Back in 2017, at the end of September, the nights were growing longer. Nestled in the centre of Falkirk there was a small, brief, but memorable alt. rock/punk scene playing its first showcase in Behind the Wall. It was (and still is) called RIFF. The explosive music night was driven by Dolly, the indefectible frontman of Falkirk punks Thirteen.
At the end of the night, when the satisfied crowd disbanded under the watchful ushering of the bouncers the bands involved had a chance to huddle around a table, count the ticket money and plot the next event.
At that point it felt like the start of something new.
A second successful night followed, then the momentum fell away. Thirteen regrettably imploded, leaving Dolly to pick over the remains of what was a successful era for the band.
Over the months and years that followed Dolly sought and found new personal for the band. Then came the lockdown. This didn’t stop them; instead, they headed to the studio to lay tracks for what would become ‘Ego Trap’.
Press play on the CD, and the guitars leap out, they have familiar tone that had me expecting Axl Rose to start screeching ‘You Could Be Mine’, but Dolly bursts in with his trademark vocals and Thirteen come alive with their own classic, high octane take on punk.
It’s an excellent production from Bryan Ramage, the pace is relentless, the second track, ‘I Am the Fire’ sparks off a flurry of snarls and guitar screeches. ‘Pearls and Piss’, perhaps the highlight, is uplifting. ‘How did to come to this? Drowning in Pearls and piss!” asks Dolly.
‘Trampled Flag’ offers a well-judged change of pace before the EP concludes with the squalling menace of ‘Thirteen’. This is a statement from the band; “I will never tire” asserts Dolly, “We are Thirteen” replies the band.
This is a great record; created and recorded throughout the most challenging of years. What once was the Spirit of Resistance now appearing to be the Spirit of Resilience.
‘Ego Trip’ is Spirited call to arms for all the Punks, Rock and Rollers and we know that they are out there in Falkirk, they’re just waiting for the shout. This could be it.
In the 23 years that we’ve played around Scotland we have met many great bands and friends. Time often sees many bands fade as we carry on towards out next musical adventure. There is an exception; the wonderful Buzzards of Babylon.
It was around our One More Solo tour back in 2005 that we first met some of the Buzzards. Back then they were in a different guise, Kranksolo, this is where we met current BoB members Rab Dempsey (vocals) and Mike Gordon (bass). We had played the Path Tavern, a small venue in Kirkcaldy.
The Buzzards of Balyon arose from the unfortunate end of Kranksolo and released a fantastic EP; this included Monkey Knife Fight which became a solid live favourite.
Probably one of the best album names of the year is Micrometeoriod Modulation. Rab, Stuart Gillies (guitar), Mike, Stephen Kirk MacLeod (drums) and Alec have produced a thumping 48 minutes of rock, blues and a tinge of metal brought together by their long served sound engineer Travis Whalley.
Opener I Am Hell has a growl, Rabs vocals are always strong, he has a voice and range perfectly suited to the downtuned rock that plays with him. The huge riffs have a blend of Queens of The Stone Age but meater, perhaps in the vein of mid-early Metallica.
The guitars drive the music, with the kind nature but imposing stature of Alec Raeside and Stuart Gillies assaulting both speakers.
The guys are having fun, embracing their superb music that so far remains unsigned, is being unsigned such a problem anymore? The title of the tracks give away some of the enjoyment they are having B U aWzrd being an example. Its quick riffs show the dexterity of the band before they launch into meaty chorus chords.
Rabs lyrics have always been well written; ‘Be you a wizard or a Mother of invention’ he roars as the band changes pace throughout the track. The beauty of B U aWzrd is the many magical roads it takes you down.
This is what people miss when they only listen to bands from the mainstream, they miss bands who are prepared to take risks, push their music in a different way, bands that are happy to play songs over 3 minutes long. At over 7 minutes this is spellbinding.
Morning After is next, subtle guitars gently bring in the song, giving the record a chance to breath and cleanse the palette before the crunch kicks back in. I thought Mark Lanegan was singing for a minute, Rabs fantastic controlled vocals showing his lower range; arguably this is where he thrives.
When Rab snarls ‘I lost my way, I lift my head towards the sun’ near the end of Interplanetary Convulsion you can feel aggression resonating from the usually upbeat Mr Dempsey, it’s a fine track that slows down with the mood as it fades.
