Tag Archives: metal

Demo tapes to Dropping

We’ve just ‘dropped’ a track; right now people all over the world can listen to our brand new song ‘Take the Blindness From Your Eyes’. This is a far cry from our first ever recorded release. A three track demo tape recorded and released in 1996 on cassette tape. I remember to this day when we drove home from the studio putting the tape into the car stereo and being blown away at hearing our first record.

IMG_20171215_192943905 (1)
we were chuffed with our first sleeve for our first demo tape.

The Rain, Vancouver and Chameleon were recorded at Split level studios at Ingliston, Edinburgh, it was a great experience for a young band. The reel to reel tape spun at the back of the mixing room as we laid down our the tracks that we thought would break us into the music scene.

The tracks were all mixed down to a DAT tape master and we nervously took this small cassette (which we couldn’t play on normal cassette players) to a duplication service called Chow Productions. While they could print out several copies of the tape artwork and print on the cassette they couldn’t duplicate the music from the master; so they printed off a batch of blank cassettes with our artwork. We had to get the DAT onto a CD and manually recorded the three songs onto the printed cassettes. This was done by a specialist who was able to convert the master DAT to a CD.

IMG_20171215_193019237 (1)
can you spot the three songs that would appear on our first album!

Our first demos would be packed in padded envelopes with a typewritten letter explaining who we were (an early version of a bio I guess). There were computers around in 1996, it’s just we didn’t have any. I got some addresses for record companies out of the NME and Melody Maker listings and sent off the package envelopes with the demo tape and hoped for the best.

CDRs became mainstream around the late 90’s early 00’s. The studios we were now working with handed us a shiny disc with our new demos. The world of home studios and doing this for ourselves was still a couple of years away. We would get these CDs duplicated then, in a similar way to the tapes, we would package them in a padded envelope and send it off to record company addresses that we found in NME and Melody Maker however this time we had a PC that we could print of letters with pictures.

IMG_20171215_193109814 (1)
By 2004 we were regularly sending off demo CDs

As the 2000s surged into middle age we now had our own studio gear and were recording our own demos and albums. The first self recording was Cold Home Street which we burned to CDR. After this we upgraded to digital multi track but CDR was still the format to send stuff to the ever silent record companies.

By the time we were recording One More Solo the internet was screeching (kids won’t get this ) into existence and loading up at around 500k, MP3’s were creeping in and the ipod was taking off. Bebo arrived and we were now sharing our music in a more direct route to our followers. Back then it was customary to let listeners hear 30 second previews of the track and they would buy the full MP3 in a frenzy of rapid Weird Decibels anticipation. They didn’t. However some people were still buying music but there was no doubt that the free tier was on the way and Radiohead’s In Rainbows, pay what you want, strategy was an interesting experiment. To be fair bittorrent, the pirate bay and napster had already set (arguably illegally, but record companies were still in the stone age) new ground rules and while they were now being dismantled by the ever eager record companies (who were still not calling us) the music distribution models had been changed. Many listeners were no longer paying for music.

Riot Act and Quiet Act were never sent to record companies, they were uploaded to the internet however CDs were still very much important to print as we had a fanbase that wanted them, we still have some if your interested. Shop Bandcamp

After a lengthy pause between Quiet Act and Weird Decibels 1 the music industry was changing rapidly. Spotify had arrived 2008 to try and muscle in on iTunes. It did in spectacular style. We were slow to adapt.

Weird Decibels 1 was released in 2011, demo tapes were now a long way off however we were still printing limited batch CDs. We tried to make WdB1 more attractive by offering a tiered approach to our music. You could listen free on Bandcamp, buy the normal CD or order the limited edition CD with added an artwork booklet, which we sold out of.

We also had to consider a growing number of formats including WAV, FLAC and ACC. Streaming was now a growing force; downloads still made us money though. We finally made the jump to streaming via a digital distributor. We could now effectively be our own record company.

Roll forward to 2016 and Weird Decibels was printed on CD and sold less than WdB1 however most of our top stream tracks are from WdB2 . Now we could see who was listening to our music, a slight nod of pride arose when we saw significant activity in South America and other far off lands.

