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Gigs music

Rock On Tap

Words Pabs

Photographs Juls Sampson.

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photo juls sampson. Look at those lovely shoes I’m wearing.

Thanks to the crowd, Afterglow and everyone involved in the organisation of One Weekend in Falkirk  

2017 was just a couple of days old when the hype for the first ‘One Weekend In Falkirk’ music event was starting to build. It seemed as if a lot of people were genuinely excited and we were delighted to be part of it.

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another fine flyer from Rikki Toner

The Falkirk Herald got in the act with a full spread article listing all the events; our picture (taken by Kevin Byrne) took centre stage on the page. It was nice to see the local paper helping to raise the awareness of the gig.

One Weekend in Falkirk was hosted by the Write Angle with a little help from several people including Adam Donaldson and Afterglow music. It was five days of music, poetry, open mic and arts. We were asked to be part of the Rock on Tap, the Friday night at the Artisan Tap (Falkirk’s best new pub in years). We were also asked to recommend a band to complete the lineup and we could not look past the wonderful Buzzards of Babylon.

On gig day I was a little more nervous than usual as there seemed to be quite a bit of gravitas with this event. Also it was the start of January and I was worried that wallets would be lights and that would stop people coming out. After a small bowl of pasta I headed out with my wife kindly dropping me off at the venue. (when you get dropped off for a gig your first thought is often ‘beer’)

I was first, gear in hand it was nice to see the punters opening doors when they saw I was laden with an amp and guitar. In other venues you do not get this show of kindness. There was a good vibe around the Tap as people were tucking into their pizzas and burgers which looked damn nice but my stomach was not up to it.

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Pic Pabs Greg, Derek and Stu take in the best street in Falkirk

Given that Artisan Tap had all its tables full of diners the stage was set in the center of the venue; the stage area was small but manageable so all was good. Slowly the bands filtered in, warm handshakes were exchanged between Blind Daze, ourselves and the young duo of Skelfs. When Buzzards arrived it was great to see our friends again and we shared some stories of gigs from the past. These stories often included many an ale and the last time the Buzzards soared over Falkirk they scooped up an almighty amount of beer that only Greg could match however this time it was strictly Irn Bru as some of the gents had commitments the following day including taking the kids to the Marvel stage show!

Soundcheck was fine, quick and straight to the point the mix from the stage sounded great at this point I started to look towards the bar, yearning for a beer but i didn’t want to over do it . Greg in his usual laid back style strolled up and ordered a pint at the back of 7.

The punters finished their meals and most stayed throughout the soundcheck which was a great sign, some of our crowd started to file in and the venue was looking rather busy. Skelfs stepped up first, these guys have only been together a year or so, now on a new lineup they had only played a handful of gigs to date. The played a set of bluesy rock tunes not dissimilar to the White Stripes and they went down well with the crowd.

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Pic Pabs. Skelfs debut gig in Falkirk

The Buzzards of Babylon were next; they marched up to the mics and played a blinder. Monkey Knife Fight remains a favourite and they played a ‘ballad’ in reflection of the venue however it was a heavy brooding number. They also knocked out some blues with Eck showing his skills on the mouth organ although at one point it looked as if he just about run out of oxygen belting out the notes. Fine stuff.

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Pic Pabs Nice tee Rab
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Pic Pabs The masses approve

Our Falkirk peers Blind Daze cranked up the volume to 11 they have a good mix of melodies and pure rock, the place was busier now and the crowd soaked up the tunes. The band really seemed to enjoy the atmosphere.

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Pic Pabs Blind Daze crank it up

Then it was us. We stepped up to a welcome applause and we were determined to blow away the slightly disappointing performance of our last gig. First tune Kill it Kill it was nailed and our confidence grew. As a rule we tend to play an easy track first to set us up.

We belted through the tunes and tonight I felt we were on form, then around halfway through the set, a familiar call came from the crowd. Once again our friend Chris Wilson shouted for High Heels. I asked the rest of the venue and eventually an almighty roar gave us no option but to play Waiting on The Sound of Your High Heels, which is great as I love playing that song!