Bi-Polar Bear is blues at its heaviest, this is confirmed when the mouth organ floats over the monolithic guitars, it’s a nice change of texture for the record. I’m tempted to say that this is a direction that suits the Buzzards, the moody blues really fits with the pitch of the vocals. Perhaps a highlight of the album.
Buzzards Of Babylon are a fine band; we’ve played a few shows with them and love it. Everytime we met its never like strangers. They can drink…only our Greg has matched them.
They have finally graced us with an album and it is worthy of a purchase. Sure you could accuse us of being bias towards our friends but those that know me say I won’t say music is great without meaning it. Its excellent and satisfyingly aggressive enough to have you nodding your head in approval. Buy it, support one of the unearthed gems of the Scottish music scene, the Buzzards are soaring upwards.
Shuffledown is now ingrained into the psyche of the local music scene; regular Shuffle goers will look eagerly for the line up announcements around the Autumn and plan a day of music and drink ahead. Past years have seen successful, subtle additions to the lineup that have helped broaden the range of people who soak in the sights and sounds at the Dobbie hall. Past lineups have included the impressive headliners Broken Records during Shuffledown’s maiden year to the unearthed gem that was Paddy Steer in year 2. There have been successes and surprises every year.
Gifted to the people of Larbert by Major Robert Dobbie, the hall has matured into a grand building that generations of locals have been proud of. It’s become Shuffledown’s home; adding a touch of grandeur to the festival, many of the bands that play are often used to the trappings of more modest venues.
As I reached the doors, ready to enjoy Suffledown’s fourth year I was greeted by a vocal quartet, food stalls and an area for arts and crafts. Not to mention a warm welcome from the many volunteers. I walked into the hall and admired the well decorated stage, I looked for the trademark Shuffledown lamp and it was proudly illuminated to the right of the stage. In addition to the lamp there was a new lighting rig and a large screen to enhance the visual experience.
Two inviting drinks stalls were set up across from the main bar. I decided against the Prosecco, that stuff goes right to my head, it was Birds and Bees for me. The surroundings gave me the impression that Shuffledown is now well established and the leading music festival of the Falkirk area.
At the back of 2 o clock the early comers were greeted by The Sonic Blues, a late but welcome addition to the Shuffledown lineup. In what is to be their last gig for an undefined hiatus, the Blues looked like there were at home on the big stage. The great sound helped the trios bluesy rock transcend over the hall. They played a few tracks of last years album ‘Something Today’ and ‘Purgatory Blues’ was as enjoyable as ever.
A growing crowd gathered for Fairweather and the Elements; arriving back for a second year in a row. Under the impressive lighting and sound the band put on a great show. They closed with the impressive Go Far, the latest single from F.A.T.E.. This was a confident set from the six piece.
London act Davey Horne and his band arrived to a vibrant atmosphere. With threads of the War on Drugs their edgy southern rock had a psychedelic feel. Davey Horne switched between keys and guitar with ease. It was a very enjoyable set and went down very well with the audience. A highlight of the day for me.
Somehow keeping cool in a large jacket the lead singer of Mt. Doubt and the band delivered a set of pop and rock with some urgency. Reminding me of the Sleepy Jackson they put on a good show. I enjoyed the set and as they finished I headed around the festival for a wander.
This year there was more food stalls which was a good move given the growing army of all day drinkers. I had a few Birds and Bees from the Williams Brewery stall and I was even tempted for some Buckie from the main bar. I left it this time. I grabbed a quick coffee and a roll on pulled pork (nice) before heading back in to the venue from the crisp spring evening.
Refreshed and refueled I grabbed another beer and waited for Fuzzystar. The bands bittersweet melodies are well suited to Shuffledown. Sporting one of the most impressive beards in the Edinburgh indie scene, Andy Thomson, Fuzzystars singer, sang low melodies over the impressive solo guitar work from Michael Morrison. Longest Day was a nice indentation amid the flurry of guitars; its subtle handpicked chords and slow build was a smart change. Given my love for Grandaddy and the National, plus the fact that I enjoyed Fuzzystar at the Artisan Tap back in 2017 this band was always going to be one of my highlights of the day and they didn’t disappoint.
Upstairs in the cloud room there was a bit of retro gaming reminiscing going on. Dusty Hayes played an uplifting set to a busy room, he clearly enjoyed the occasion as both artist and audience were punching the air in synchronized delight. I was mesmerised by the videos of Sonic, F Zero and the Ninja Turtle games. It was a neat touch.