Of course we were still behind the times, many artists were now ‘dropping’ tracks, no hype no fanfare, just uploading songs for people to listen to. Vinyl had also made a massive comeback. This appears to be out of our reach at present. The mastering techniques involved and the cost of printing are out of reach. Hopefully this will change.

blindness
Take the Blindness From Your Eyes is the first song we have ever ‘dropped’. Its a new approach to releasing music for us. We tend to write and release albums every few years.

So here we are now, we’ve dropped a track but now it’s getting harder to reach audiences without paying for promoted posts given that we’re not paid in the first place! Facebook isn’t helping, people are fed up with it, so we need to find a new way to reach an audience. Until we figure that out feel free to enjoy our new song.

Just a wee note, when we sell a CD at a gig it’s a huge thing these days. The money made from that single purchase can takes us months to raise on streaming services, So if you like a local act buy a CD!

Dear fellow bands please let us know what your first demo was!

Pabs

Advertisements

RiFF Showcase no.1 Sep 29th 2017

Behind the Wall 29th September 2017

Photographs by Eddie Mceleney. What Eddie Sees

Eindp Scotland

Band links:

Weird Decibels, The Nebulosity, Blind Daze and Thirteen

It all started on June the 26th; it was a Monday night, Dolly Robinson of 13 asked for local musicians to meet and discuss the possibility of a showcase for Falkirk’s harder edged music. A handful of local musicians wandered into the pub looking around for other band members that they had not yet met.

20626510_768477636657926_2741107651420001471_o
This was the 2nd meeting at Behind the Wall. Pic Eindp Scotland

Peter Gilbert and Nathan Paterson both from Blind Daze, Alan Costello of the Nebulosity,  Bob from the Star Inn, Craig Hayworth and Dolly from 13, Rory from Eindp photography and myself sat around a table in Behind the Wall’s conservatory. One of the things I remember Dolly saying was “I don’t want this to be another pub gig”, he had a vision for a showcase for a number of bands.

The venues that were being suggested were bigger than I imagined. The Warehouse and the Loft upstairs at Behind the Wall. I was thinking of smaller, more intimate venues akin to the Happening club, somewhere were 40 people would make the place looked packed. We settled on Behind the Wall, I felt that this was ambitious for the first RiFF showcase. Start small I thought, then build a scene.

One thing was clear from the first meeting that all the bands were heading in the same direction, some felt ignored by the local scene and others felt there was no scene. I was in the middle. We’ve played some great gigs in Falkirk recently and been to see many great bands. One thing that was missing was harder, in your face, alternative music.

riff logo
the RiFF logo was born!

We departed from Behind the Wall all with various tasks to carry out. The date was set, September 29th 2017 upstairs in the 180 capacity Behind the Wall. Now we needed to get a crowd through the door…

Rikki Tonner of Afterglow offered much needed advice, Bob from the Star Inn offered help, The Bunker offered gear. It was looking good for the setup. We set up the usual social media pages and I contacted the Falkirk Herald, James Trimble was happy to be on board.

herald

A few weeks later I was back in Behind the Wall. Craig Hayworth and I stood outside the pub at 11am like a pair of keen drinkers waiting for our first pint when we were actually waiting on James. He arrived clearly happy to get out of the office, notepad in hand, pen at the ready.

Alan Costello bounced in the door just as we were starting the interview, slightly harassed having just awoken after a shift he was keen to be part of the article. We repeated the RiFF community’s philosophy that RiFF bands will support each other whenever possible. It was a pleasant chat over a few coffees.

Everything seemed to going well but the tickets were slow in selling. I hoped that the old tradition of an article in a newspaper would help raise awareness.

The bands worked hard to spread the word. It was now just a couple of weeks to go, more people were starting to commit. Craig reported an increase in sales at Noise Noise Noise. Word was getting out, people were sharing posts. Maybe, I thought, we’ll reach 50 or 60 sales and the place will at least look busy.

Now with just days to go, we had more of our fantastic supporters wanting tickets, again Craig said that tickets were selling. We put all the figures together we were looking at around a 100, Now I was getting excited, was this really going to work? Was this going to be more than just a pub gig?

