Categories
Story of the Songs

Story of the Song 1: Glass People.

Glass People is track 10 from Whapper Stormer our first album.

whapper stormer

 

 

 

 

 

This is the Story of the Song. Glass People was written around 1994/5 inspired by the rock nightclub scene at Pennies. We went there every Saturday for a few years.

http://weirddecibels.bandcamp.com/track/glass-people

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it was a rainy night

Rain was a recurring theme in Whapper Stormer I wrote many of these songs around 1994/5. There was localised flooding and the Dawson Mission next to the river Carron was hit, that inspired the Rain. Many of our Saturday nights were spent down at a rock club called Pennies. It often rained. We’d get soaked on the walk down from Falkirk town centre to Pennies but we’d soon be dry in the muggy atmosphere of the club. Smoke would fill the room obscuring the DJ who would flip CD’s in the booth huddled in the corner of the dance floor. Nirvana had been around for a couple of years but were still popular, Rage against the Machine always played, Blur, Pulp, Elastica, great tunes. We all had Doc Martins, checked shirts and long hair. We moshed to Smells Like Teen Spirit although occasionally the DJ would cheekily play a rap version instead. Dick.

for the night I was going to witness, people who are desperate to escape all that lies before them

We were all in our late teens and early twenties. Most of us had been average at school. Personally I had wasted my education and went to college to stall the inevitable step into an unknown world. As a group we were close then, most of us took comfort in each other and the shared fear of having no idea what to do with our lives or how our lives would turn out.

all are congregated, maybe not at church but a place we can worship our freedom and our choice

I’m speaking for myself here but I don’t think many of us went to church or practised our religion. I certainly did not. Pennies was our ‘church’ a community that would meet every week to dance and drink or take drugs perhaps all three. There was a level of tolerance in our scene, many of us didn’t fit in at our earlier social settings. School alienated at lot of us. We were free from that.

the only place where I can let go for recreation, but I noticed, I noticed something spectacular, so spectacular

The lead up to the chorus, one night I probably had too many drinks but I remember the lights cutting through the smoke and the silhouettes. There were tears on many of the nights. The grunge era promoted an outward pouring of emotion. Sometimes it seemed people were trying to out do each other, to see who could be angry or the saddest, myself included. I thought I could see through people, hence Glass People. However looking back my opinion was naive as I’m sure many of my old friends had real issues that I was ignorant of.

glass people, looking so polished, looking so clean, looking so sweet now, perhaps it should’ve been, glass people

A simple descriptive chorus of ‘Glass People’

you wanna know where I witnessed. it was around a rectangular table in a lonely corner, there were a few beacons sitting there

Where the first verse describes Pennies and sets the scene, verse 2 focuses more on the area where we sat, it was often in the corner near the bar where they severed draft Tenents Special. Cheap beer. The glass theme is still present. We would sit around these basic rectangular tables and drink, roll cigarettes and dance when our favourite tune come on.

and on the table, a few bits of paper, glasses, generally, I looked around and I saw them, I saw them slipping so far away

We’d tear up beer maps, scatter them about the table. There would be Rizzla papers crushed and disregarded. This is the line that often transports me back to that time. That last part of this line describes what would happen at the end of the night, we’d slip away to smaller groups, some of us drunk some of us high. As the years went by we’d slip away into our lives never to return to Pennies. The lights would be switched off, the floor would lie empty and the doors would be closed.

 

 

 

Categories
our music videos

Speak, how we made the video.

Speak, the video

Picking the song.

Weird Decibels 1 has many good songs (in our humble opinion of course) but Wonder, Joker and Speak have always felt like singles. We had an idea for Wonder fairly early on so that video came first. Joker has had several ideas that we either too ambitious for a zero budget or the logistics of getting the right people together didn’t happen. It will though. Speak kinda hung around waiting for an idea. Derek rightly pointed out that we needed to get a new video out and he suggested our faithful practise room owned by the most understanding of landlords Fraser Law aka Beany. We get a free reign of the room so its been our home for nearly 20 years. Derek suggested we shoot a simple video there, and get it uploaded quick, however the idea started to develop.

 

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The room is brilliantly ramshackle, it’s a homely basement with an underground feel. A perfect setting for an underground band shooting a budget film!

Influences and the ideas

The White Stripes, The Hardest Button to Button
A wonderful video.

After the drums intro Speak breaks into a guitar riff with individual notes. I remembered the White Stripes video The Hardest Button to Button, I thought some pictures on the video would be cool, a picture for each note. Below is a still from that wonderful video.

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It worked really well, firstly with the guitar picks, then leads and pedals. Look for the picture of Pabs turning up his amp after Stu. That NEVER happens.