I also caught OntheFly. A live drum kit was set up in the corner of the small stage providing analog beats to OntheFly’s digital mastery. It was an excellent set, a moody mix of driving electronica. This was the last act I saw in the cloud room and I’m glad I took the time to head upstairs this year, there was an intimate but great feel about the smaller stage of Shuffledown.
Back downstairs the main stage welcomed Denny’s The Nickajack men, who flung themselves into an energetic set that went down very well with the crowd. Dead Man Fall entertained the crowd with a lively set, I missed much of this part as I soaked in other areas of the festival. The Birds and the Bees ale was still going down a treat and the end of the night was nearing. There was still time for Colonel Mustard to walk onto a colourful stage donned in yellow mustard hues and big hats. A party atmosphere had taken over (as it often does at the end of Shuffledown), the uplifting mood of the music transferred to the crowd.
Shuffledown was over for another year and with all things you look forward to, the festival was over rather too quickly. The artisan feel of the event lends itself to a welcoming day of entertainment and it continues to evolve every year. It’s now an integral part of the Falkirk music scene; given its location and returning crowds there is no reason why Shuffeldown cannot become the leading indoor event of the Forth valley area.
This was an excellent year, continuing a consistent run of successful events. Next year will see its 5th anniversary, it’s now a young and confident festival, long may it continue.
Recently, in October 2017 RiFF was born. The first showcase night saw a collective of four bands playing harder edged songs. Throwing hair that (for some) was slightly longer and wilder, to a loud chorus of music that had a bit of attitude. We were trying to show Falkirk that there was a heavier scene waiting to be discovered. That night there were a few nervous glances at the door; would it be a success? That question was answered pretty quickly when punters started to wander into Behind the Wall. There were fans of the bands present but there were others, genuine hard music lovers who had waited years for a scene like this to fire up again. The place was packed and every member of each band that played that night were buzzing. So it was this success that RiFF 2 was aiming to emulate; another night where the legions of rock, punk and metal lovers would swarm to BTW with their regular punters throwing confused glances towards the many tattooed and pierced music fans heading up the stairs for some colourful mayhem. This time Greg and I went to watch, drink beer and listen to our fellow RiFF bands scream, sing and shred. It was like old times for the both of us; 20 years ago during the 90’s in the Martell on a Thursday night we would be doing the same thing. By nine the doors opened and a decent crowd took their places; staring at the stage eagerly awaiting the first of the bands to appear, RiFF does not tell the crowd the running order of the bands. The message here is to stay and watch all the acts, not just your friends and family. Come and discover something new. Greg and I did just that. It was also nice to see many band members from the first RiFF showcase back to support the fledgling cause.
The Drop kicked things off. The trio were the first of three new bands to join the RiFF collective. Driven by a distorted bass, drums and strong vocals; the Drop’s lack of traditional guitars was not a problem for their sound. Their hard driven rock impressed the crowd and the powerful vocals had me thinking that I wanted to listen to Rage Against the Machine all over again.
One band that is on a rocket propelled trajectory is Sianar, currently impressing much of Scotland with their music. Somehow they managed to fit 7 musicians onto the small stage and they played an excellent forty minutes of rock; full of swirling guitar solos and dueling vocals. Kristian, on lead guitar, appeared not to be distracted by impending fatherhood. He had us on stand by to step in for Sianar should his other half give birth on the day of the showcase. It was good to see the band play on home turf.
RiFF veterans Thirteen picked up the third slot of the night and launched into a roaring set of punk. Tune after tune hitting the audience like a prize fighter. They also flung a cover tune that had me chanting along, by this time Greg and I had few pints under our belts and getting into full flow. Thirteen never disappoint: Dolly likes a snarl when he sings, Craig leaps in the air to slam home a chord on the bass and Greg is one of the best drummers in Falkirk at the moment. His energy behind the kit was felt by the audience adding to a rather brilliant performance.
Not to be undone by Mr Breens masterful performance, Brian now shirtless, took the sticks and pounded the kit into submission for Shatterhand; driving the music veteran’s powerful anthems home. It was the first time I’ve seen these guys, it was a commanding performance from the four piece whose experience lends itself to producing a tight unit. Shatterhand have been around long enough to know how to overcome the hurdles that bands face and it was great to see them in fine form at RiFF. The late hour was not on their side, but the hardy souls that stayed to the end were rewarded by a set that had an urgency about it. The audience had little chance to catch their breath as the four piece launched from song to song. They gave everything to the show and I thoroughly enjoyed it.