The Night Of The Showcase

It was a bright September day, reds and ambers now appearing in the trees. Time had flown since RiFF was created back in June. Greg came to pick me up around 3 and we headed off to the Bunker, a rehearsal studio in Bonnybridge. Daniel McGibbon was most helpful giving us the backing. Two amps, a bass cab and a full drum kit. Greg recalled his Tetris skills and we managed to carefully pack all the gear into his car.

IMG_20170929_163323934
22 years of packing gear into the boot of a car pays off. pic Pabs

After fighting through the Falkirk traffic we finally arrived at the venue. Upstairs we were greeted by a cheery Jim Dunbar, he was busy setting up the rig. Blind Daze drummer Craig Scott arrived to help and together we set up the room for the showcase.

The other bands started to arrive and we had a brief soundcheck, the stage was set. I stood at the door with Craig Hayworth; I was getting slightly obsessive about the door opening. Bang on half 7 the first people started to arrive. They didn’t have tickets…they were happy to pay at the door and I saw those guys stay the whole night.

22181583_1438222239560926_8425374306815496701_o

More people arrived, some with and some without tickets. Stubs started to pile up under the cash tin. Craig Scott came over to let Craig Hayworth run the merch, again we were all working for the cause. It was now around 8 and there were people streaming through the door. I looked around after tearing stubs and couldn’t believe that the place was packed.

22096278_1438208502895633_8872665612341926127_o
pic eddie mceleney

Our stage time of 9 fast approached. When we stepped under the blue lights I could see rows of people awaiting the first riff to be played. I was stunned and excited. I picked up the guitar, looked at the rest of the guys and started Kill it Kill it. It was an immense feeling and I was driven by the crowd. Every Time I looked up I could vaguely see people appearing to enjoy the music. When we stopped songs there was a great cheer. It was a fantastic feeling.

IMG_20170929_204244375
half a pint and a full set to go? Not good. Pic Pabs

Setlist

  1. Kill It
  2. Speak
  3. It’s Who You Know
  4. Feeling
  5. Quoted
  6. Miss A
  7. Joker
  8. Medicine
  9. Deliverance
  10. I Hear the City
  11. Industry

The set flew by and it was hot. I’ve  no idea how Greg didn’t pass out wearing his big patched jacket. My guitar cut out at Deliverance, three songs from the end, so it was back to old school Weird with myself on vocals and Stu doing all the guitar. Before ‘I Hear the City’ I tried to plug the guitar straight into the amp, passing by the pedal board. It worked and we finished the set with ‘Industry’ now becoming a regular finisher.

The Nebulosity stepped up next and they played a blinder. I missed the first couple of songs, although I heard them through at the bar as I waited patiently for a pint. The staff looked a little overwhelmed by the size of the crowd, (Derek may disagree with ‘overwhelmed’). However I got back to the door duties. I would like to say I could see them but the place was packed. Alan Costollo looked like he was loving it, flinging his hair about. The music was heavy, this was what RiFF is all about. Again the crowd was brilliant, they got a large response from every song played. The crowd were watching all the bands not just their own and this was fantastic.

The night now jumped into the second half, time was flying. Up stepped Blind Daze to deliver a solid set of rock with some really slick guitar play. Craig Scott’s drumming kept the band really tight it was a great performance and they clearly enjoyed it as much as the previous two bands. It was great to see most of the crowd staying. Peter Gilbert really looks like he’s enjoying life as the vocalist of Blind Daze and Nathan Paterson handles his bass duties with aplomb.

22135445_1438222402894243_2427894329235994690_o

Remember when Dolly said right at the start he didn’t want the showcase to be just another pub gig. When he stepped onto the stage he must’ve felt a sense of achievement. He helped bring it all together and admittedly he had his ups and downs. When the ticket sales were low he wondered if the event should be cancelled given that the bands were paying out of their own pockets. This defines the ups and downs of being a musician yet to make a living out of the art. But he and the rest of the RiFF community stuck through, and together we all stood in the same packed room as 13 played with huge grins on their faces.

It was another fine set, a mixture of songs from their records and covers. Greg Breen is probably the busiest musician in Falkirk at the moment, now full time drummer with the band and of course he has the Sonic Blues going as well. Craig Scott really took in the event, he was bouncing all over the stage, (thank goodness we extended the size of the platform…). It was an excellent end to the night.