I loved playing Feeling and Medicine; Curtain Hits The Cast went down well and Industry seems to have growing support as a set finisher which is fine by me!

As we neared the end of the set I could not help but pay tribute to Jim Dunbar who has been providing PA for Falkirk for many years, including our first gig back in 1995. To see him doing the sound for our gig 22 years later is simply amazing.

 

  1. Kill it
  2. It’s Who You Know
  3. I Hear The City
  4. Feeling
  5. Joker
  6. Quoted
  7. Medicine
  8. Wait
  9. Speak
  10. Curtain hits the cast
  11. Deliverance
  12. Industry

 

The set was over too quickly and before I knew it I was standing at the bar necking a few pints of Bitter and Twisted. The atmosphere was still great but by this late hour the crowd was slowly filtering out the door, I had the warm fuzz you get when a gig has went well. Stu was delighted, he tends to get very nervous even after all these years and you could see he was floating on the euphoria of a successful night.

I’m glad that rock music got its place in One Weekend in Falkirk and the organisers should be commended for that. The following night I went along to the Inverno event (more on this later) and from my own experience One Weekend In Falkirk has been great success; it’s been years since I spend a whole weekend both playing and enjoying acts from Falkirk and beyond. The venue, the atmosphere and the music all added to a brilliant experience. I hope this becomes our ‘winter’ event from Falkirk, yet another sign that our music scene is back and in good health.

 

Artisan tap as part of one weekend in Falkirk festival 6th January 2017

 

Categories
falkirk music venues Gigs Live radio sessions music our music videos photographs review of the year The Falkirk Music Scene

Our year 2016

Words Pabs

Photos. Kevin Byrne Photography, Eindp Photography, Purple Dot Photography Juls Samson.

While the world around us was erupting in unexpected vote results, civil unrest and the Great British Bake off scandal; some of our music legends decided enough was enough and packed their bags for heaven. We released our 8th album Weird Decibels 2, we embraced the local scene and won our first award, although we didn’t play live as much as I would’ve liked. 2017 will be fun. (its got to be!!)

So we wish our listeners, friends and family a healthy new year. Here is our 2016.

January

10th. The master (of Weird Decibels 2) is finished but Pabs went and re-mastered…

13th. January, front cover of Weird Decibels 2 is leaked!

February

17th. Firkin Outburst our second album written years ago in 1998,  is shared across the world including Spotify

27th. We told the story of how we made weird decibels 2 including our temporary studio in the Springfield cottage down in the Scottish borders.

March

4th. Kill it! Kill it! Video is unleashed. Cracking piece of work from Kevin Byrne and a great performance from the indefectible Ruari Pearson.

10th. We are featured artist on the Third Class Ticket. Tommy done us proud with this show. Sadly due to an increasing workload Tommy later closed the Third Class Ticket.

We had a good spread about the album in the Falkirk Herald big thanks to James Trimble and co for the article. 

11th Weird Decibels 2 is released on all digital platforms and a thing called a CD

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29th Great review of the album in the Moshville Times. Thank you!

moshville times review

April

May

8th. Live tracks from the rehearsal room are released and filmed from our practise room that we’ve called home for two decades. Find the videos on our YouTube channel

18th. Another great review from Kenny Bates and Gregor Flynn at Stirling DIY press collective

27th May we rock out with The Sonic Blues and Rabid Dogs at the North Star. This is the story

 

June

20th. We head off for a lovely family day gig at Whitecraigs. Here are our thoughts.

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pic purple dot photography

July

August

20th. Pabs returns to the studio for some solo work. Slow Motion Action Punch

28th. Pabs teams up with Neil Logan and they release two songs hear them here

September

4th. Pabs starts a wee look back at Falkirk venues which proves popular with the community. The Martell and Firkins both feature with more to follow in 2017

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a younger Stu playing the Martell

16th We pay homage to the photographers who have kindly taken snaps of us over the years.