Having been a member of the audience for this RiFF showcase its was a little harder to gauge the success without the hard evidence of counted ticket stubs. But from what I could see there was no denying that once again BTW enjoyed a busy night and there were far more of the RiFF community members supporting each other. At the start there was a swell of people turning up to support RiFF, packing out much of the stage area and it was great to see that most of the audience stayed all night, (a rare occurrence for local gigs); hopefully the venue appreciates this. The RiFF community is alive and well. This gig proved the first showcase wasn’t a fluke, it was a sign that there are music listeners that want harder edged bands playing in Falkirk. Too see them come back for more was fantastic, let’s turn it up and let the rest of the town hear it.
It all started on June the 26th; it was a Monday night, Dolly Robinson of 13 asked for local musicians to meet and discuss the possibility of a showcase for Falkirk’s harder edged music. A handful of local musicians wandered into the pub looking around for other band members that they had not yet met.
Peter Gilbert and Nathan Paterson both from Blind Daze, Alan Costello of the Nebulosity, Bob from the Star Inn, Craig Hayworth and Dolly from 13, Rory from Eindp photography and myself sat around a table in Behind the Wall’s conservatory. One of the things I remember Dolly saying was “I don’t want this to be another pub gig”, he had a vision for a showcase for a number of bands.
The venues that were being suggested were bigger than I imagined. The Warehouse and the Loft upstairs at Behind the Wall. I was thinking of smaller, more intimate venues akin to the Happening club, somewhere were 40 people would make the place looked packed. We settled on Behind the Wall, I felt that this was ambitious for the first RiFF showcase. Start small I thought, then build a scene.
One thing was clear from the first meeting that all the bands were heading in the same direction, some felt ignored by the local scene and others felt there was no scene. I was in the middle. We’ve played some great gigs in Falkirk recently and been to see many great bands. One thing that was missing was harder, in your face, alternative music.
We departed from Behind the Wall all with various tasks to carry out. The date was set, September 29th 2017 upstairs in the 180 capacity Behind the Wall. Now we needed to get a crowd through the door…
Rikki Tonner of Afterglow offered much needed advice, Bob from the Star Inn offered help, The Bunker offered gear. It was looking good for the setup. We set up the usual social media pages and I contacted the Falkirk Herald, James Trimble was happy to be on board.
A few weeks later I was back in Behind the Wall. Craig Hayworth and I stood outside the pub at 11am like a pair of keen drinkers waiting for our first pint when we were actually waiting on James. He arrived clearly happy to get out of the office, notepad in hand, pen at the ready.
Alan Costello bounced in the door just as we were starting the interview, slightly harassed having just awoken after a shift he was keen to be part of the article. We repeated the RiFF community’s philosophy that RiFF bands will support each other whenever possible. It was a pleasant chat over a few coffees.
Everything seemed to going well but the tickets were slow in selling. I hoped that the old tradition of an article in a newspaper would help raise awareness.
The bands worked hard to spread the word. It was now just a couple of weeks to go, more people were starting to commit. Craig reported an increase in sales at Noise Noise Noise. Word was getting out, people were sharing posts. Maybe, I thought, we’ll reach 50 or 60 sales and the place will at least look busy.
Now with just days to go, we had more of our fantastic supporters wanting tickets, again Craig said that tickets were selling. We put all the figures together we were looking at around a 100, Now I was getting excited, was this really going to work? Was this going to be more than just a pub gig?
The Night Of The Showcase
It was a bright September day, reds and ambers now appearing in the trees. Time had flown since RiFF was created back in June. Greg came to pick me up around 3 and we headed off to the Bunker, a rehearsal studio in Bonnybridge. Daniel McGibbon was most helpful giving us the backing. Two amps, a bass cab and a full drum kit. Greg recalled his Tetris skills and we managed to carefully pack all the gear into his car.
After fighting through the Falkirk traffic we finally arrived at the venue. Upstairs we were greeted by a cheery Jim Dunbar, he was busy setting up the rig. Blind Daze drummer Craig Scott arrived to help and together we set up the room for the showcase.
The other bands started to arrive and we had a brief soundcheck, the stage was set. I stood at the door with Craig Hayworth; I was getting slightly obsessive about the door opening. Bang on half 7 the first people started to arrive. They didn’t have tickets…they were happy to pay at the door and I saw those guys stay the whole night.