I was now a few beers in and had a slight sway in my step, last orders were shouted and the crowd slowly started to filter away leaving the RiFF community alone in empty to venue to try and comprehend what had just happened.

The RiFF Collective Look to the Future.

The ticket stubs were counted, 140 tickets sold; this was nearly a sell out. The RiFF showcase was a tremendous success. After all the costs were met the bands evenly split the money, it was a great feeling to get something back and merch had been selling as well.

22104401_1438189089564241_8285329157937902579_o
pic eddie mceleney

Our attention now turns to future showcase events; many people in the audience commented on how they had never seen a heavy alternative music event for many years so perhaps there is a scene in Falkirk waiting to be uncovered. So now it’s all about timing and getting new bands on board. We’ll never know where RiFF could go, perhaps it will grow and local bands will have an opportunity to play shows of this magnitude. It’s a hard edged music scene Falkirk really needs.

22219711_1438208666228950_7743346787508502045_o
pic eddie mceleney

It’s a night that Weird Decibels that will never forget; we were delighted to be a part of the first showcase and we hope that there will be many more, giving other local acts the chance to meet new friends and a new audience.

Once again RiFF members will gather around a table to discuss the next showcase with a new meeting planned for mid October. Who knows what the next showcase will bring but one thing is for sure the bands involved and the crowd that came to see us will never forget what happened at Behind The Wall on the 29th of September. It definitely wasn’t a pub gig.

22219690_1438208506228966_1314650562636649065_o
pic eddie mceleney

Pabs ( a proud member of the RiFF community. Get involved.)

WTF is RiFF?

 

riff logo

WTF is RIFF?

Harder edged music from the Falkirk area. The music that often gets ignored, hard punk, rock and metal and the three main genres that RIFF shares but there are many more that need exposure to the local scene. RiFF bands aim to support each other by attending shows, sharing and buying music.

13 (2)
13 have played all over the UK. They are look forward to helping the Falkirk scene PHOTO David Bradford

Why Would I Be part of RiFF

If you play in a band it can be the most rewarding experience you will have and it can also be the most frustrating. You want to grow an audience, so you start to play shows. When you are in a small band and you play live, you will spend much of the night wondering who will come through the door. Some nights will be busy others not so.

RiFF is a music community. All we ask is that you attend a local gig that is not your own. Not just RiFF bands playing, but any local music event that you find interesting. You don’t get a badge for attending loads of local events but you meet like minded people and many new opportunities open up.

So keep an eye on the RiFF Facebook page, like and follow the bands and if a RiFF band is playing try and get along to the show. You don’t need to go to every single one but if musicians supported musicians just a wee bit more then our scene would grow and more outside parties would become interested. Look at the success of the Fife music scene for example.  

Additionally if you become part of the community and you set up a Falkirk gig the RiFF community will do their best to support a fellow RiFFers gig. (we’re not promoters. Occasionally we will organise a Showcase and the costs are met by the RiFF bands taking part.)

Nebulosity-by Eindp Scotland
The Nebulosity. PHOTO Eindp photography

What bands are in RiFF (so far)

We have a number of bands that consider themselves part of the RiFF community. Punks 13, heavy rockers Blind Daze, the outer worldly Nebulosity and of course us (Weird Decibels). There will be more bands joining the community, there is no obligation to play gigs etc, just share your music, share others music and promote the scene. We welcome bands from not only Falkirk but elsewhere are well. RiFF has music, will travel.

Blind Daze photo Eindp Scotland
Blind Daze in full RiFF mode. PHOTO Eindp

What’s the Future of RiFF Then?

Time will tell! Riff needs people to be a success! The Showcase is the start and there may be more. The bands involved will play more gigs, the RiFF community will support them. Look out for a RiFF YouTube channel with music videos, future blogs, possibly Podcasts and of course keep an eye on RiFF bands releasing new music.

eddie30
Playing live is what this is all about! PHOTO What Eddie Sees

Ok, i’m sold, where do i sign!

Put that pen away my friend and hit the links.

Facebook Twitter drop us a message. You can email us at RIFFalkirk@gmail.com

If you play in a band, support other bands, create a scene.

