a run of from. It was after Weird Decibels 1 that I was convinced that your best work does not have to be in your early years. This is a great album, the recording is also one of our best if a little harsh. Remember we do all of this ourselves hence why it’s HameMade.
CD027 Paul Henry Smith with Kevin Byrne and Jemma Burt, ‘Morningday‘ 2014
Despite promising never to write another acoustic album I could not resist. I had a new studio and it gave me fresh enthusiasm to record songs. Halfway through the sessions the writer’s block came back with a big old bang. I remember on a cold December staring out into the garden, my guitar resting on my lap, I thought is this it? I worked through it; armed with a sampler I started to programme beats which gave me a new angle in which to write songs. Then I hooked up with Kevin Byrne and Jemma Burt (now Quinn!) to record Morningday. They were vital to pushing this album in an enitrely new direction. An album i’m immensely proud of.
CD028 Weird Decibels.’Weird Decibels 2‘ 2016
After a quiet two years 2016 brought in a flurry of celebrity deaths and HMR records. The first of the year was Weird Decibels 2. A short album that was extremely difficult to write. Naming the album Weird Decibels 2 was the first mistake; we had the mindset that this was a follow up to Weird Decibels 1 when really this was an album on its own right. With lots of hard work we turned it around and it proved to be a great wee album with one of our most accomplished sounds to date. It was also our most expensive album to date costing around £400!
CD029 Smith & McCairney. ‘Hero or a Villain‘ EP 2016
With the arrival of children (and jobs) comes ‘downtime’; there were nights when Weird Decibels could not make practice. Stu and I were lucky enough to be able to meet up and experiment with riffs and the sampler. We recorded 5 songs and these lay around for two years until Stu pushed for the record to be finished. When I attempted to mix it things were not as good as they could be so que a few re-records and completely new ideas for the old songs. Stu and I were so pleased with the result; ‘Hero or a Villain’ has an accomplished sound that while not quite up to professional standards, does show that we are making progress and we learned a lot from this record.
CD030 Weird Decibels ‘Live at the North Star’ 2016
Sometimes I over do it. We played a gig with The Sonic blue and Rabid Dogs. The soundman let us down do I was tasked with doing the sound of the night, I also decided to take the desk. I recorded three bands while monitoring the live sound; far too much. We played pretty band that night but I salvaged some of the songs and this album was born which while a little loose, has a lot of passion.
HMR releases without a CD catalouge number.
Weird Decibels, Weird Decibels 1.5
Paul Henry Smith with Neil Logan. Self titled EP
Paul Henry Smith ‘The Man Who Learned to Live Without a Heart’ EP
So it’s all fun, a lot of hard work and it’s all Hamemade.
Pabs