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Pic above. One of the many stills used for each note of Pabs guitar riff.

For the verses we decided to mix things up, Stu singing, Derek on lead guitar, Greg on drums and myself (Pabs) on bass. For those who know the band there would’ve been a few head scratching moments for those that didn’t, well everything would be normal until the chorus. Myself back on vocals, Stu on lead, Greg on bass and Derek on drums. A simple goofy idea.

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Our next influence?

Nirvana. Smells Like Teen Spirit.

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Nirvana is in everything we do

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Yep straight from the Smells Like Teen Spirit vault. The middle 8 sees me screaming into the camera Kurt Cobain style, another mod to our musical youth.

The second verse was a complete surprise for the band. Greg took the outtakes and inserted them into film. Inspired. It gives the video a human edge and is rather funny when Greg fails in his drum stick whirl.

The solo is a classic Stu gig pose that we finally have on film. Stu and I stopped short of doing the back to back pose normally pulled at gigs. I had my moment now it was the turn of the guitar hero.

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For the ending we returned to the still pics for every note. This time we had the band sitting on the old practise room couch. It was a nod to the back cover of Whapper Stormer, our first album. We had no one to take a band pic so we took a photo of the couch then using Photoshop we placed the band into the picture. This idea worked well for the end of the video.

How We Shot The Video

We simply used HD camcorders and Derek’s posh camera. The moving scenes were simple to shoot. The photographs were more challenging as we did not want the light to change too much, so we grabbed some sheets and covered the lights until Derek was happy, and continued to hold the until our arms ached with lactic acid.

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The pic above sees Stu goofing around, the shadow on the right is one of the covers slipping down. No expense spared!

We shot the video in black and white to go with the same colour theme of the album, however Joker, the next video may get the full colour treatment. Who knows!

Editing

We thought this would be so easy to edit and upload but it turned out to be a nightmare in comparison to Wonder. The high def photographs sapped the RAM out of Greg’s poor old PC. Some more RAM a new video editing package and a new OS later and Greg’s hard work paid off.

The Reaction

So far so good! For a small band with around 30 hardcore followers its great knowing that hundreds of people are watching our videos. It is a new audience for us and we are reaching new corners of the globe. So thanks for watching!

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The Speak video in all its glory.

Categories
Pabs General music thoughts

Music in 2014 will be…

…the year of writing Weird Decibels 2.

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Weird Decibels 1 is actually a 2012 album, 2013 was the year we promoted it. Some of the songs were written back in 2009. So our thoughts turn to the next set of songs. We started writing last year but the writing was in fits and starts. Ms Asphyxia has been played live, a few others are holding on, Kill it! Kill it! Standing on a Viewpoint but its fair to say life got in the way and writing halted.
We’ve booked a weekend break in a lodge in Oakley. We’ll take the acoustics and a load of beer and wine, the studio and a dose of hope that inspiration will take hold and some songs will be born. I can see this being the way we write our songs in the future.

….when One More Solo turns ten.

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Its hard to believe our ‘come back’ album is ten years old. This is the first album we recorded when Stu rejoined the band. The album was easy to write, we were invigorated, the 2 year break (myself, Derek and Greg joined Jon Shaw and formed the Seventeenth) helped refreshen our outlook. We recorded this album at Derek’s old flat on a Tascam 788. We had one or two mics the best of which was a Stagg condenser. We made a vocal booth from egg cups and it was mixed on my hi fi with two huge Celef speakers as monitors. I’ve learned a wee bit more about sound production. The album has been remastered, it sounds a bit better, more clarity and more dynamics and less guitar ringing! (Derek is gutted) Its a simple remaster, it will sound a lot better on its 20th anniversary when I finally work out how to use multi band compressors. The One More Solo remaster is out soon and will be free to download.

…. Weird Decibels playing live.

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Derek is injured so we won’t be playing live until at least the spring. We hope to play new venues and new cities, maybe even new countries. Playing live made 2013 special for us and we met a lot of great new friends. I’d definitely like to re visit the 13th note I love that venue. Another gig in England would be nice…

….when music videos are once again all the range.

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Wonder was great in 2013 but we left it too long to record its follow up so this year we’re going to have more content on YouTube. The Speak video will be first, then a video for Joker. We hope to have the film Making of Weird Decibels 1 finished and uploaded into episodes on YouTube. We’ll give video podcasts a shot as well.

…. a new Podcast series.

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The podcasts have been popular. Thanks for listening. This year we will reminisce. We hope to have some friends from old Falkirk bands guesting in our pods, some live performances. A look at one more solo and general silliness. Look out for the podcast from the writing weekend where we’ll hopefully have a brand new song or two for you to hear in acoustic format.