 

We Played in A Prison (a story from 1996)

It was around 1996 when on a normal Wednesday night we gathered for practice, Stu asked us if we fancied playing a gig in a prison. He had a relative who organised entertainment for the inmates HMP Longriggend (which has since closed). We had reservations, as four young guys all we knew about prison was the stuff you saw on television. Prisoner:  Cell Block H was terrifying… However when Stu added that it would be our first paid gig we quickly manned up, did a few push ups and agreed to play.

We had to learn a few of our first cover songs to mix in with our own numbers; and we hired Jim Dunbar to do the sound. For additional support we brought our friends John Baines and Ruari Pearson. For the purposes of security Stu had to phone the prison with the names of our party. For some reason he couldn’t remember Ruari’s surname so under a bit of pressure from the gruff voice of the warder on the line, Stu said Ruari’s name was John, John Ruari…

Longriggend was located near Airdrie and as you drove along the winding B803 taking in the desolate back farmland your eyes would be drawn up the hill towards the walls of the prison, it was an eerie scene often shrouded by the clouds that hung to the hillside.

WDB Original 3 track demo photoshoot
One of our first photoshoots for our first demo

On the day of our gig we drove up to the gatehouse unsure what lie ahead. It was the late 90’s and while the prisons had settled back to some sort of normally after the turbulent start to the decade there was still an imposing welcome at the gate.

We gave our names. Ruari gave his; Rurai Pearson he said to the guard. Sorry we don’t have that name stated the gatekeeper. Derek whispered, today you’re John Ruari. ‘John Ruari’ said Ruari. Finally we were in.

We were led around to the games hall past the prison wings; the cell windows were adorned with steel bars no doubt there was an unknown soul awaiting his fate from the courts locked within. Barbed wire hung to every wall. Some of the inmates were having a kick about in a five aside pitch they took little interest as we passed.

The guard escorting us pointed to a parking bay and showed us inside the hall. Some prisoners were in the wing adjacent, staring at us through a grill gate as we went in. Intimidating to anyone first entering these institutions however to the guards this was just another backshift.

It didn’t take long for us to set up, Jim turned up the volume and it was loud. Time passed and slowly the prisoners shuffled into the hall in an orderly fashion and took their seats. Derek noticed a couple of guys from our school that had wandered onto the wrong side of the law. Not one of the guys heckled us, indeed they seemed happy to be free from the confines of their cells. When we started playing things changed slightly.

As we launched into our first songs some of the prisoners walked out to the toilet. A few minutes later they came back with toilet roll stuffed into their ears. Others sad impassively, some laughed as I tried to rock out to the music.

It was a fine gig though and our inhibitions were unfounded; for as we neared the end of our set the power cut and the lights went out…that was hairy but we got a warm round of applause at the end. It was nice to get paid, just a bit unnerving seeing the guard counting out the money in front of the captive audience!

A few weeks later Stu and I were in Glasgow picking up our printed demo tapes that were still to be filled with the audio tracks. As we headed down Sauchiehall street back to the station we heard a ‘hello’ from behind us. A young guy staggered towards us, ‘you guys played at the LRU didn’t ye?’ ‘eh yes’ we replied; ‘Brilliant you got me oot ma cell for the afternoon’. ‘I’ll buy wan eh yer tapes’ Stu tried to explain that the tapes were blank but he waved his words away. He handed us a couple of quid and stumbled down the busy street with one of our demos before disappearing into the mass of shoppers.

 

Rock On Tap

Words Pabs

Photographs Juls Sampson.

15874885_10154846400634519_1913607402288774797_o
photo juls sampson. Look at those lovely shoes I’m wearing.

Thanks to the crowd, Afterglow and everyone involved in the organisation of One Weekend in Falkirk  

2017 was just a couple of days old when the hype for the first ‘One Weekend In Falkirk’ music event was starting to build. It seemed as if a lot of people were genuinely excited and we were delighted to be part of it.

15304326_1259290460781164_6604840517104552863_o
another fine flyer from Rikki Toner

The Falkirk Herald got in the act with a full spread article listing all the events; our picture (taken by Kevin Byrne) took centre stage on the page. It was nice to see the local paper helping to raise the awareness of the gig.