26th. Pabs and Stu release a single Passers By from their EP Hero or a Villain

October

14th Stu and Pabs release their debut EP Hero or a Villain

17th We head through to Stirling City Radio for a live acoustic session. Read about it here

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November

24th. Coldest rehearsal for years but something great happened; you’ll find out next year

December

One More Solo appears on digital platforms commuters everywhere listening to the sound of high heels as they walk to work.

We win our first award! AMiF Falkirk’s Best rock/metal/punk act 2016. Humbled to say the least and you should check out our follow nominees 13, The Animal Mothers, Media Whores and Blind Daze.

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A great moment for us, thank you for voting

26th Stu, Derek and Greg didn’t notice the ‘No Parking’ folder which had been on the drive since early November…in this folder there was a live album…

wedb 20 yrs 8 - Copy

Categories
Gigs The Falkirk Music Scene unsigned gems

Falkirk Music 2016

 

Pictures Kevin Byrne Photography and Eindp Photography 

Its well documented on this site that I’ve been in Weird Decibels for over 20 years playing in the local scene and sometimes beyond. For a majority of those years I’d admit that I was quite insular and interested in promoting only our band. However time and attitudes have changed and I have found myself taking in more and more of the local music scene around me. I’m not out at every gig or bought every CD (although I’m drawn to downloading from Bandcamp!) from our town, I don’t have the time (and money!) but when I can take the sounds in I enjoy being a part of it  So here is my brief look back at the local music and events I have personally enjoyed (and been a part of) in 2016.  Pabs

Bands/ Artists.

Ghost Writer. I saw these guys at Behind the Wall and the Trinity Church, they have a dynamic sound and really bring something different to the scene. They have been busy recording and released a few singles this year. They’re worth checking out.

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Bootsie Blue. These guys bagged best new comer in this years AMiF awards this young three piece lit up Behind the Wall a few times this year, I saw them in June but they also played as part of the Falkirk Live festival. Looking forward to hearing what they lay down in the studio.

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The Sonic Blues. The Breens (and Douglas Campbell) have had a busy year in the town, they played alongside us in May at North Star and several other gigs. They have regularly been sharing their music to the Falkirk masses via Facebook. I admire their DIY ethic to recording (its what I do)

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Robbie Lesiuk. There is a big acoustic movement in town at the moment and Robbie is very much at the forefront of this. An accomplished live performer, I caught him at the Trinity and Coffee on Wooer where he supported Stirling act Lefthand.

Blind Daze. Its good to see more rock bands appearing on the scene (Falkirk badly needs more rock bands), these guys are playing with us Jan 6th 2017 and have been busy this year.

Albums

I’m still an album guy and there were a few that I discovered from our Falkirk acts this year.

Dextro. In The Crossing. Discovered this sublime electronica while listening to all the acts nominated for the brilliant AMiF awards. This is a well crafted piece of work that flows from track to track. Hunt this down.

13 A Line of The Dead on Deadline Day. Great, raw garage sound, really like this album from punk rockers 13 they’ve played a few times in 2016 and I’ve not been to one of their gigs yet. Need to sort this 2017.

The Animal Mothers. The Incredibly Strange Animal Mothers Who Stopped Living And Became Mixed Up Zombies. Great album full of attitude and fuzz, i’ll be keeping an eye on this band and hopefully I’ll catch then at a Falkirk gig

Live Events

I have a soft spot for Shuffle Down 2016 and it was great to see the festival return this year. The lineup was more varied and better for it. Still grin when I remember how good (and bizarre) the Paddy Steer set was. Great to see SD is back 2017

shufflecover

Weird Decibels/Rabid Dogs/ The Sonic Blues. Finally we got to play with Rabid Dogs at the North Star and it was a great night you can read about it in the link above. We’re hoping to hook up again in 2017, sound bunch of lads.

The Loft Sessions. Very enjoyable and it’s good to see that BTW have adapted the ale house to have more of a music venue feel, especially when they get rid of the benches. I really hope this continues and it gets busier. There were a couple of times it was busy and a couple when it was quiet.