…. social networking???

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I’ve no idea where social networks are going. We’re signed up to all the major players. Updating them all is a pain in the arse. Engagement is the key… Is Facebook declining? Is MySpace back? Is reverbnation the hub? Is Bandcamp ever going to improve their search algorithm? There is a part of me that says word of mouth is best. I’m at a loss. Where is the best platform for our band? YouTube? See above.

….the solo album

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I am writing a lot of songs at the moment. I trying to write my writers block to death! ( writing as much as you can kills block ) Some are for the band others are for me, mainly the tunes that wouldn’t work with the band but I don’t want to throw away. Seriously around early December I was staring at a blank page holding the guitar and nothing was coming. That thought. Is this it? Is this me finished? I played and played the guitar, staring out into the garden. Then stuff clicked and I recorded everything onto the tablet. I took the best ideas and have laid them down but its getting harder, so I have to work harder. Hopefully my 7th solo record will be out this year. However my priority remains Weird Decibels 8th!

…. I will expand ‘Pablo’s unsigned adventure’

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Bandcamp, it was a random search and I stumbled upon the Spanish band 9M Lied. Loved their recordings and I decided to write about my favourite unsigned bands. Its not easy, there is so much content on the internet and its frustrating trying to find the hidden gems. The criteria? Unsigned. Not recommend by staff ( I don’t trust this). Not the most popular. I want the bands that are ignored or just starting out. Recommendations welcome. Hopefully I’ll get one new band a month.

…. Fail to hold back the stream

I love CD’s. Want to explore vinyl. You cannot match the sound quality of these physical formats…yet. But i cannot afford it. Bought 5 CDs last month, (still waiting for their arrival…) Cost me a small fortune. I have Spotify premium. ( another can of worms) For now its great but I feel weird using Spotify knowing how much we as artists get paid per stream. Anyway its feeding my music appetite this year as it did the last.

So enjoy your music in 2014 my big hope? Well we get signed, but seriously? A new scene, a fresh batch of new bands. Fingers crossed.

Pabs.

Categories
Question of WdB

Questions of Weird Decibels 2013 edition.

24 questions, 4 categories. Hard, Funny, 2013 and WdB 1 the album. Stu and Pabs pick four each.

Stu.
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Categories
Pabs General music thoughts

Pabs music musings. I prefer the early stuff?

At rehearsal we recently played through our entire first album Whapper Stormer as part of our preparations for our 20th anniversary celebrations in Feb 2015. It got me thinking about bands, their longevity and the law of diminishing returns. Is early output an artists best?
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When thinking of this subject I thought of some of my favourite artists and some others. Let me begin.

Case 1. Nirvana. 1st album Bleach. Best album In Utero 3rd studio release.
Case 2. The National. 1st album The National. Best album Trouble Will Find Me, their most recent.
Case 3. Oasis. 1st album Definitely Maybe. Best album. Definitely Maybe.
Case 4. Guns n Roses. 1st album Appetite for Destruction. Best album Appetite for Destruction.
Case 5. Radiohead. 1st album Pablo Honey. Best album. Ok Computer.

There is one band on the above list that did not achieve overnight success that the others enjoyed. The National. Slowly they have been building their music, and slowly they have been building their fan base. All the others, bar Nirvana had stratospheric success with early output and have since struggled to match this with later works. Radiohead had huge creative problems after Ok Computer and opted for Kid A which was great but not in the same league as its predecessor. They hit a high with In Rainbows, their peak lies with their difficult third though. Oasis produced one of the greatest debuts of all time then rarely recorded anything of merit thereafter. Guns n Roses had an agonising death after the wonderful Appetite.

So what has this to do with a small band like Weird Decibels I hear you scream at your tablet/laptop/mobile phone/PC and maybe, just maybe surface…

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Pabs tries a new approach to song writing.

I prefer their earlier stuff. This is an expression I had fretted over for years. When we had written Whapper Stormer we were a fresh faced young rock band with ideas pouring out of our finger tips. Whapper had found a small audience of people who really enjoyed it, including a radio DJ who loved The Rain and Vancouver. A year later we had recorded some of our follow up album, the slightly lazy drunken romp that is Firkin Outburst. We handed this DJ our new demo and in the very pub the album is name after I asked him what he thought. His answer? Well I think you know by now….
I stormed out the pub in anger, seething our new songs had not received the praise that our debut collection had mustered.
In the following years we wrote songs of varying quality, another 5 albums would be produced. The other guys would ask me what my favourite album was. Without fail I’d say Whapper Stormer, for the lyrics, the music and the youthful exuberance. Then from 2008 we started to write Weird Decibels 1.