One Weekend in Falkirk was hosted by the Write Angle with a little help from several people including Adam Donaldson and Afterglow music. It was five days of music, poetry, open mic and arts. We were asked to be part of the Rock on Tap, the Friday night at the Artisan Tap (Falkirk’s best new pub in years). We were also asked to recommend a band to complete the lineup and we could not look past the wonderful Buzzards of Babylon.

On gig day I was a little more nervous than usual as there seemed to be quite a bit of gravitas with this event. Also it was the start of January and I was worried that wallets would be lights and that would stop people coming out. After a small bowl of pasta I headed out with my wife kindly dropping me off at the venue. (when you get dropped off for a gig your first thought is often ‘beer’)

I was first, gear in hand it was nice to see the punters opening doors when they saw I was laden with an amp and guitar. In other venues you do not get this show of kindness. There was a good vibe around the Tap as people were tucking into their pizzas and burgers which looked damn nice but my stomach was not up to it.

dsc01887
Pic Pabs Greg, Derek and Stu take in the best street in Falkirk

Given that Artisan Tap had all its tables full of diners the stage was set in the center of the venue; the stage area was small but manageable so all was good. Slowly the bands filtered in, warm handshakes were exchanged between Blind Daze, ourselves and the young duo of Skelfs. When Buzzards arrived it was great to see our friends again and we shared some stories of gigs from the past. These stories often included many an ale and the last time the Buzzards soared over Falkirk they scooped up an almighty amount of beer that only Greg could match however this time it was strictly Irn Bru as some of the gents had commitments the following day including taking the kids to the Marvel stage show!

Soundcheck was fine, quick and straight to the point the mix from the stage sounded great at this point I started to look towards the bar, yearning for a beer but i didn’t want to over do it . Greg in his usual laid back style strolled up and ordered a pint at the back of 7.

The punters finished their meals and most stayed throughout the soundcheck which was a great sign, some of our crowd started to file in and the venue was looking rather busy. Skelfs stepped up first, these guys have only been together a year or so, now on a new lineup they had only played a handful of gigs to date. The played a set of bluesy rock tunes not dissimilar to the White Stripes and they went down well with the crowd.

dsc01890
Pic Pabs. Skelfs debut gig in Falkirk

The Buzzards of Babylon were next; they marched up to the mics and played a blinder. Monkey Knife Fight remains a favourite and they played a ‘ballad’ in reflection of the venue however it was a heavy brooding number. They also knocked out some blues with Eck showing his skills on the mouth organ although at one point it looked as if he just about run out of oxygen belting out the notes. Fine stuff.

dsc01895
Pic Pabs Nice tee Rab
dsc01901
Pic Pabs The masses approve

Our Falkirk peers Blind Daze cranked up the volume to 11 they have a good mix of melodies and pure rock, the place was busier now and the crowd soaked up the tunes. The band really seemed to enjoy the atmosphere.

dsc01907
Pic Pabs Blind Daze crank it up

Then it was us. We stepped up to a welcome applause and we were determined to blow away the slightly disappointing performance of our last gig. First tune Kill it Kill it was nailed and our confidence grew. As a rule we tend to play an easy track first to set us up.

We belted through the tunes and tonight I felt we were on form, then around halfway through the set, a familiar call came from the crowd. Once again our friend Chris Wilson shouted for High Heels. I asked the rest of the venue and eventually an almighty roar gave us no option but to play Waiting on The Sound of Your High Heels, which is great as I love playing that song!

I loved playing Feeling and Medicine; Curtain Hits The Cast went down well and Industry seems to have growing support as a set finisher which is fine by me!

As we neared the end of the set I could not help but pay tribute to Jim Dunbar who has been providing PA for Falkirk for many years, including our first gig back in 1995. To see him doing the sound for our gig 22 years later is simply amazing.

 

  1. Kill it
  2. It’s Who You Know
  3. I Hear The City
  4. Feeling
  5. Joker
  6. Quoted
  7. Medicine
  8. Wait
  9. Speak
  10. Curtain hits the cast
  11. Deliverance
  12. Industry

 

The set was over too quickly and before I knew it I was standing at the bar necking a few pints of Bitter and Twisted. The atmosphere was still great but by this late hour the crowd was slowly filtering out the door, I had the warm fuzz you get when a gig has went well. Stu was delighted, he tends to get very nervous even after all these years and you could see he was floating on the euphoria of a successful night.