Fairweather and the Elements Falkirk Trinity Church. A heavenly evening was had by the impressive crowd that attended, read about it here This was another watermark for the scene, new venue, great acts and a great atmosphere.

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Falkirk music business.

Big shout out to Noise Noise Noise a wee music merch shop tucked away in the Avenue on the High Street of Falkirk. Craig is also stocking a number of albums from local acts; he even sets up stall at local gigs which is an inspired idea.

Revolution Music. Just down the street from Noise Noise Noise is Revolution Music, I know you can get strings and stuff cheaper online etc but it is nice to hand over cash to a fellow human now and again. Falkirk has had a long tradition of music instrument shops this is the only one (to my knowledge) still standing.

Honourable mentions

2016 saw an upsurge in Falkirk acts releasing music videos; however a fantastic playlist has been created by Stuart Gray (Children of Leir fame) he has painstakingly scoured the internet for videos past and present and brought them all together in one place. I heard Belt songs for the first time since I heard their tape in high school (that as a while ago) Hit this link and give yourself a couple of hours to discover some great stuff.

Adam Donaldson took the time to compile a playlist of local acts on Spotify and it is a superb way to hear them all in one place (if you use Spotify)

AMiF. The constant local music news updates, spreading the word and of course the AMiF awards has really helped engage the people of Falkirk with the scene and raised awareness among artists. Big congratulations to Fly Jackson on winning album of the year, Nickajack Men on winning song of the year and Sarah Em who won video of the year. The full listing of winners and nominees can be found on the AMiF page (link above). Check them all out, including best rock act of 2016 😉

Falkirk Music Scene 2016

So this was a quick glance from my personal perspective of the Falkirk scene this year but I can guarantee that there is so much more in our town.

The Falkirk scene is in good health but it is still not held in the same light as Fife or even Stirling  I have really enjoyed giving a wee bit back to the scene and hope that all Falkirk artists support each other. If this happens I reckon it’ll get busier and more people will sit up and notice. Download from Bandcamp, go to a gig, write a blog, spread the word, anything to help Falkirk music grow, after all it’s your scene.

Pabs

 

Categories
music our albums

One More Solo

To celebrate the re-release of One  More Solo on all digital platforms including Spotify we have a look back the album.

This story can be found on this Bandcamp page but i thought I’d update it for the blog

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i can see my future i see it EVERYDAY!

I loved my time in the Seventeenth, I can say that now as it’s been over 12 years since the band split. However at that time it was a different story. The Seventeenth were going nowhere, songs were hard to come by, Jon and I weren’t getting on musically and Stu was back on the scene.

There was also the small tale of a tiny HMR (Hame Made Records is our hobbyist record label) band called Sllablo. This was a collaboration between myself and Derek at a time when the Seventeenth were struggling to write songs. Born from frustration, we wrote and recorded a rather fun lo fi album in 9 hrs. Now you are quite within your rights to ask what the hell this has to do with Weird. Put simply, Sllablo proved that Derek and I could still hammer out simple tunes. It was to be the catalyst for the (regretful) end of the Seventeenth and for the second era of Weird.

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we played a lot of gigs in support of OMS

We had no plans to reform Weird; we wanted to start a new band. Myself , Stu, Derek and Greg were all present and correct for our first rehearsal with new musical buddies Chris (Taz) Burt (brother of Jemma who appears on several HMR records) and ex Foam god Kevin Byrne (again another HMR regular).

The six of us booked a slot in Hallglen community centre and wrote a couple of songs ( the Weird versions appear on the extremely rare  Official Bootleg 1).

We decided to move our rehearsals back to our old practise room. Other commitments kept Taz and Byrne away from practise so we, the original four from Weird, found ourselves back in the room. We wrote a song called Stand For Your Rights and I’m going to use that tired old cliché, it rocked.