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Our best album to date? Time will tell...:-)

Derek is quoted saying we had to do Quiet Act (our first fully acoustic album) to write Weird Decibels 1. He’s right. We had a renewed enthusiasm for writing. So many things came together. Our music, my lyrics and the gear we had to record it. A year ago I knew we had written one of our greatest albums. For months I was not sure if it was better than Whapper, a year on and several listens? Its my favourite.

So what Is the point here? I hear you ask.

We are a small band, very small. We have our little patch on the huge quilt of music. We have no pressure to make a living out of music, we can write what we want when we want. We have been together so long it was likely we would hit another creative peak.

Any band that is allowed to breath, grow within itself without the pressure of producing an even better follow up to the last will always prosper. In this new age of self released music, small artists will produce music the way they want to smaller but more enthusiastic fans. I hope these bands will glow for many years instead of burning out and fading away…

Pabs.

Categories
Gigs

Gig diary. Glasgow, Garage Attic 30 Nov 2013

Our last gig of 2013.

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It was a surreal night in the city of Glasgow, it was the night after the tragedy at the Clutha yet there was the normal hussle of Sauchiehall Street. We parked up at the back of the venue, climbed up several flights of stairs past the bigger and more impressive stages until we reached the Attic. A smaller, darker room in need of a little love and attention. I must confess I like the little run down places to play gigs there is something ‘underground’ about it.
We had reservations about tonight. Our fans have dug deep this year to support us at other venues, Christmas was on the horizon and well we didn’t push it as much. When I saw the venue I must confess to being spoilt by the recent adventures at Oran Mor and ABC2. The sound would confirm this. I believe it sounded good to the audience but on stage it was no where near the crispness of the aforementioned venues.

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We set up our sound and belted out a sound check in minutes. (I have no idea why it takes so long for bands to sound check) It was at this point we were asked for money to pay for the hire of the drum kit. There were four different reactions to this request. Stu went a bid red, (seething anger) Greg went quiet, (how to I sort this), I sighed,( why are we doing this) and Derek went into full blown Kirk rage ( Khaaaaaaaannnnnn, the older folk will get this). He said no to the promoter and we left to get a pint.

During our rather lovely pint and the effect it was having on me I had a conflict of thoughts. Do I really want, after 18 years of getting f**ked by promoters, to keep doing this. However I love it, sitting with guys pre gig, meeting our crowd and belting out our tunes. Why does playing live have so many pitfalls? I concluded I wanted to do this for as long as possible (although perhaps not as long as the Stones). I still love the whole scene.

Greg snuck off and paid for our share of hiring the kit… Stu and Derek were livid, I was angry but I could see where Greg’s heart was and gave him some money to put in his lighter pocket’s.

So we’re all a bit angry, the venue is lite on crowd and we’re about to go on. I looked at our faithful friends who came to see us. I thought, this is for them. The last time we played angry was at the QMU.

Set list
1. Deliverance
2. Speak
3. Ms Asphyxia
4. Wonder
5. Steel
6. Wait
7. Joker

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Angry gigs are amazing, we play hard and fast. Our 30 minute set felt like 10 minutes. I had had a few beers and we were loving it. Every song merged into each other, I didn’t say much to the crowd which is not like me. The sound on stage was poor though. I was distracted by feedback throughout and that really annoyed me.

I enjoyed the night. It was a fitting end to an amazing year for us. Perhaps the next time we play live we’ll be showing off new songs, oh and we won’t be paying to hire a kit!!

I must mention Cicero’s Secret.  They were brilliant live. The sound was a bit of a mash but the energy was incredible and their crowd were a delight to watch. Yes we were the oldies up the back foot tapping to the tunes! I wish them the best of luck.

Pabs.

Categories
music Pabs General music thoughts writing

Pabs Music Musings 3. The Blackpool Soundtrack

I forgot my headphones for my tablet. Two days in Blackpool without my music.

So I boiled the kettle and emptied two Colombian coffee sachets into my mug. Poured the boiling water straight. Black coffee done cheap. Looked out the sand smudged window of our room out to the sea and the emptiness beyond.

Coffee ready, feet up
Coffee ready, feet up

My music was the waves crashing furiously against the promenade. I looked out and thought about our new album. What do I write about where do i go from here? Where do my fellow musicians get their inspiration from? Two huge influences of mine, Matt Berninger (The National) seems to capture his lyrics perfectly, slightly off centre but enough meaning for you to relate and  Jason Lytle (Grandaddy) writes of technology, robots that almost have feelings.

