All posts by creepingash

RiFF Showcase no.1 Sep 29th 2017

Behind the Wall 29th September 2017

Photographs by Eddie Mceleney. What Eddie Sees

Eindp Scotland

Band links:

Weird Decibels, The Nebulosity, Blind Daze and Thirteen

It all started on June the 26th; it was a Monday night, Dolly Robinson of 13 asked for local musicians to meet and discuss the possibility of a showcase for Falkirk’s harder edged music. A handful of local musicians wandered into the pub looking around for other band members that they had not yet met.

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This was the 2nd meeting at Behind the Wall. Pic Eindp Scotland

Peter Gilbert and Nathan Paterson both from Blind Daze, Alan Costello of the Nebulosity,  Bob from the Star Inn, Craig Hayworth and Dolly from 13, Rory from Eindp photography and myself sat around a table in Behind the Wall’s conservatory. One of the things I remember Dolly saying was “I don’t want this to be another pub gig”, he had a vision for a showcase for a number of bands.

The venues that were being suggested were bigger than I imagined. The Warehouse and the Loft upstairs at Behind the Wall. I was thinking of smaller, more intimate venues akin to the Happening club, somewhere were 40 people would make the place looked packed. We settled on Behind the Wall, I felt that this was ambitious for the first RiFF showcase. Start small I thought, then build a scene.

One thing was clear from the first meeting that all the bands were heading in the same direction, some felt ignored by the local scene and others felt there was no scene. I was in the middle. We’ve played some great gigs in Falkirk recently and been to see many great bands. One thing that was missing was harder, in your face, alternative music.

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the RiFF logo was born!

We departed from Behind the Wall all with various tasks to carry out. The date was set, September 29th 2017 upstairs in the 180 capacity Behind the Wall. Now we needed to get a crowd through the door…

Rikki Tonner of Afterglow offered much needed advice, Bob from the Star Inn offered help, The Bunker offered gear. It was looking good for the setup. We set up the usual social media pages and I contacted the Falkirk Herald, James Trimble was happy to be on board.

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A few weeks later I was back in Behind the Wall. Craig Hayworth and I stood outside the pub at 11am like a pair of keen drinkers waiting for our first pint when we were actually waiting on James. He arrived clearly happy to get out of the office, notepad in hand, pen at the ready.

Alan Costello bounced in the door just as we were starting the interview, slightly harassed having just awoken after a shift he was keen to be part of the article. We repeated the RiFF community’s philosophy that RiFF bands will support each other whenever possible. It was a pleasant chat over a few coffees.

Everything seemed to going well but the tickets were slow in selling. I hoped that the old tradition of an article in a newspaper would help raise awareness.

The bands worked hard to spread the word. It was now just a couple of weeks to go, more people were starting to commit. Craig reported an increase in sales at Noise Noise Noise. Word was getting out, people were sharing posts. Maybe, I thought, we’ll reach 50 or 60 sales and the place will at least look busy.

Now with just days to go, we had more of our fantastic supporters wanting tickets, again Craig said that tickets were selling. We put all the figures together we were looking at around a 100, Now I was getting excited, was this really going to work? Was this going to be more than just a pub gig?

The Night Of The Showcase

It was a bright September day, reds and ambers now appearing in the trees. Time had flown since RiFF was created back in June. Greg came to pick me up around 3 and we headed off to the Bunker, a rehearsal studio in Bonnybridge. Daniel McGibbon was most helpful giving us the backing. Two amps, a bass cab and a full drum kit. Greg recalled his Tetris skills and we managed to carefully pack all the gear into his car.

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22 years of packing gear into the boot of a car pays off. pic Pabs

After fighting through the Falkirk traffic we finally arrived at the venue. Upstairs we were greeted by a cheery Jim Dunbar, he was busy setting up the rig. Blind Daze drummer Craig Scott arrived to help and together we set up the room for the showcase.

The other bands started to arrive and we had a brief soundcheck, the stage was set. I stood at the door with Craig Hayworth; I was getting slightly obsessive about the door opening. Bang on half 7 the first people started to arrive. They didn’t have tickets…they were happy to pay at the door and I saw those guys stay the whole night.

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More people arrived, some with and some without tickets. Stubs started to pile up under the cash tin. Craig Scott came over to let Craig Hayworth run the merch, again we were all working for the cause. It was now around 8 and there were people streaming through the door. I looked around after tearing stubs and couldn’t believe that the place was packed.

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pic eddie mceleney

Our stage time of 9 fast approached. When we stepped under the blue lights I could see rows of people awaiting the first riff to be played. I was stunned and excited. I picked up the guitar, looked at the rest of the guys and started Kill it Kill it. It was an immense feeling and I was driven by the crowd. Every Time I looked up I could vaguely see people appearing to enjoy the music. When we stopped songs there was a great cheer. It was a fantastic feeling.

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half a pint and a full set to go? Not good. Pic Pabs

Setlist

  1. Kill It
  2. Speak
  3. It’s Who You Know
  4. Feeling
  5. Quoted
  6. Miss A
  7. Joker
  8. Medicine
  9. Deliverance
  10. I Hear the City
  11. Industry

The set flew by and it was hot. I’ve  no idea how Greg didn’t pass out wearing his big patched jacket. My guitar cut out at Deliverance, three songs from the end, so it was back to old school Weird with myself on vocals and Stu doing all the guitar. Before ‘I Hear the City’ I tried to plug the guitar straight into the amp, passing by the pedal board. It worked and we finished the set with ‘Industry’ now becoming a regular finisher.

The Nebulosity stepped up next and they played a blinder. I missed the first couple of songs, although I heard them through at the bar as I waited patiently for a pint. The staff looked a little overwhelmed by the size of the crowd, (Derek may disagree with ‘overwhelmed’). However I got back to the door duties. I would like to say I could see them but the place was packed. Alan Costollo looked like he was loving it, flinging his hair about. The music was heavy, this was what RiFF is all about. Again the crowd was brilliant, they got a large response from every song played. The crowd were watching all the bands not just their own and this was fantastic.

The night now jumped into the second half, time was flying. Up stepped Blind Daze to deliver a solid set of rock with some really slick guitar play. Craig Scott’s drumming kept the band really tight it was a great performance and they clearly enjoyed it as much as the previous two bands. It was great to see most of the crowd staying. Peter Gilbert really looks like he’s enjoying life as the vocalist of Blind Daze and Nathan Paterson handles his bass duties with aplomb.