We were back together after a 4 year break. I could not believe the hunger we had rediscovered. One More Solo wrote itself, it was too damn easy; it was to be one of the finest era’s of the band. We recorded the album on a digital 8 Track a Tascam 788 at Derek’s flat. We build a basic vocal booth out of egg cartons. It was a time of beautiful recorded naivety.

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Kevin Byrne takes one of his many pictures to feature in the Falkirk Herald with this article about OMS

One More Solo has many songs we still play live today, Waiting on The Sound Of Your High Heels is a live favourite, Cold Calling, Whiskey In My Head and band favourite The Ending always find a way to get on the set list. Fighting With Forever and Hanging By A Thread show our harder edge with the flip side Trying To Grab Hold redefining the term laid back.

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the only release from OMS

We gigged this record a lot, driving around Scotland in my old automatic Vauxhall Carlton that we called ‘The Vulture’. We could fit the whole band in this wonderful car. We met many bands some who became our friends. Kranksolo, Roller and Popup to name a few. We travelled to the world famous Cavern club in Liverpool to play.

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Weird Decibels live at the Cavern

It was the track Easy Way that had us flirting with record label success, This angry kick against modern life struck a chord with a small indie label called Bracken Records (now called Fruit De Mer Records).

In my humble self serving opinion One More Solo is a wonderful record set in a brilliant time. The end of our youth if you like. A time when you could play a gig whenever you wanted, now we have to get babysitters or shift swaps! Listen to the end of Bit Part Optimist Greg has just nailed his bass part in one take, listen to the drunken lads clap, whoop and laugh at the end. This was what it was like at the time. A big party.

Now, I can see my future, I see it everyday

2016

Since this piece was written OMS had a bit of a makeover. The original album was muddy in tone so I attempted to clean it up to some limited success. I found some old CDRs with alternative mixes that worked well. Dereks hated the long fades and to be honest it did show a lack of restraint and discipline; the ‘remaster’ now sounds a bit tighter.

We played a few shows in 2016 and still people (Wilson mainly!) shout for High Heels and for some reason we don’t play it (this will change). I listen back fondly on tracks like the Ending and Tried to Grab Hold two reflective moments on the record. The rest of the disc is balls out rock apart from the alternative mix of cold calling which has a dreamy echo flooded fade out.

Weird Decibels has barely transcended further than our beloved friend and family; One More Solo was no exception. It was a fun album and we made some friends along the way. The fact that our wonderful listeners think this is one of our best sits fine with me. Now that it is on all the digital platforms hopefully this little rock record will find a new audience and join Wilson in shouts for High Heels!

 

Categories
influences

Our Influences. Alice In Chains, Greg

Greg

“First heard Alice in Chains through my pal Phil Harley, former lead guitarist of Falkirk band Cage. He introduced me to a lot of bands but AIC really appealed to me. The heavy guitars, fantastic melodies and just amazing songs continue to appeal to me. I have their logo tattooed on me haha. Mike Inez is a tremendous bass player, using effects in his riffs which I’ve recently been experimenting with in my own writing. Still perfecting that though. I’m not sure if they changed the scene or industry but they certainly helped to make the 90s grunge scene as fantastic as it was and continues to be. Ah the 90s..”

alice-in-chains-old

The summers of your adulthood always seem to be memories of sun filled days and hazy nights. The days spent listening to the new emerging grunge scene with Greg were no different. We were probably just about to leave high school and there were many afternoons spent diving on his unsuspecting parents couches singing Nirvana songs and we’d shake our brains to the fast hyper beats of Therapy but Alice in Chains were different.There was probably a time where Greg and I shared a smoke over the song ‘Rooster’.

The deep sludge sound of Chains was hypnotising and it was the album’s Dirt and Jar of Flies released 92 and 94 respectively that stuck with us. Dirt just pounds you for an hour, epic tune after epic tune. The track ‘Dam that River’ doesn’t just show that AIC can create massive riffs but on lead with Jerry Cantrell dueling for the limelight with the gnarly vocals of the tragic Layne Staley who through his chronic drug use, died like many other troubled musicians, a young man aged just 34.