I’m glad that rock music got its place in One Weekend in Falkirk and the organisers should be commended for that. The following night I went along to the Inverno event (more on this later) and from my own experience One Weekend In Falkirk has been great success; it’s been years since I spend a whole weekend both playing and enjoying acts from Falkirk and beyond. The venue, the atmosphere and the music all added to a brilliant experience. I hope this becomes our ‘winter’ event from Falkirk, yet another sign that our music scene is back and in good health.

 

Artisan tap as part of one weekend in Falkirk festival 6th January 2017

 

Gig Diary 22nd August 13th Note Glasgow

Weird Decibels live at 13th note 22/08/2014

Our names in lights
Our names in lights

A few months ago at practise, Derek suggested that we run and promote our own music night for a change; give the promoters a wee break. So Derek, Greg and Stu ( I was kinda leaving it to them to be honest) fused their music biz minds together and came up with SYTB promotions.(if you’re wondering its Strumit, Yellit, Twangit and Bangit)

A venue was needed, 13th Note were offering their excellent venue plus sound man for a very competitive price. It seemed too easy. The only thing we needed now was other bands.

DSC00268
a solid performance from the Dark Arts

We talked about the bands we have played with over the years and wanted a good mix of styles for our debut event. Up stepped Miss The Occupier, Dark Arts and Ciceros Secret. Three fine and very different bands.

Here is the story of the night.

The first thing that surprised me was my car; the boot swallowed up the bass amp plus two guitar amps without so much as a shrug. Gear packed we battled though the rush hour traffic back to the city of Glasgow which is still basking in the after glow of the Commonwealth Games.

IMG_20140822_174646071
derek couldn’t wait until the photo was taken and kept eating nom nom

We arrived early so I had time to sample some of the 13th Notes grub. Its all veggie; to be honest I could do with a night of the red stuff so I ordered a cracking veggie burger. Once we were fed we headed down stairs to one of the cities most iconic wee venues. For a band our size it feels more like home; even a modest crowd fills the room so that settled us.

The sound check went smoothly; the other bands rolled in. It was nice to see Jon from the Dark Arts; we played for a least three years together in the Seventeenth. Now I’m not saying it was a time of high fives and fist pumps, we had our moments, but it is a time I look back fondly on; it was nice to see the fella again. I was tempted to ask if he still listens to the old Seventeenth records (I do) but I let that one pass.

Ciceros Secret arrived; they are a nice bunch. We played with this young band back in November 2013 at the Garage Attic that was a crazy gig; their fans stormed the stage and the place turned into a mosh pit.

Miss the Occupier are friends of our friends and it was nice to meet them.

Now that the greeting were out the way it was time to get down to business.

The wonderful Miss the Occupier
The wonderful Miss the Occupier

The crowd floated in as Miss The Occupier took to the stage playing a fine mix of their own tunes which reminded me of Joy Division, they had a really clean, punchy sound; Roz the singer owned the stage. The crowd swelled and the temperature rose; the 13th Note atmosphere was here!

I really enjoyed their set you should check out their excellent video on YouTube

https://www.youtube.com/watch?v=OPZrhr5Pbn8

Sometimes it good to hear something you know, the Dark Arts provided a cracking set of rock covers for the now packed audience. Pearl Jams ‘Even Flow’ was excellent; Jon was particularly good on the bass. He had his sound spot on which was not really a surprise given that he was a perfectionist back in the Seventeenth days.

It was our turn to step up and time was pressing I’d be lying if I said I wasn’t a little rushed. I quickly set up the gear and we were ready to go. Or so I thought.

Set list

  1. Speak

  2. Kill it! Kill it!

  3. Miss Asphyxia

  4. Wonder

  5. Little Thoughts Lost

  6. Deliverance

  7. Joker

  8. I Hear the City

The heat the rock it was all there
The heat the rock it was all there

We started well with the now stable Speak which often opens our set. This flowed nicely into Kill it! Kill it! Slight confusion at the intro but generally nailed. Then it was a wee hello to the crowd; straight back into Miss Asphyxia. By now I could hear my guitar on stage and it seemed out of tune but we flowed onto Wonder where Stu held the notes. A quick tune up confirmed that the G string was well out (har har). That fixed we moved on to a strong finish. New song Little Thoughts Lost got a little lost in my head! However Deliverance, Joker and new favourite I Hear the City went down well.