We head out the arcades. The slot machines flashing, bells sounding, coins spilling into metal trays. Reminds me of the arcade scene in Lost In Translation (greatest movie soundtrack ever). I look at the people wandering around, the fellow tourists, the locals staring into the machines, automatically hitting gamble as they clutch a plastic cup of coins. A young boy wanders around with a cowboy hat full of coins asking punters for change. Cheeky wee bugger. It’s here I think of characters again, the different life’s, all colliding in a sea of flashing lights and confusing bleeps. We head out onto the prom.

The Wonder Blackpool Illunimations

Here the stalls are still open, bored attendants hoping for a sale, some make a half-hearted pitch, two for a pound and all that. A tram rolls past, a modern machine not like the old romantic rollers from the past.  Blackpool has aged but still has a bit of magic, a bit like an old 80’s light entertainer strutting their stuff on I’m a Celeb. I start to get ideas for lyrics, as my boy grabs my hand desperate for another shot on the racing car.

The next day after a full English breakfast we head further along the front towards the pleasure beach. I walk to a security gate and the burly guard asks me If I have a ticket. I meekly say no, he points me to the ticket booth. I was going to protest that when I were a lad you could walk in free.  Inside the park I am £34 lighter but still giddy with excitement. My childhood taps my shoulder as I hear the siren of the ghost train, the clacking of the roller coasters and the laughing clown. Again lyrics flood my head, the yearning to return to simpler times can be disturbing.

Inside the pleasure beach
Inside the pleasure beach a pigeon takes flight

I’m keen to show my lad round the shows but he falls asleep…So I run to the Pepsi Max roller coaster. As I stand in the queue I look at the faces of boredom as we are about to ride upon one of the tallest, fastest coaster in Europe, according to the voice over. Later I grab my wife and we run onto the ghost train and I try to make her jump every time we turn into a dark corner.

Sometimes you need a change of scene to write the next act, I often wonder how other writers pen their lyrics. I hope as the sun sets on our break I’ll go home and create some more characters that will come alive in our new songs. See you again Blackpool!

The Broken but still standing North Pier
The Broken but still standing North Pier

If you are a writer please tell me how do you get inspired?

Pabs

Categories
Pabs General music thoughts

Pabs Music Musings. Episode 2. Is rock music dead? (And has anyone checked?)

Is rock dead? How many times have we heard that question being asked. Many times.

I was reading my latest copy of Sound On Sound in which they review a music submission by a band called Teenage China, an artist from our very own Scottish shores. In the review there is a statement ‘ The distorted guitar/crashing drums combo has been done to the point exhaustion in the multi-pronged world of rock’ Now that statement almost had me reaching for my acoustic guitar and writing Quiet Act 2. The reviewer went on to give Teenage China an enthusiastic thumbs up. A fine achievement from this excellent magazine.

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Stu does this classic rock post at every gig we play and i love him for it.

So as a fully fledged vocalist in a distorted guitar/crashing drums band I wonder if the music world has once again shifted its sonic tastes into another dimension.

Kurt Cobain said great music happens every decade or so, I’d say every 20 years. So here we are now, and no one is entertaining us. There is no scene. I search obsessively for new music (see last musing) and yet ‘proper balls out original rock ‘ appears to be buried deep in the servers of our music providers.

I love acoustic, folk, electronica, mix them up, indie, a bit of trance, however I miss a primal scream, not the band of the same name but a vocalist who yells so hard down the mic with such passion that you clench you fists, grit your teeth and thank god you are not the only person on this planet that has had a bad day or two. Indeed Mr Cobain had that scream but Mr Plant perfected it well before him.

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The primal scream, beats counselling ten fold.

I thought we’d have a scene when the recession hit. Then I thought the riots would piss off some youngsters holding a guitar or two, then there was the cuts and the empty pockets and the run down schemes and shameless poverty that countless rich politicians and richer musicians have tried to eradicate, but nothing. There is no scene.

The music is there, buried deep in the Soundclouds and Bandcamps. Lost in a fuzz of commercially controlled search engine algorithms that recommend artists based on your listening habits. I really regret listening to ABBA when I was pissed.

Anyway that ‘celeb’ that pisses herself has just won big brother so I’m going to rock out to Teenage China.

Pabs, primal screaming lead singer of a guitar solo obsessed rock band that has loud drums and deep bass. Musically Fashionable? In 20 years I guess!

Categories
Gigs Uncategorized

Weird Decibels live

Weird Decibels live

We play live a week tonight at the ABC2 in Glasgow. Tickets £8. Can’t wait for this one. Playing live is perhaps the best part of being in a band.