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Remember when Dolly said right at the start he didn’t want the showcase to be just another pub gig. When he stepped onto the stage he must’ve felt a sense of achievement. He helped bring it all together and admittedly he had his ups and downs. When the ticket sales were low he wondered if the event should be cancelled given that the bands were paying out of their own pockets. This defines the ups and downs of being a musician yet to make a living out of the art. But he and the rest of the RiFF community stuck through, and together we all stood in the same packed room as 13 played with huge grins on their faces.

It was another fine set, a mixture of songs from their records and covers. Greg Breen is probably the busiest musician in Falkirk at the moment, now full time drummer with the band and of course he has the Sonic Blues going as well. Craig Scott really took in the event, he was bouncing all over the stage, (thank goodness we extended the size of the platform…). It was an excellent end to the night.

I was now a few beers in and had a slight sway in my step, last orders were shouted and the crowd slowly started to filter away leaving the RiFF community alone in empty to venue to try and comprehend what had just happened.

The RiFF Collective Look to the Future.

The ticket stubs were counted, 140 tickets sold; this was nearly a sell out. The RiFF showcase was a tremendous success. After all the costs were met the bands evenly split the money, it was a great feeling to get something back and merch had been selling as well.

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pic eddie mceleney

Our attention now turns to future showcase events; many people in the audience commented on how they had never seen a heavy alternative music event for many years so perhaps there is a scene in Falkirk waiting to be uncovered. So now it’s all about timing and getting new bands on board. We’ll never know where RiFF could go, perhaps it will grow and local bands will have an opportunity to play shows of this magnitude. It’s a hard edged music scene Falkirk really needs.

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pic eddie mceleney

It’s a night that Weird Decibels that will never forget; we were delighted to be a part of the first showcase and we hope that there will be many more, giving other local acts the chance to meet new friends and a new audience.

Once again RiFF members will gather around a table to discuss the next showcase with a new meeting planned for mid October. Who knows what the next showcase will bring but one thing is for sure the bands involved and the crowd that came to see us will never forget what happened at Behind The Wall on the 29th of September. It definitely wasn’t a pub gig.

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pic eddie mceleney

Pabs ( a proud member of the RiFF community. Get involved.)

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Musicians Against Homelessness.

Live at Behind the Wall Falkirk September 16th 2017

Musicians Against Homelessness was a fine gig with a number of acts taking part.

SHIVA had a fast riffs reminiscent of the Artic Monkeys, there was a confident swagger about this band and the crowd were clearly on their side, with the young audience dancing to their raucous tunes. It was great to see Behind the Wall looking more like a proper music venue once more.

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I’ve seen The Sonic Blues a couple of times and we have had the pleasure of playing alongside them. These guys seem to love playing live; their new album Something Today is just released and they played a few tracks of that. There is no doubting the dexterity of their playing they have a wonderful bluesy feel to their music.

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Logans Close from Dunbar followed our local lads, and they played well, entertaining the audience with feelgood rock n roll. I was chasing the last train home before Sam Main appeared on stage however Weird Decibels Bass maestro Greg was impressed by the words of Mr Main.

Around £200 in donations was made by generous punters who graced the bustling venue; much needed money for the charity. You can find links to their Facebook at the top of this page.

On another note it’s good to see Behind the Wall decked out for gigs; it has potential to be a fine venue for local acts to play original music and it appears to be happening more often. #livelocalmusic

WTF is RiFF?

 

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WTF is RIFF?

Harder edged music from the Falkirk area. The music that often gets ignored, hard punk, rock and metal and the three main genres that RIFF shares but there are many more that need exposure to the local scene. RiFF bands aim to support each other by attending shows, sharing and buying music.

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13 have played all over the UK. They are look forward to helping the Falkirk scene PHOTO David Bradford

Why Would I Be part of RiFF

If you play in a band it can be the most rewarding experience you will have and it can also be the most frustrating. You want to grow an audience, so you start to play shows. When you are in a small band and you play live, you will spend much of the night wondering who will come through the door. Some nights will be busy others not so.

RiFF is a music community. All we ask is that you attend a local gig that is not your own. Not just RiFF bands playing, but any local music event that you find interesting. You don’t get a badge for attending loads of local events but you meet like minded people and many new opportunities open up.

So keep an eye on the RiFF Facebook page, like and follow the bands and if a RiFF band is playing try and get along to the show. You don’t need to go to every single one but if musicians supported musicians just a wee bit more then our scene would grow and more outside parties would become interested. Look at the success of the Fife music scene for example.  

Additionally if you become part of the community and you set up a Falkirk gig the RiFF community will do their best to support a fellow RiFFers gig. (we’re not promoters. Occasionally we will organise a Showcase and the costs are met by the RiFF bands taking part.)

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The Nebulosity. PHOTO Eindp photography

What bands are in RiFF (so far)

We have a number of bands that consider themselves part of the RiFF community. Punks 13, heavy rockers Blind Daze, the outer worldly Nebulosity and of course us (Weird Decibels). There will be more bands joining the community, there is no obligation to play gigs etc, just share your music, share others music and promote the scene. We welcome bands from not only Falkirk but elsewhere are well. RiFF has music, will travel.

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Blind Daze in full RiFF mode. PHOTO Eindp

What’s the Future of RiFF Then?

Time will tell! Riff needs people to be a success! The Showcase is the start and there may be more. The bands involved will play more gigs, the RiFF community will support them. Look out for a RiFF YouTube channel with music videos, future blogs, possibly Podcasts and of course keep an eye on RiFF bands releasing new music.

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Playing live is what this is all about! PHOTO What Eddie Sees

Ok, i’m sold, where do i sign!

Put that pen away my friend and hit the links.

Facebook Twitter drop us a message. You can email us at RIFFalkirk@gmail.com

If you play in a band, support other bands, create a scene.

 

Riot Act is 10 (part 2 recording)

There are defining moments in every band; a time where the bond between musicians can be strengthened and the foundations laid for a more positive future. The recording of Riot Act was one of those moments.

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The cottage (centre) surrounded by breathtaking scenery

I packed up my old Ford escort with recording gear, my new Tascam 2488 was carefully bundled into the rather ample boot of the old Maroon car. The rest of the gear was flung in any available space.