More people arrived, some with and some without tickets. Stubs started to pile up under the cash tin. Craig Scott came over to let Craig Hayworth run the merch, again we were all working for the cause. It was now around 8 and there were people streaming through the door. I looked around after tearing stubs and couldn’t believe that the place was packed.
Our stage time of 9 fast approached. When we stepped under the blue lights I could see rows of people awaiting the first riff to be played. I was stunned and excited. I picked up the guitar, looked at the rest of the guys and started Kill it Kill it. It was an immense feeling and I was driven by the crowd. Every Time I looked up I could vaguely see people appearing to enjoy the music. When we stopped songs there was a great cheer. It was a fantastic feeling.
It’s Who You Know
I Hear the City
The set flew by and it was hot. I’ve no idea how Greg didn’t pass out wearing his big patched jacket. My guitar cut out at Deliverance, three songs from the end, so it was back to old school Weird with myself on vocals and Stu doing all the guitar. Before ‘I Hear the City’ I tried to plug the guitar straight into the amp, passing by the pedal board. It worked and we finished the set with ‘Industry’ now becoming a regular finisher.
pic eddie mceleney
pic eddie mceleney
pic eddie mceleney
pic eddie mceleney
The Nebulosity stepped up next and they played a blinder. I missed the first couple of songs, although I heard them through at the bar as I waited patiently for a pint. The staff looked a little overwhelmed by the size of the crowd, (Derek may disagree with ‘overwhelmed’). However I got back to the door duties. I would like to say I could see them but the place was packed. Alan Costollo looked like he was loving it, flinging his hair about. The music was heavy, this was what RiFF is all about. Again the crowd was brilliant, they got a large response from every song played. The crowd were watching all the bands not just their own and this was fantastic.
pic eddie mceleney
pic eddie mceleney
pic eddie mceleney
pic eddie mceleney
The night now jumped into the second half, time was flying. Up stepped Blind Daze to deliver a solid set of rock with some really slick guitar play. Craig Scott’s drumming kept the band really tight it was a great performance and they clearly enjoyed it as much as the previous two bands. It was great to see most of the crowd staying. Peter Gilbert really looks like he’s enjoying life as the vocalist of Blind Daze and Nathan Paterson handles his bass duties with aplomb.
Remember when Dolly said right at the start he didn’t want the showcase to be just another pub gig. When he stepped onto the stage he must’ve felt a sense of achievement. He helped bring it all together and admittedly he had his ups and downs. When the ticket sales were low he wondered if the event should be cancelled given that the bands were paying out of their own pockets. This defines the ups and downs of being a musician yet to make a living out of the art. But he and the rest of the RiFF community stuck through, and together we all stood in the same packed room as 13 played with huge grins on their faces.
pic eddie mceleney
pic eddie mceleney
It was another fine set, a mixture of songs from their records and covers. Greg Breen is probably the busiest musician in Falkirk at the moment, now full time drummer with the band and of course he has the Sonic Blues going as well. Craig Scott really took in the event, he was bouncing all over the stage, (thank goodness we extended the size of the platform…). It was an excellent end to the night.
pic eddie mceleney
pic eddie mceleney
I was now a few beers in and had a slight sway in my step, last orders were shouted and the crowd slowly started to filter away leaving the RiFF community alone in empty to venue to try and comprehend what had just happened.
The RiFF Collective Look to the Future.
The ticket stubs were counted, 140 tickets sold; this was nearly a sell out. The RiFF showcase was a tremendous success. After all the costs were met the bands evenly split the money, it was a great feeling to get something back and merch had been selling as well.
Our attention now turns to future showcase events; many people in the audience commented on how they had never seen a heavy alternative music event for many years so perhaps there is a scene in Falkirk waiting to be uncovered. So now it’s all about timing and getting new bands on board. We’ll never know where RiFF could go, perhaps it will grow and local bands will have an opportunity to play shows of this magnitude. It’s a hard edged music scene Falkirk really needs.
It’s a night that Weird Decibels that will never forget; we were delighted to be a part of the first showcase and we hope that there will be many more, giving other local acts the chance to meet new friends and a new audience.
Once again RiFF members will gather around a table to discuss the next showcase with a new meeting planned for mid October. Who knows what the next showcase will bring but one thing is for sure the bands involved and the crowd that came to see us will never forget what happened at Behind The Wall on the 29th of September. It definitely wasn’t a pub gig.