Greg would be drawn to the bass, and Mike Inez subtly underpinning the dynamic guitars would influence our very own bass player to drive our music.

Down in a Hole changes the mood of this album with its acoustic tones and many of our influences are heavy rock bands that have more thoughtful moments and this can be heard on many of our own albums.

1996’s MTV unplugged would be one of Stacey’s last shows with the band, this epic acoustic album, with stripped down versions of their songs showed their remarkable musicianship.

alice-in-chains-new

AIC still produce brilliant record to this date the Devil Put Dinosaurs Here showed that despite the many setbacks AIC still rose above their peers. Their longevity, their adaptability and their ability to write dynamic songs in about the darkest of matters is incredible. As we advance in years it’s nice to see our musical heroes continue to release high quality albums and it makes us believe that you don’t have to be young to write your best music.

Categories
Live radio sessions music

Weird Decibels in session at Stirling City Radio (the story)

Huge thanks to Stirling City Radio, Stephen Franklyn and Jim Kettles

words Pabs

Social media can be great at times and in terms of raising awareness of the local scene it can work (although I find it increasingly frustrating and the ‘boost’ button is always just a click away asking you for money). So when Stirling City Radio appeared on my news feed I was interested to see what this new internet radio station had to offer. Intrigued, I had a look at the schedule and I was delighted to see that the station, that has been broadcasting on the internet since August 2016, had various shows to cater for all genres. This included rock and live performances from local acts so I sent them a message.

A nice guy called James returned my inquisitive email, he was more than happy to organise a slot on a Monday evening with Stephen Franklyn, a presenter who has an easy approach to playing rock and pop, in addition he hosts live local acts.

Once I got the guys to commit to a night James sent back some instructions, basically head to Stirling arcade and record some acoustic songs and talk about our musical journey so far.

Greg opted to sit this one out, his new house needed a bit of work and this included fitting shelves. More on that later…Derek, Stu and Myself rehearsed a couple of the quieter songs from Weird Decibels 2, we arranged a time to meet and the plan was set.

The train rolled through Polmont and I hopped on, Stu joined me later in Camelon with Derek running a half hour behind us. Stu and I walked onto the Stirling Platform and headed up to the arcade just up the hill from the station. As we approached we could hear tunes drifting out from the main entrance. We walked into the empty corridor of the arcade and headed to the centre where there is a cafe and the radio station itself. There, in the studio booth for all to see, was Stephen Franklyn broadcasting live. Our time to play was 7pm so we had 25 minutes to set up.

After a warm handshake Stephen explained what we needed to set up. It didn’t take us long, as Stu picked up his guitar to soundcheck Derek walked through the door with his beat box that was borrowed from our friend Kevin Byrne.

After some Aretha Franklin we were ready to go live on air, the clock hit 7 Stephen welcomed us to the airwaves. My 5 year old son Lewis was listening and I was told he went crazy at this point! We had a brief welcome and chat with Stephen about the band before we launched into Curtain Hits The Cast.

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Lewis listens to Daddy on the radio.

Thankfully it’s a fairly easy song to play as, surprisingly, the nerves had kicked in. I’m not sure how many people were listening but Stu, Derek and I wanted to get this right. It went well and Stephen asked us more questions about the band. We discussed how we write songs and Derek stated that I have an idea which is developed by the band, I said it was  more a collaborative approach whereas Stu, bold as brass asserted, Pabs comes out with a riff and I make it better! It was a great moment.

After Stephen played It’s Who You Know from the album we moved onto Almost Beautiful. We explained that Greg couldn’t attend the show as he was hanging shelves so we dedicated the song to him and renamed it ‘Almost Level’. It was a stuttery start from me, it’s a tricky wee riff when the nerves kick in but I recovered and it seemed to go down well. Cue another brief chat with Stephen before he closed with a play of Medicine, again from the album.