I met up with Greg, Derek and Stu. Stu would ride shotgun in the Ford, Greg and Derek would team up in the transit hire van which was packed with enough food and beer to sustain a small country (that likes its drink).

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We headed off up the A9 through the epic Cairngorms. Stu switched on the radio and we were greeted with a radio station that I had never heard before. Gone were the annoying presenters, absent were the frustrating adverts, instead Stu and I were treated to track after track of solid rock. ‘Stu what is this station’ I asked? Stu had no answer; he just made the devil sign and smiled. ‘Well wait until we tell Greg and Derek about this radio station!’ I smugly stated. However I did get frustrated as the music would briefly fade away most notably as Gerg and Derek’s van fell behind.

We stopped for petrol in Inverness. I jumped out of the Ford and ran over to tell Greg and Derek about our discovery. As I explained our find, they started to roll of some of the music that we had heard. Alice in Chains? Yes I said. Guns and Roses. YES I said, did you find the station as well? Nah, said Greg, it’s my iPod I had it set up to a radio transmitter. They both chuckled as they walked away to grab a sandwich.

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The road to the Riot Act sessions could not have been calmer

As we drove on from Inverness towards Cannich I started to realise that we had booked a cottage rather far away. As time passed we were soon sharing a single track road with sheep and eventually deer; then it became clear just how breathtaking the Cannich valley was. Further in the distance, sheltered by some trees, was the Leattrie lodge. It looked just like the brochure, that is until we drove up its steep drive and saw it looked a little run down. Just perfect for four lads who wanted to play loud music and drink a lot of alcohol.

The excitement was palpable, a whole week surrounded by the hills of the beautiful valley. The guys charged into the cottage and as I heard their excited voices fade the deeper they got into house I could hear the silence of the valley and a river far in the distance.

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I turned and headed into the lodge. It was modest, it had small rooms that ran into a narrow corridor. The living room was open plan to the kitchen. This was the biggest area and I suggested we record here but Derek pointed out we’d be dining in this room and we’d have to dismantle the drums every time we wanted to eat.

 

We headed upstairs, the bedrooms were small but Derek’s room was a little longer. There was no escaping the ceiling, which due to the nature of the upper level of the cottage, sloped inward, For some reason we decided to set up the drums upstairs. It would prove to be a mistake.

Once all the gear was dropped into the nooks and crannies of the small lodge we started to pack the fridge with beer and had our first meal. I unpacked the Tascam 2488, marvelling at my new purchase. 24 tracks of digital recording. I carefully laid my first condenser microphone; a cheap Stagg, basically a budget version of microphone that I liked. I had recorded the Armour is Broken (a solo lp) with this mic.

As the light faded on the first day Greg lit the fire and we opened our beers. We wouldn’t be sober for the next 6 days.

We recorded Riot Act in batches. Drums and bass for 3 or 4 songs and then we’d layer the guitars and vocals. We’d repeat this process until we had all the tracks down. The drums were crammed into the biggest of the bedrooms upstairs, the low ceiling made the drums sound a bit flat not that I was aware of this at this time. I used various methods to split the signal of the guide tracks and sent a feed through to Greg and Stu who were in another room. It was a crude method but it worked.

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Derek has fun but the room wasn’t suited for drums

The small rooms lended well to a tight guitar sound which translated fairly well on the record. The bass was a direct input. All of the songs were recorded this way with the exception of Weekend All Over My Face where we used Stu’s practise amp to record the bridge that worked really well and room mics for Only Had A Shandy, but that’s another story.

The vocals were sung in another bedroom where the windows overlooked the valley. I remember the guys headed off to the small village at the foot of Cannich. I was left alone to sing It’ll All Work Out In The End. I’ll never forget that afternoon. Alone in a remote part of Scotland, I was singing a song about hope while my head was full of troubles. My late father in law was very ill and it was the first time I was truly alone to think about it. The emotion would spill onto the record.

Every night the fire would crackle and beers would be drank. The laughs would get louder as the darkness surrounded us. Greg would often go out for fresh air… Sometimes I would join him in the darkness of the night, it was breathtaking, There was no orange glow from any nearby cities. Whenever the clouds cleared, stars would hang in the black sky and I’d sway as I tried to focus on the patterns above.

During the day, at down time, we would hang around the outside of the cottage. At times the weather was good. Sometime we’d go our own way and take a walk. A week in a small cottage with the same guys could be cramped and you needed your own space. Greg and Derek took this to a different level. Literally.

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walks led to beautiful country

They headed up the hill that was our back garden. When I say a hill I mean a proper hill climb, the cottage had no fences or boundaries. The hill rose far into the distance, Derek and Greg filmed the adventure, off they went climbing higher and higher. Stu and I would look up, the pair of them getting smaller.

As they reached the top, flakes of snow started to drift in. Most people would head back. Not Derek, he stripped off and shouted ‘I’m naked at the top of the hill!’ and went off on a merry dance much to Greg’s amusement.

Life in the valley of Cannich was serene, we were visited by a cuckoo on a number of occasions and I managed to capture our visitor on record. The days and nights merged into one long party, recording, beer, jigsaw puzzles and music. At night greg’s fire would continue to crackle as we took stock of life in the band and life in general. We were in our thirties, married or getting married but without kids.

Thursday was a special day, I did a half day of recording and settled down to a BBQ in the small woodland next to the cottage. It was the last change to have a proper night of booze. As I wandered into the woods to gather some firewood I heard an almighty explosion.

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Riot Act… lard bombs aside it was a peaceful recording…

I ducked and turned towards the flash of light…peering through the trees I was trying to make sense of what happened. Then I heard Greg laughing, with Derek proudly standing over the fire ‘Lard bomb!’

Then came the dueling banjos, Stu and I pulled the best banjo posies with sticks, only for Derek to snatch mine and fling it in the fire. He redeemed himself with the BBQ’d chicken which was simply wonderful.

The sun slowly set as we got merrier, I left the gang and headed back into the house to set up some microphones. When I was ready I asked the guys to come into the living room. I gave Stu a guitar and some headphones. He played along to the end of Only Had A Shandy as the rest of us sang a drunken chorus of random words. Derek and I spilled over the couch into the floor, mics came crashing down. It was all recorded.

The night grew longer as we gathered around the now small fire out in the woods. I can’t remember what we talked about but it was probably deep and meaningful. We all headed into the cottage except Greg who waited for the sun to rise on the final day.