Pabs ( a proud member of the RiFF community. Get involved.)
Harder edged music from the Falkirk area. The music that often gets ignored, hard punk, rock and metal and the three main genres that RIFF shares but there are many more that need exposure to the local scene. RiFF bands aim to support each other by attending shows, sharing and buying music.
Why Would I Be part of RiFF
If you play in a band it can be the most rewarding experience you will have and it can also be the most frustrating. You want to grow an audience, so you start to play shows. When you are in a small band and you play live, you will spend much of the night wondering who will come through the door. Some nights will be busy others not so.
RiFF is a music community. All we ask is that you attend a local gig that is not your own. Not just RiFF bands playing, but any local music event that you find interesting. You don’t get a badge for attending loads of local events but you meet like minded people and many new opportunities open up.
So keep an eye on the RiFF Facebook page, like and follow the bands and if a RiFF band is playing try and get along to the show. You don’t need to go to every single one but if musicians supported musicians just a wee bit more then our scene would grow and more outside parties would become interested. Look at the success of the Fife music scene for example.
Additionally if you become part of the community and you set up a Falkirk gig the RiFF community will do their best to support a fellow RiFFers gig. (we’re not promoters. Occasionally we will organise a Showcase and the costs are met by the RiFF bands taking part.)
What bands are in RiFF (so far)
We have a number of bands that consider themselves part of the RiFF community. Punks 13, heavy rockers Blind Daze, the outer worldly Nebulosity and of course us (Weird Decibels). There will be more bands joining the community, there is no obligation to play gigs etc, just share your music, share others music and promote the scene. We welcome bands from not only Falkirk but elsewhere are well. RiFF has music, will travel.
What’s the Future of RiFF Then?
Time will tell! Riff needs people to be a success! The Showcase is the start and there may be more. The bands involved will play more gigs, the RiFF community will support them. Look out for a RiFF YouTube channel with music videos, future blogs, possibly Podcasts and of course keep an eye on RiFF bands releasing new music.
Its well documented on this site that I’ve been in Weird Decibels for over 20 years playing in the local scene and sometimes beyond. For a majority of those years I’d admit that I was quite insular and interested in promoting only our band. However time and attitudes have changed and I have found myself taking in more and more of the local music scene around me. I’m not out at every gig or bought every CD (although I’m drawn to downloading from Bandcamp!) from our town, I don’t have the time (and money!) but when I can take the sounds in I enjoy being a part of it So here is my brief look back at the local music and events I have personally enjoyed (and been a part of) in 2016. Pabs
Ghost Writer. I saw these guys at Behind the Wall and the Trinity Church, they have a dynamic sound and really bring something different to the scene. They have been busy recording and released a few singles this year. They’re worth checking out.
Bootsie Blue. These guys bagged best new comer in this years AMiF awards this young three piece lit up Behind the Wall a few times this year, I saw them in June but they also played as part of the Falkirk Live festival. Looking forward to hearing what they lay down in the studio.
The Sonic Blues. The Breens (and Douglas Campbell) have had a busy year in the town, they played alongside us in May at North Star and several other gigs. They have regularly been sharing their music to the Falkirk masses via Facebook. I admire their DIY ethic to recording (its what I do)
Robbie Lesiuk. There is a big acoustic movement in town at the moment and Robbie is very much at the forefront of this. An accomplished live performer, I caught him at the Trinity and Coffee on Wooer where he supported Stirling act Lefthand.
Blind Daze. Its good to see more rock bands appearing on the scene (Falkirk badly needs more rock bands), these guys are playing with us Jan 6th 2017 and have been busy this year.
I’m still an album guy and there were a few that I discovered from our Falkirk acts this year.
Dextro. In The Crossing. Discovered this sublime electronica while listening to all the acts nominated for the brilliant AMiF awards. This is a well crafted piece of work that flows from track to track. Hunt this down.
13 A Line of The Dead on Deadline Day. Great, raw garage sound, really like this album from punk rockers 13 they’ve played a few times in 2016 and I’ve not been to one of their gigs yet. Need to sort this 2017.
I have a soft spot for Shuffle Down 2016 and it was great to see the festival return this year. The lineup was more varied and better for it. Still grin when I remember how good (and bizarre) the Paddy Steer set was. Great to see SD is back 2017
The Loft Sessions. Very enjoyable and it’s good to see that BTW have adapted the ale house to have more of a music venue feel, especially when they get rid of the benches. I really hope this continues and it gets busier. There were a couple of times it was busy and a couple when it was quiet.