It was good to see the crowd right next to us; I was pleased everyone had stuck around to the end. It was hot; my shirt and tie combo was beginning to feel like a bad idea.

Before I knew it we were done and quickly packing up the pedals to allow head-liners Ciceros Secret on.

These guys are in their late teens; their music is high energy experimental metal. Its loud and in your face and I hate to say it but it took me back to the days when we started 20 years ago! Long hair waiving, loud music, playing hard and fast and not caring that some of the crowd were now starting to disperse into the late Friday night.

For those that remained they were treated to a brilliant show; their guitarists weaving through the crowd not missing a note. They were a brilliant end to the night.

We learned a few lessons on the night. Bands will run over, its natural with live music. So I’ll try not to rush my set-up in future. All in all it was a very successful night.

Final thought goes to our fans. Given that many of you have now seen us live many times we feel we are in a unique place that we have a group of friends that want to come tine and time again. The effort you guys make is quite simply brilliant. Thank you for keeping the band live.

Thank you WdB fans!!!
Thank you WdB fans!!!

Pablo likes…(discovering music)

From time to time I will dive into the digital sea of internet sites that offer a quite often bemusing amount of music to listen to. Here is what I liked on the 12th of July 2014

Famine, Famine

https://wooaaargh.bandcamp.com/album/famine

Simple cover, straight to the point. A bit like the album
Simple cover, straight to the point. A bit like the album

Fast and uncompromising metal Famine, from Germany, deliver a short sharp jab of crunch. Littered with samples of what sounds like physical pain and the odd quote the interlaced tracks on this album are short and brutal. There is not much in the way of information. http://www.wooaaargh.com/ the website takes you to a German site with similar artists and similar themes. This is guid though, that’s if you have a sick fetish for a short and sharp kick in the ears now and again. I love the guitar whammy bend in the riff played on the 53 second track ‘Stacks To Buy’. Try it.

 

 

 

 Caves, Homeward Bound

 

https://specialistsubject.bandcamp.com/album/homeward-bound

CavesSnappy punk wanders away from the slick sound I often stumble on while scouring Bandcamp. You can here the buzz of the amps, it sounds live and I like that. Its fast and it sounds underground. Their album starts strong ‘Time and Time Again’ and title track ‘Homeward Bound’ are impressive. These guys sounds young, it seeps through their music. The energy flows into your ears, gets the head nodding and the feet tapping. It sounds like one or two takes were played to nail this. Magic. Signed to Specialist Subject Records who seem to share the liberal feel of their music. The slogan, ‘Download Everything Free’ hits you when you navigate to the labels site. A two piece with Lou on guitar and Minty on bass and vocals. A quick look at the photos on Facebook shows you that the energy on their record evidently overflows into the gigs.  New Year/New Start finishes the album with a nice acoustic texture, these lads from Bristol (nice city) have been a worthy listen tonight.

 

https://www.facebook.com/wearecaves/timeline

The third and final recommendation is from The Lucies, Houston Texas

The Lucies‘I’m Afraid Of People Cutting Me Out Of Their Life’  is rather beautiful, a sleepy soulful song recorded and written by The Lucies, information is spare . This album is a self confessed lo fi experimental recording and admittedly the 2nd track is too harsh a change from the beauty of the first. If you can climb over this track the rest of this short record is rewarding. ‘Out Of It’ recovers with the title track, tape hiss and all. The beauty of  this music is the spontaneous nature of the recording, the hit or miss. This is what is absent from mainstream music. The finale ‘Steamboat’ is a reflective wee song about a presumably drunk or high steamboat lizzy needing a lift to the infirmary. In the background you can hear a strimmer, an unassuming neighbour trying to get to grips with an overgrown lawn. It rips you out of the scene. You hear the artist sigh at this infringement. I smile because I’ve been here in my own home studio many times. That’s why I never record in the summer! That aside this is  a great but vulnerable little album.

http://theluciesband.bandcamp.com/album/out-of-it

Pabs