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a beautiful moment from the riot act sessions

When I awoke on the last morning with alcohol on my breath and hunger in my belly sadness crept into me. I was hungover and despondent that our recording week had come and gone so quickly. A long quiet drive awaited us, the party was over, our jobs awaited our return on the Monday.
So we set off home; there was a subdued mood in the car as Stu stared out the window. I muttered with anger as a Ford Transit overtook us. As I was about to slam my hand on the horn I saw Derek lean out of the van’s passenger window with a big smile, Greg wearing a smug grin as he was overtaking me.

It was a wonderful experience that changed the band for the next ten years. We hired another three cottages after this one. Each growing in size but we never quite matched the drunken madness of the first time.

 

New and Notable records Falkirk (episode 1)

Weird Decibels would like to share the music of our fellow Falkirk acts. Here are some of the records that Pabs has bought, listened to and enjoyed lately. There are a lot of great acts and records in Falkirk just now. 

All downloads listened to in full WAV format at 44Hz (or higher) using the wonderful program Foobar 2000. Downloads and CDs paid for through Bandcamp. There are also a selction of CD’s in Falkirk shop Noise Noise Noise

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13

A Line Of The Dead On Deadline Day

(recommended listening on WAV downloaded from Bandcamp)

Recorded at a pace in typical punk fashion between August and September 2015 13’s album A Line Of The Dead On Deadline Day is classic punk driven by a tight drum sound recorded in a fairly small room that gives the kit a close up feel; there is FX added to the snare on some tracks. The sound reminds me of the late 80’s early 90’s punk/ grunge scene. The drums are knitted with bass, and in most tracks there is one guitar that delivers the riff. Most modern bands double up, so this record feels live, raw and wonderfully personal.

The drums were recorded at the bunker in Bonnybridge, with the guitars recorded at Dollys; (house i’m assuming) this album has energy and a real underground feel . Dolly is the dominant lyric writer, with a snarl to his vocal delivery there is a political air to his musings.

The beauty of this record is its underground feel, its rawness and its pure punk ethos.

Dextro

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In The Crossing

(recommended listening on physical format, Vinyl, (CD, which I have), included is rather nice artwork)

Ewan MacKenzie grew up in the Falkirk area with the same dreams as the rest of us. A musician who would hope to get some recognition for his work. We haven’t quite got there yet but Ewan appears to have made some headway into realising his vision.

He started his musical career as the prolific drummer of Cage, one of Falkirk’s greatest bands. Cage’s life was short; but it burned bright. Post Cage Ewan went on to perform on a number of projects. Recently he drummed for Pigs pigs pigs pigs pigs pigs, a band that is doing rather well. For whatever reason he recently left them in May 2017 and it appears that his focus has turned to Dextro.

In the Crossing is a wonderful, moody and atmospheric piece of electronica. Its production and scope stands at height with mainstream acts which could suggest that Ewan will realise bigger things. Its timing and structure is wonderful, rich textures sweep across the listeners headspace and of course there is the assurance of Ewan’s drumming. The track Clearing digs deep into your emotions, its a beautiful four minutes.

Take this record in, breath it, listen when the sun is setting, you’ll understand what I mean. This guy is from your town, take pride in that.

Ghost Writer

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Outskirts Vol. 1 and Legends

(recommended listening WAV downloads from Bandcamp)

Iain King, singer and guitarist of Ghost Writer towers over most people he meets. I met him briefly backstage at Shuffledown 2017 and he seems like a nice fella, however there appears to be a side to him that allows him to create the edgy compositions of Ghost Writer. They have two EP’s now. Their first Outskirts Vol 1 is a raucous affair with For Hire (Summer Never Ends) having a riff that has that ability to dig into your ear. Mags Dignan’s vocal are worth a mention, her tone is a good contrast to Kings but there is no doubt she could deliver a song on her own. Last track Way I’m Wired is an example of a band quite happy to take risks, with a distant guitar, backed by fuzzy keys and an exposed vocal. Very nice.

Their follow up Legends is a more measured and professional sounding affair. Recorded at Chem 19 studios Ghostwriter have rolled a dice, paying money to produce an EP that they hope will lift them above their peers.

Its an ambitious EP that throws guitars licks from ear to ear. The last track ‘I’m Not Trying To Get to Heaven’ is a highlight, the EP tries to avoid the formulaic approach of other bands, sidestepping verse chorus verse structures.  Have a wee listen to Outskirts, it’s a fine vocal performance from King drifting from baritone to the upper mids with ease.

Ghostwriter have a lot of promise.

Pabs

Riot Act is 10 (part 1 writing)

Behind the Wall Photographs Neil Henderson

Stream the album for free here

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Stu in full flow 2007 BTW, Pic Neil Henderson

Turning 30 was a bit painful; there is something visceral about leaving your 20’s. You think your youth is gone when in fact it’s still around for another few years or so. Turning 40 teaches you this.

Riot Act was written and recorded as we were all heading to our 30’s (Stu had already reached that milestone!) Greg and I were nearly there and Derek was planning to have the mortgage paid off by the end of his third decade.

In 2007 the music industry was about to go through a seismic change. Spotify would launch the year after, itunes was in full flow and people were downloading music only to find the quality was nowhere near as good as physical formats. Radiohead were letting you pay what you wanted for the brilliant ‘In Rainbows’ and Kings of Leon were just past their peak.  

‘this is the hole dam shooting match

where the victims aim high and the victors aim low

where the self obsessed career animals

who don’t want to know’

Underachiever

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Our band was still called Weird and we had had a great ‘comeback’ with One More Solo in 2004. We had gigged that album profusely and after the dust had settled we returned to our practise room and decided our next turn. Derek suggested we started making money from music and that meant learning covers then playing paid gigs. Grudgingly I agreed, the other guys felt that this was a good move. So we learned a lot of tunes and played a number of paid shows. Slowly our band bank account started to look like it had never done so before…it had a balance.

Writing took a back seat; personally I had run out of ideas I thought I had explored all my experiences and thoughts and my pen ran dry. Influences around us were also running low, the Foo Fighters for example were treading water; the albums they released around this time, One By One and In Your Honor could arguably be examples of this (some of the guys will be shaking their heads at this but I feel the Foo’s didn’t return to form until Wasting Light which is superb). Personally I felt that there was no emerging music and even the local scene was not as strong as it is today although its fair to say I was ignoring that as well.