Fairweather and the Elements Falkirk Trinity Church. A heavenly evening was had by the impressive crowd that attended, read about it here This was another watermark for the scene, new venue, great acts and a great atmosphere.
Falkirk music business.
Big shout out to Noise Noise Noise a wee music merch shop tucked away in the Avenue on the High Street of Falkirk. Craig is also stocking a number of albums from local acts; he even sets up stall at local gigs which is an inspired idea.
Revolution Music. Just down the street from Noise Noise Noise is Revolution Music, I know you can get strings and stuff cheaper online etc but it is nice to hand over cash to a fellow human now and again. Falkirk has had a long tradition of music instrument shops this is the only one (to my knowledge) still standing.
2016 saw an upsurge in Falkirk acts releasing music videos; however a fantastic playlist has been created by Stuart Gray (Children of Leir fame) he has painstakingly scoured the internet for videos past and present and brought them all together in one place. I heard Belt songs for the first time since I heard their tape in high school (that as a while ago) Hit this link and give yourself a couple of hours to discover some great stuff.
AMiF. The constant local music news updates, spreading the word and of course the AMiF awards has really helped engage the people of Falkirk with the scene and raised awareness among artists. Big congratulations to Fly Jackson on winning album of the year, Nickajack Men on winning song of the year and Sarah Em who won video of the year. The full listing of winners and nominees can be found on the AMiF page (link above). Check them all out, including best rock act of 2016 😉
Falkirk Music Scene 2016
Pic Eindp Photography
Pic Eindp Photography
Lets raawwwk. pic Byrne
So this was a quick glance from my personal perspective of the Falkirk scene this year but I can guarantee that there is so much more in our town.
The Falkirk scene is in good health but it is still not held in the same light as Fife or even Stirling I have really enjoyed giving a wee bit back to the scene and hope that all Falkirk artists support each other. If this happens I reckon it’ll get busier and more people will sit up and notice. Download from Bandcamp, go to a gig, write a blog, spread the word, anything to help Falkirk music grow, after all it’s your scene.
The Crowd: Thank you for attending a local gig and supporting the artists. Thank you for staying right to the end.
The Sonic Blues, Rabid Dog: Thank you for playing along side us
Rory (Eindp Photography): For taking photographs for this and many, many local gigs
Juls Sampson (photography and pictures used for this blog): Our friend has shot many pics over the years
Kevin Byrne: for keeping an eye on the desk as we played
North Star staff: for keeping us fed and watered with a smile and allowing us to use the venue.
It’s who you know
I hear the city
Curtain hits the cast
Once more with feeling
Whole lotta rosie (request)
A couple of days before we were due to play, Clubby vocalist with Rabid Dog, texted to say that the North Star soundman couldn’t make the gig due to work commitments.
These things can’t be avoided but I was frustrated as I wanted to record the show. This would put a different spin on things. There were options, to use the house PA but I didn’t know its layout. To be honest it’s a vocal pa and it wouldn’t have been hard to use. Our pa had more versatility to send feeds to the multitrack so I opted for that.
It had (shamefully) been a couple of years since I operated it so that added to the stress. I had to relearn the desk within a couple of days. A few turbulent hours pushing buttons and moving faders I had managed to get to grips with the machine.
Looking back I understand now that doing the sound, recording the gig and playing at the same show is perhaps a step too far. This aside it was a great night.
Once I unloaded the vast amount of gear (probably too much) into the buzzing North Star I got to work setting up the sound, the time was half 6. Unbelievably it was now 8 o’clock and The Sonic Blues were due on in 30 minutes.
I ditched all ideas of checking mic placements for the recording. It was more important to get a decent live sound. That went fairly well, and for the recording I literally flung mics in front of the amps and the drum kit.
The Sonic Blues were up first and played another great set of bluesy rock songs and covers. Greg (guitars vocals) Allan (Bass) and Douglas (drums) are a sound bunch of lads and they are very keen. Their performance went well with the crowd and they set up the night in fine fashion
Clubby and the gang stepped up next; their ultra loyal fanbase was pleased to see them back on stage for the first time in a while. Andy had a cracking guitar sound, he has two amps hooked up and a wave of chords hit the eager audience. Andy on bass and Alan on the drums provide a solid backbone for Clubby to sing their set of punk covers. They played very well.