We had a chat with Jim Kettles who broadcasts on the station, he does rock show just after Stephen and he played It’s Who You Know later in the night which was a nice touch. Then we signed the pillar which was adorned with names of local acts who have played previously. We stood on a table to reach the top of the pillar; all was going well until Stu stood upon the frame, it slid from under him but luckily his reflexes are still razor sharp and he landed like Batman, on his feet.

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This is the view as Stu fell back to earth but like a pro he landed on his feet

We said our goodbyes and headed out of the door back into the arcade as the radios tunes floated across the empty concourse. I was tempted to have a pint but Derek sensibly said he needed to get back for the kids.

Stirling City Radio is a wonderful station set up to serve the local community, it is a fair distance away from the bland automated ‘local’ stations we have on traditional frequency. The station gives local artists the chance to play to a broader audience, the music it plays is varied to try and  capture the ears of the Forth valley. Central FM used to do this before it was turned onto a bland franchise. Now motivated people like Stephen and Jim are staring up their own platforms (Tommy Clark’s Third Class Ticket is also a prime example) and the local music scene can only benefit. Tune in here and find out for yourself.

Pabs

 

Categories
falkirk music venues Gigs music The Falkirk Music Scene weird decibels 21 years

Falkirk Live Venues Past and Present. part 2 Firkins

Pabs looks at another iconic venue of Falkirk

Thanks to falkirkmusicscene Eddie McKenzie and David M Lowe. The historic content of this blog is sourced from this wonderful site

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On the corner of Vicar Street.

Where Melville Street and Vicar Street meet there is a corner and in this corner there is a bar called Freebird. Once it was called Burns Bar then Firkins which was our era. This pub would become one of Falkirk’s most loved music venues, not only for live bands but for those who liked to pump pound coins into, what was, the best jukebox in town. Many local musicians would converge on this corner of Falkirk and became a focal point for the formation of bands.

According to the wonderful but underused Falkirkmusicscene website The Burns bar was a venue for folk acts in the 70’s and 80’s. Davy Waugh started to promote blue bands before the Happening Club seeds were sown in 1987. The Burns bar changed names to Firkins in 1988. I was only 11 years of age when this re-branding took place, I would frequent the establishment some 8 years later and it would have a massive influence on my music and that of the band.

According to the falkirkmusicscene site (it will be a crime if this is lost) there were occasional bands played between 1997 and 2005, Punk bands like our friends Rabid Dogs would become the mainstay of the venue in future years.

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I tried! I Tried the Easy Way!

It was in 2004 that we played a gig at our favourite pub (later we would play alongside Kranksolo). We were playing our comeback album One More Solo live. Our friend Kevin Byrne opened up for us with some acoustic songs. After he finished we headed to the make shift stage. We were cramped into the corner of the venue, tripping over each other. The place was hot and sweaty, with only the house lights on, there was no place to hide. The background was the large corner windows so passers by could catch a glimpse of us rocking out the Easy Way.

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Kevin belts out a few tunes

Firkins was an amazing place to drink in the late 90’s and early 00’s. On Weekdays when I should’ve been at college, I would blether with the late Chris Masson of the band Cage. As the week wore on Fridays would be a whole night playing tunes on the jukebox and Saturdays would be a meet and greet warm up before most of us would head down to Pennies (more on this venue at a later date).

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Guess the tee shirt caption

The pub would be packed, not something that has been seen for years. People would sit on the floor, you knew everyone and you felt at ease. This was a crowd of people who repelled the dance scene of Falkirk. I was also Virtua Tennis champ, the arcade which starred Tim Henman and Tommy Haas (who I picked), this helped forge friendships.

One night in I headed into Firkins alone, I headed towards my usual spot on the bar to order a Calders 70. I was always confident that I would meet someone I knew. However a beautiful woman caught the corner of my eye. Her elegance made her stand out amid the hustle of the pub. This woman would eventually become my wife.

Slowly the crowds moved on and the pub lost its feel. Firkins became a shell of what it once was.I’d revisit occasionally just for was last taste of the old atmosphere but it was gone. Then the old corner window from which you would watch the traffic go past, got smashed boarded up and never replaced.