‘Lets face it she’s not very pretty

And she doesn’t look good on the dancefloor

I make my way home from this paranoid city

Turn on the news watch religion at war’

Sky is Falling’

We would attend practise every Wednesday in the same surroundings, low on influences distracted by learning covers and I guess on a come down from the joyful years of 2004’s ‘One More Solo’. Even the very essence of our rehearsal space was changing as the bulldozers came in and cleared the way for another ASDA. Despite all these factors we soldiered on and wrote Riot Act.

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Oh Greg! how you’ve changed! Pic Neil Henderson

Despite my reluctance to learn covers discovering the structure of the songs we were regularly playing in Behind the Wall and other venues that favoured cover acts, I started to become influenced by the punk and rock we were playing. Many of the songs on the album would end up being balls out uncomplicated punk rock that was easy and fun to play.

Our drinking was nuts during these years in the 00’s we drank a lot of beer. Caught up in the insane alcohol deals of the day; we would consume cases of lager without flinching, often during great times at Derek’s old flat. Indeed our old gang of lads were still together; Byrne, Rooz, Wilson to name a few and of course Dave Broon. Unbeknown to us these were the last few care free years and looking back i’m glad we enjoyed them.

Some facts about 2007

  • Interest rates 5.25%
  • Tony Blair steps down as prime minister and is replaced by Gordon Brown
  • US President was George W. Bush
  • There was the horrific Glasgow Airport terrorist attack
  • Average price of a pint was £2.51
  • Best selling album Back To Black Amy Winehouse
  • Average internet speed 3.3 Mb (three times as fast as ours)
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A few pounds more and a few grey hairs less. Pabs 2007. pic Neil Henderson

Alcohol was very much prevalent in the lyrics I wrote then, that and nightlife in Falkirk. Home Sweet Home is perhaps a reflection that I was tiring of the nights this would be a theme throughout the album. However it was a limited view and I grew to criticise my lyrics over the following years. Quiet Act, Riots successor, dealt with the same subject albeit from a Sunday morning perspective. (more on that next year).

 

‘I beat myself up over again

When i realised what i could’ve been

Holding on to a job that pays

For the  house and the car and the microwave’.

Razorwire

 

Personally there were some difficult times in 2007 but I never really learned how to approach them until many years later. Riot Act was like a party with lots of people having fun apart from the one moody guy in the corner ready to start something.

Writing the album was a pretty straight forward, the riffs really spilled out from the covers we were rehearsing. Then one night we heard the scurrying…the rats…even they got a mention on the record.

As we gathered our roster of finished songs I suggested to the guys a new approach to recording; that we hire a cottage in one of the remotest places in Scotland. We now had the money to pay for it. Riot Act would be the first of our ‘lodge albums’ and what a riot that week would be…

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the first ever lodge we used to record. Cannich, Scotland

Words Pabs.

 

 

 

 

 

 

 

 

 

 

 

Gig Diary Shuffle Down 2017 20th May

Credits

The Crowd

Sweet P Photography 

What Eddie Sees Photography including featured image.

Gregor Boyd Photography

Afterglow events

Ben White sound

words Pabs

 

I don’t get gig nerves as much as I used to. Of course I still get jitters these days, usually just before we go on stage, when I’d be wondering if I’d forget the first line or drop the first chord. However I don’t get the crippling nerves I used to feel when we first stepped onto the Martell stage back in 96.

Shuffle Down (20th May 2017) was different, I’d been thinking about this gig for the last year.

 

Let me take you back. Shuffle Down 2016 was well in the the swing and I was tapping my feet, enjoying the bands, the craic and the ale. Rikki Tonner, one of the event organisers, is someone I’ve gotten to know over the past couple of years. I believe we share a passion for the Falkirk scene (he’s more pro-active than I am!) so he came over for a chat.

Towards the end of our blether he hinted that Weird Decibels would play Shuffle Down next year. I’m not sure if he was just being nice, but he said it and it got me thinking. A rock band on Shuffle Down? Would it work?

Rikki stayed true to his word, a few months later we got the invite and then the nerves started to gnaw at the back of my mind. Then came the doubts. Would we be on first? Would their be a crowd? Or would there be a vast empty space as people went out for burgers and fresh air as we played.

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we’re on the bill! A great line up. Artwork Afterglow Events

Fast forward a turbulent year of Brexit and Trump. Now it was the morning of May the 20th 2017, I hadn’t got much sleep the night before but I was full of energy pacing around an empty house. Kirsty had taken our boy out to to stay at her mums for the night so I had silence for company. The nerves really started to kick in. I opened the guitar case and the old golden Yamaha was resting in its cradle. I picked it up and started strumming some of the songs. I forgot the words to Speak…Now I was really nervous.

I packed my pedals and our merch into my rucksack and put the guitar in the case and grabbed a bite to eat. As I picked at my sandwich I wondered what lay ahead. I checked the train times. It was time to leave.

I booted up Spotify and played some Soundgarden; the amazing Superunknown blasted my ears as I walked to the station; I spared a thought for the late Chris Cornell. Gradually Soundgarden’s music lifted my spirits.  Now i was getting excited.

On the train I sat down and checked out the instructions for arriving at the venue. The whole set up provided by Afterglow was very professional. We’d be on at five and I had a hunch that this time might work out well for us. The beer would be flowing and maybe we’d get a few people listening.

The Dobbie hall was just short walk from the station (I love those gigs where it’s you, a guitar and a rucksack) I entered the main door there was a busy but calm atmosphere in the venue. The sound crew had already started work on a drum sound and I took a moment to admire the stage on which we would play. It’s easily the grandest stage our modest band has played on for a view years.

I got a warm welcome from an understandably distracted Rikki who pointed me in the direction of backstage where I gratefully laid down my guitar which had now grown heavy. I had a wee peak from the side of the stage, it was a fine size of floor space, very pleasing to the eye of a musician.

Half an hour passed and my phone buzzed, Greg and Stu were stuck in the car awaiting for the rain to stop, it was heavy, bouncing of the pavement as the dark clouds above us emptied. Finally Stu hauled his large guitar pedal case which I rather stupidly offered to carry backstage. It’s a heavy burden of effects!