The gremlins came to visit us, it’s been a while, you can go many gigs without incident before the little creatures visit. Usually in the form of technical glitches and set up problems.
Just as we were getting ready to go on stage the power cut to both the PA and the desk. Scratching my head I looked back to the plug at the rear of the venue. Two chaps had seated themselves the unit in front of the socket and had unwittingly cut the power to the show. (not your fault gents)
Once I got the PA back on and the desk reloaded we were ready to play, only Stu couldn’t get the guitar amp on. (using someone else amp is fine but every guitarist will tell you having your own backline has its advantages). Once that problem was fixed we were ready.
We launched into the first song and the first time I went to hit a chord the lights were right in my eye. Whoops! A bum note right at the first song ain’t good.
To nail the opening track is essential; if you miss it it can unsettle you for the rest of the set. To a certain extent it did; although I have to concede I had been concentrating all night on the sound and with this loss of focus came a pretty standard performance from myself. So i’m a bit gutted about that. Stu, Greg and Derek all played well and helped keep the gig on track
Things did improve. As the night wore on we regained our composure (and confidence) and belted out tunes from both the decibels albums. I was too eager to play Quoted and nearly skipped Curtain hits the Cast! Quoted was manic as usual, Wait was requested and that gelled well with Deliverance and by the time we hit Industry I was scraping the guitar off a nearby pillar without much regard for my instrument.
As we reached the end of the night we reached our zenith and I was pleased it had ended on a high. If we can’t nail the songs we give it all to the performance and personally it was the most exhausting I have delivered for a long time. Our friends requested While Lotta Rosie, who could we be to resist! A little rusty would be an understatement but we had a whole lotta fun playing it!
So as our song Quoted and the politicians it depicts often say lessons have been learned. If i’m playing, I just want to play. I’ve I’m doing the sound, i just want to do the sound. This was the first time I had manned a desk at a gig and I thoroughly enjoyed the experience perhaps this could be an avenue for the future.
All round it was a great hot loud sweaty night, with a little rawness and a whole lot of heart which is what music at its purest form should be.
My latest unsigned adventure takes me to the sounds of Poland, the band are called Kaseciarz. They describe themselves as low budget rock and roll, I’d go for lo fi rock. I love the way their music is never in a hurry, like rock used to be. These guys play out their tunes the way they want. Kaseciarz are; Maciej Nowacki on guitars, vocals, bass and keyboards, Cukasz Cegielka on bass and Piotr Lewicki on drums. Motorcycle Rock and Roll I believe is their second album. The guitar fuzz is distinct, the bass is tightly fitted into the mix and the drums are subtly placed to allow the guitars freedom to experiment which is exactly what they do. Occasionally Nowacki sings in English but the music is the main force here. Things kick off with the brilliant Roadog which has a cracking riff driving it. Other highlights include Dance which I would imagine gets the crowds going. Drive slows things back down and it is these more progressive tunes that display the bands strengths. Drives synth drums are reminiscent of Joy Division. Running Low puts the tremolo to good use and fits in well with the feel of the album.
With hints of Bailterspace these guys have a great underground sound. They are the kind of band you love to discover. It is a lo fi record but that is its beauty. Kaseciarz are playing several dates in Poland and seem to have a solid following. I really like this group.
A week or so ago I hit a link to this band on Bandcamp. They are instrumentalists, no singing, instead they opt for carefully measured, brilliantly played rock. The bass drives it, allowing the guitars to tell the story through picked licks and full on distorted assaults. The drums pound relentlessly adding to the atmospheric mood of the music
David, José, Andrei and Anibal are modest in their description of the band, ‘just a fukk yes instrumental band’ this band is perfect for listening towards the end of the night as midnight becomes morning.
Start with their studio album the self titled 9M Lied,tracks Night Rider, the brilliantly named Dolphins v Penguins, Devon and Mosquito Tiger are all highlights. The studio album has a fantastic roomy drum sound, the snare snaps brilliantly in the middle of the mix. The guitars sound ranges from spacious to right in your ear rawness.
Summer Song steals it though, as I listen I can imagine myself driving along a Spanish motorway, the stillness of the night passing quickly by.
If you love the studio album try the bootleg. A live recording you can hear the crowd in a bar eagerly applauding the band. The first track is slightly out of tune but the albums recovers and you are rewarded with a great performance.
I really like this band and wish them the best for their musical future.
Look out for my next unsigned wonder, its amazing how much talent there is out there, recording and releasing their own material.