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The mega case of effects. Pic Sweet P Photography

We had a look at the other room backstage which had a small selection of beers and food, this is a lot more hospitality than many bands are used to! Derek arrived and this was the first time he had attended Shuffle Down and he seemed to be impressed with the set up.

With the soundchecks done we took our place in the audience. I was now observing how many people were walking through the door, looking behind me every couple of minutes like a paranoid spy from a 70’s Bond film (all that was missing was the newspaper and a dodgy pair of sunglasses). At 2 when the doors opened there was a small crowd, my fears of an empty floor for our gig were not easing.

The first acts played, you can read about Shuffle Down 2017 here. More people started to filter in and fill the hall. Now I was starting to feel that there would be a decent crowd. However I was fretting that our music would not sit well among the acts of this years lineup.

Have Mercy Las Vegas we so different to us and the crowd loved them, my anxiety grew. Now I just wanted a beer…Pronto Mama walked on with keys and brass and I thought the worst. Would these guys play music so different to us? However there set was great full of surprising guitar driven indie rock which I felt would ease the listeners into our music.

Now I was starting to get excited. Their set flew past and as I walked towards backstage I heard the crowd cheer their last song, it was quite a noise so I turned around and saw quite a mass of people. I was praying they would stay.

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Stu settles quickly and nails the gig. Pic Gregor Boyd

There was a nervous excitement from Stu, he suffers terrible pre gig nerves and he really felt this one. Greg just seems to stroll up and take everything in his stride. Derek is often the most composed. Quietly adjusting the cymbals and snare before settling into his stool prepared to beat the hell out of the kit.

I had to hold to my nerves, I was playing in front of a neutral audience, our friends and of course our peers of the Falkirk scene. We had won best rock act of Falkirk 2016 at the AMIF awards and I didn’t want to let anyone down. (thanks for voting!)

So I didn’t look out to the crowd as I plugged in my leads. Then I strummed the guitar…nothing…I walked over to the Marshall stack…turned up the volume…nothing. Then a slight adjustment and just a faint whimper of distorted guitar could be heard. Time was passing. I took a breath and had a look at the setting of the Marshall amp head. There were presets and I started to select the various settings, one of which said ‘classic’ voila. Sound.

I quickly got a level then scattered the setlists at the four positions of the band, Stu was ready, Greg, kitted out with his Weird Decibels denim waistcoat was ready. Derek was poised. I got a level with Stu and then looked to the crowd. They had stayed.

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Big stage to fill time to run around! Pic What Eddie sees

Ben White was on the sound desk and he picked up our prompt and dropped the background music. Derek started the beat of Speak. I picked the notes…the correct ones. The band blasted into the intro then I stepped up to the mic and sang the first line. Then I relaxed

Setlist

  1. Speak
  2. Once More With Feeling
  3. Ms Asphyxia
  4. Wonder
  5. Kill it Kill it
  6. Who You Know
  7. Medicine
  8. I Hear the City

The stage was superb, I had room to run around like it was our first gig. Stu and Greg looked like they were have the time of their lives. Derek, as usual, keeping it all knitted together. The nerves were now evaporated. It set up the rest of the show.

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THAT waistcoat! Pic What Eddie Sees

When we finished Speak the response was superb and that energised us further, it gave us confidence. The sound was fine for us on stage but I believe that it was well received in the audience.

Our half hour slot felt like five minutes. We extended I Hear the City and I tried to get the audience to clap along, we extended the solos and build up to a finale. The song finished and I knew then we had played one of our best gigs in our two decades together..

The stage, the audience, the setting, it was all superb. 22 years in and we often wondered if we’d ever play shows like this again. I guess we’ve been rewarded for sticking together through the highs and the lows and while we’ve never made any sort of impression on Scotland’s scene we can look back on days like this and take a bit of pride from it. We made some new friends and reunited with some old. There has been some great photos of us on stage having a bawl.

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Derek keeps it all together. Pic What Eddie Sees

 

So if you are a young local act, don’t get too obsessed with breaking through, just know that if you stick to what you believe in then there will be good times ahead. You cannot beat the high of achieving something with your best mates. Backstage after the gig was testament to that, bands often feel a closeness that you cannot explain to those who don’t play.

So a huge thanks to Afterglow, Rikki, Laura and the team for having us, indeed for taking a risk. We feel it paid off and we hope you did to. It was an absolute pleasure to play.

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Thank you Shuffle Down! Pic What Eddie Sees

Shuffle Down 2017

credits

the crowd

sweet p photography (featured image)

Gregor Boyd photography

what eddie sees photography

afterglow events

ben white sound

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we’re on the bill! A great line up. Artwork Afterglow Events

 

 

Shuffle Down had a different feel about it this year as we were playing! Read more about that experience in our latest gig diary.

As I arrived at the Dobbie hall some two hours before the doors opened there was a surprising calm in the air. The various volunteers and stalls were quietly setting up their various stations, there was an air of anticipation, would it be as busy this year?

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Capturing the live sound for so many different bands with so many different instruments is a skill mastered by Ben. Pic What Eddie Sees

Shuttling back and forth from the stage was Ben White who once again had the duties of mixing and amplifying a number of different bands with a wide range of instruments; he did a superb job. Anyone who has ever provided the sound for a gig will understand how difficult this is to do for two or three bands never mind a festival roster! So hats off to Ben and his team they did very well providing a nice meaty kick sound that cut through the full range of frequencies that are needed for a balanced sound. Everything from the guitars to the bass sounded well knitted. I would argue that this year was the best sound, a couple of technical glitches aside (which you have to expect), it was clear the sound crew have got to grips with the acoustics the hall

In the background Jim Dunbar was once again overseeing the task, A stalwart of the local scene for many years. During soundcheck he reflected on his many years hauling speakers to various venues and hinted that it may be time to put his feet up.

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Jim Dunbar was doing our sound when we first started playing live. Local legend.

He did the sound back in at our first gigs at the Martell some 22 years ago, now here we were in the Dobbie hall about to embark on another Shuffle Down and all the challenges that come with putting on a show that gives local bands an opportunity to reach a bigger audience on a grand stage.

Once the soundcheck was completed the lights slowly came on, the true beauty of the stage was revealed. Shuffle Down always has the personal touch of the loyal volunteers and of course Rikki and Laura Tonner. This year was no different with a waterfall of lights hugging the back of the stage and the ever present Afterglow Lamp, stage right, proudly illuminated..

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Beauty and the fest, The Everglow lamp. Pic Gregor Boyd

The heavens opened outside, biblical rain fell as the last of the early bands arrived to drop off gear backstage and exchange handshakes. There was a good air between the artists, mutual respect and a common desire to entertain the crowds that were on their way. The doors opened and the rain started to ease, a good number of punters drifted into the scent of coffee from The Common Grind and a whiff of ale from the Tryst Brewery.

Up first was Kieran Fisher playing an acoustic set of originals and covers; his gravely voice reminded me of Kelly Jones I thought this was a lazy comparison until he nailed the Stereophonics. Kieran looked confident up in the big stage which is a hard thing to pull off given that you’re up there on your own. Continuing the acoustic theme was Robbie Lesiuk, when he took the stage the hall was starting to fill with punters. The noise of the crowd chatter grew as people greeted each other the atmosphere was starting to build; there was now a buzz about the place. Robbie played well, his subtle use of loops is always good to listen to and Fault Lines always gets stuck in your head

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A charismatic front man who had the crowds full attention. Pic Gregor Boyd

I was surprised to see Have Mercy Las Vegas on early but it really did help get the feet stomping. Their charismatic front man had the audience stamping and clapping and for the first time I felt genuinely nervous that our rock set would plummet to the earth like a dropped pint of real Tryst ale. Then up stepped Pronto Mama, whose dynamic sound no doubt tested the sound engineering skills of Ben but I felt that the mix held well. Their set was a good blend of synth, brass and guitars. I really enjoyed their show. There was an intense feel to it.

We were up next and you can read all about that in our gig diary.

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Rock comes to Shuffle. Pic Gregor Boyd

We played a half hour show which felt like 5 minutes. As we stepped back stage and took a few photos and admittedly did a couple of high fives the Lonely Tourist stepped up to the mic. The stage curtains were drawn so he had a more intimate platform for which to share his tunes. I caught a couple and I really enjoyed his music; I love the full band sound on his record and I hope he ventures up here with the band in the future.

I headed out the the stalls to grab a fine burger and the sun peaked out from behind the dark May clouds, they broke and scatters of blue sky could finally be seen. Finally I could relax and enjoy some Dobbie Shuffle from the Tryst stall (can I by bottles of this somewhere?! It’s sweet!). The alcohol hit me pretty quick!

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Ghosts on the stage. Pic Gregor Boyd

I was really looking forward to Ghostwriter who I believe are one of the best bands to have emerged from the scene recently. For Hire (Summer never ends) was a great opener and that guitar riff is one of the most infectious I’ve heard for a while. Technical issues distracted singer Iain King and it caused him frustration. To be honest I felt his anger added a little edge to the performance which I enjoyed; however it proved to be too distracting for him and sadly their set finished early.

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There was an edge to Fly Jackson at Shuffle, my fav show of theirs to date. Pic Gregor Boyd

Fly Jackson ambled up to the stage they seem to take these events in their stride, I saw them at the Trinity Church gig and enjoyed them but I preferred this performance. It was a very focused set by the band and the sound had a fine clarity to it. They have some great songs on their roster.

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Iain King found his composure and joined Fairweather and the Elements for their set. Ross and co headlined a great night at the Trinity church, this performance seemed to have more energy, perhaps driven by the occasion, vocalist Deborah Lang was clearly enjoying herself as she danced about the stage. By now it was clear that the electric atmosphere of Shuffle Down was influencing the artists; the performances seemed more energetic and the crowd were loving it. This is why we need this event.

I felt myself glued to the main stage, the atmosphere, the bands and the beer. In previous Shuffle Downs I found myself wandering upstairs to see some fine acts but this year I couldn’t leave the big room as it was proving too enjoyable. It helped that the bands were really quick to switch over. The hall seemed to be as busy as previous years, those watching the acts seemed to enjoy the various genres and warmly applauded all that played.

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Highlight? Yes. One of many. Pic Gregor Boyd

Miracle Glass Company were superb, I was transfixed by the drumming of Andy Duncan, he was keeping these Ringo Starr esq beats going at a pace while aptly performing his singing duties. There was good pacing to their set, Trouble is a great song.

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Transfixed we were, 57 rock. Pic Gregor Boyd

Then came a surprise. 57, a hard rocking duo from South Korea, took me by surprise.The crowd loved them. I liked the set it was impressive and it was a huge sound for just two people. I had no idea that this was coming.

By this time I was a little tipsy and thinking of work the next day (started in the afternoon folks) so my wife and I headed off into the night. The sounds slowly faded as we walked away from  the Dobbie hall.

Perhaps I’m biased as we played Shuffle Down this year but I felt that this was the most enjoyable year so far. The first year had big acts, the 2nd found its groove but this year felt different. It felt like a big party, a gathering of people who love music and will come to Shuffle Down regardless of who is on the bill and every band benefited from an audience that was open to hearing something new and it was fantastic to witness this.

Was Shuffle Down 2017 a success?  If success was a large group of happy people enjoying a wide range of music, surrounded by friends drinking local beer, eating local food and listening to local acts then yes it was a huge success.

I will probably attend another overpriced festival sponsored by Tennents at some point but I doubt that will enjoy it as much as I did Shuffle Down 2017.

So as the bands packed up and the Afterglow lamp was switched off, I do hope that next year it will illuminate the Dobbie hall once more. The Falkirk music scene would miss what is now becoming the most important date on our local live calendar.

words Pabs

 

 

 

Louder Than Bairns

Withered Hand paid a visit to Falkirk. 18th May 2017

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The Wine Library has been an establishment of many guises; from the working man’s haunt of the Argyll to the Irish themed Finn McCools then turning full circle back around to the traditional feel of renamed Argyll. Then came 20 Rocks (where we launched Weird Decibels 1) before it briefly became a cocktail bar and now here we have somewhat surprising wine bar in the heartland of Falkirk, The Wine Library.

Admittedly it looked good, although quiet, there was an undiscovered vault of wines and a limited range of beer for plain old rockers like myself. Upstairs, where the event was taking place, was nicely filling up with attentive listeners.

Untitled celebrates the words and art of Falkirk’s finest poets and wordsmiths and they had organised a night of poetry and music titled Louder Than Bairns. I was pleasantly surprised to see that they had booked Withered Hand and a rare gig from Sweethearts of The Prison Rodeo.

The sun shone through the blood red blinds and the stage looked like the final scene of a Blade movie with an additional disco ball spinning on the ceiling for Wesley Snipes to slay some vampires under, however tonight’s fare would be more down to earth.

Up stepped a slightly nervous poet by the name of Carolyn Paterson. She spoke of her fear of the current state of the USA and shared then shared her routes of her Polish heritage. John Kennedy mixed raw personal experiences with humour and delivered impassioned poetry.

Sweethearts of the Prison Rodeo David King managed to have a wee chat before their set and explained that he is working on new songs but the process of recording a new album has been a bit fragmented (i know the feeling); however for tonight’s show they visited much their most recent album, Pigs In the Bull Ring (humans like beasts) and they threw in some older numbers. Adam Stafford also took the time to make a guest appearance. There are several changes to the versatile lineup and the gig was solid; Robbie Lesiuk looked confident and at ease on the guitar using a mixture of loops and floating riffs with the kind of dexterity that is heard on his solo work.

Withered Hand was superb, delivering a good mixture of stories from his travels to the songs he has written over the years including King Of Hollywood from his last album New Gods. He is well known in the Scottish music scene and it was great to see him deliver a fine solo set in Falkirk.

A fantastic achievement for Untitled.

17 reasons why you should’ve visited shuffle down 2017

All the information about the festival is on this fine website

Back in 2015  I was flicking through the Falkirk Herald when I stumbled across an article about a new local music festival called Shuffle Down. I was aware of this event however they had added the band Broken Records to the lieup. At this point I decided to delve further. Now intrigued, I bought my tickets and was pleasantly surprised at how good the festival was and how good the artists were.

Shuffle Down grew in confidence in 2016; once again back in the impressive Dobbie hall it had a more diverse line up and once again I had a great day with my wife and my mates

Now approaching its third year Shuffle Down is back on May the 20th and we’re playing! So below are 17 reasons why Shuffle Down should take a place in your 2017 musical festival calendar. Please note these are not in numerical order.

 

  1. It one of Falkirk’s best music festivals. The Falkirk scene is continuing to grow again which is fantastic news for local artists like us, Shuffle down started in 2015, created by Rikki and Laura Tonner with help from their friends including Gavin Brown . There are many great acts playing in a cracking venue and the vibe is brilliant.
  2. It marks the start of the summer. 20th May? Its that time between the end of spring and the start of summer. Shuffle Down is a great day to celebrate the sunny weather we get from May to September (well it seemed that way in the 80’s when I was a kid). If it rains falls head back into the halls and watch the bands!
  3. You’ll discover new acts. I have discovered a few great acts in the last two Shuffles including Iona Marshall, Yossarian, Paddy Steer and Dextro. There are moments when you are enjoying your beer chatting away in company when an artist plays a song that makes you stop, listen and discover which is a hundred times better than letting Spotify (et al) do it for you…

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    Paddy Steer you had to see him to believe it.
  4. It has a personal touch. Organisers Rikki and Laura plus family and friends put this together; the hall has always been decorated to give the festival a personal feel plus on stage there is a lamp. A little lamp that illuminates the corner which can be seen at many local gigs. A quirky touch that adds personality to an event that is a million miles away from the corporate festivals that clog the calendar.

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    From the classic surrounds of the hall to the decor the venue has always looked grand for Shuffle Down
  5. The craft stalls are a haven of gems. In the past couple Shuffle Down fests I’ve been drawn (pun intended) to the artwork of John Grieve. However there are many stalls populated by local people keen to display their talents. IMG_20150529_154054407_HDR
  6. The atmosphere is fantastic. From chilled out to pulsating to bouncing Shuffle Down has had it all. The crowd is friendly and there is a generally good atmosphere around the venue. 
  7. Dobbie hall is grand. This hall is a hidden gem in our area, I’ve been here a few times for various events and the decor is beautiful. From the carvings around the main stage to the high ceilings and decoration this is a hall the people of Larbert are proud of. Its here on the map
  8. It’s easy to get to. Just 5 mins from Larbert train station (hit link map link above), within minutes walk of buses, a ten minute drive from Falkirk, Stenhouse taxi rank just up the road. It couldn’t be easier to get to. Leave the car at home and enjoy yourself! 
  9. The food stalls are ace and local. Local butcher R Browns and Sons are just one of the vendors who provide much needed scran to soak up the local craft ales.
  10. Craft ales are yep…local. Tryst Brewery set up stall last year and are returning with a few kegs this year. What better to enjoy local acts while sipping a fine ale from a brewery just a few yards down the road.
  11. The line up is increasingly diverse. 2015 Shuffle Down took its first steps, in 2016 it found its stride with a more diverse lineup from the mad Paddy Steer, the indie tunes of Yossarian and the jumping ska of Esperanza. 2017 promises more with soul pop from Pronto Mama, American country from Have Mercy Las Vegas acoustic loops from Adam Stafford and a bit of rock from ourselves. 17835062_1395119577198251_8993517791303915887_o
  12. You meet old friends. It’s a great day out for friends and family, we go to Shuffle Down as a group and have a great day out however being at a local music festival it’s amazing how many old friends I bumped into the past two years. 
  13. Its great for local bands. The first Shuffle down helped raise much needed awareness of the local scene I couldn’t believe how many great artists were on my doorstep (I had lost touch over the years). Looking back at the past lineups I discovered I had missed even more acts that have played locally recently. There are even more local acts this year including to fine acts in Ghost Writer and Robbie Lesiuk to name just two.
  14. The festival contributes to charity. MND Scotland and Strathcarron Hospice have benefited from money raised by Shuffle down. This year the charity will be Kidney Kids Scotland
  15. £19 gets you a day of live music. For just nineteen pounds you will get you a full day of live music on two stages; can’t think of better value than that.
  16. You don’t have to travel to the other side of the country to see a decent music festival. Whether its Glasgow or Edinburgh or even to the middle of a muddy field travelling to a music festival eventually means you have to return, often with a monster hangover. With a local music festival you might still have the hangover but at least you can rest your head on your own pillow.
  17. Weird Decibels are playing! Come on give me this one! You are visiting our website aren’t you? We are delighted to be playing Shuffle Down 2017 and we’ll put everything into this. See you there!!

Pabs