Firkins closed and was reopened as Freebird.

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Drinks on the cover and drinks in the album. This is a wee table in the quiet corner of Firkins. Firkin Outburst plays here

 

 

 

Categories
Uncategorized

The untold story of Steakpie Studios: Paul Henry Smith

not evie, my wee sis gets a chance to see behind the scenes at Steakpie Studios, a small hame made space to record. Hit the link below to get the full article on Eves page.

Categories
The Falkirk Music Scene

Fairweather & The Elements live at Falkirk Trinity Church

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Credits

The Audience

The Artists

Rikki Tonner Afterglow MUSIC

The Photograhers (there were many)

And Kevin Byrne for the photographs used in this blog entry

 

Thankfully the last time I was at church was for a happy occasion, i’m now at that funny age between christenings, marriages and deaths. I’ve never wandered along at 11am on a Sunday morning in a freshly pressed suit to attend service. My beliefs are another matter altogether.

I do believe the Falkirk Music scene has taken yet another turn in the right direction. This gig, four artists performing live in the Falkirk Trinity Church, a lovely ethereal building in the sadly unhealthy heart of Falkirk’s high street. (all things mend given time)

In my couple of decades frequenting and playing in various Falkirk venues the Trinity Church was refreshingly different from the usual stages within our town. I wandered up through the churchyard hearing the early Friday night revellers in the distance, clearly celebrating that another working week was at an end. An autumnal wind had chilled the air as I adjusted the collar of my coat and headed to the front door, there I met headliner Ross Fairweather who looked quite relaxed. He offered me a warm handshake as he headed out the door into the night.

I met with my good friend Kevin Byrne, one of Falkirk’s leading photographers he was asked to take shots of the pending event. We headed to the ‘bar’, a room set aside within the church for the supply of drinks by kind people who made us welcome and assertively reminded us not to take our alcoholic beverages into the main body of the church.

After a short blether (and plans for our next album) we headed into the main room to be greeted by the subtle but grand sanctuary, we took our seat. The air had a slightly musty tinge and hymn books were nestled neatly under every seat.  The arena was an oval shaped room with high ceilings and the wooden pulpit was surrounded by the backline and instruments. The long white pipes of the organ dominated the back of the wall.Two large screens were on standby these would be used to project various visuals during the performances. It was a nice setting for the night that was about to unfold.

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Robbie Lesiuk took to the stage and a small but appreciative crowd of early attenders listened attentively to his set. Using a loop pedal and some electronic beats to accompany his skilful guitar playing he played a very accomplished set, I found it very enjoyable. The silence during his set was impressive. I can’t remember enjoying this at a Falkirk gig before (artists love it when the audience listen and don’t talk all the way through sets. Slightly pretentious? I guess but we spend hours, blood, sweat and tears writing songs).

 

On conclusion of his set I nipped off for some wine and before I had time to speak about the grape type with Kevin we were back though to see Ghost Writer. I’ve seen these guys at Behind the Wall during the loft sessions so I was looking forward to this.

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Iain King has grown in stature, he has been busy not only with this band but with Fairweather and the Elements he is a very accomplished guitar player. Scott McGregor donned in white was clearly enjoying the occasion. At the moment Ghost Writer are one of the best bands from the Falkirk scene. Their songs are well crafted and rise above many of their peers. The song I’m Not Trying To Get To Heaven ended their set in style and was apt for the surroundings.

 

Third act Fly Jackson were very good. mixing guitars, brass keys, drums, bass and vocals to produce grand tunes that the drew perhaps the biggest audience of the night.

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The stage screens went black and a clever video of Fairweather and Elements walking towards the church, through the doors and then rather cleverly, the band appeared to take their places on the stage. The visuals would continue throughout the set with a mixture of wonderful art animation and sites of old Falkirk. A slight tinge of sadness overcame me looking at how grand our town once seemed, with bustling marketplaces and shops.

Ross and co played a fine set, if there was anyone who deserved a night like this then it’s Ross. He has grafted on the local circuit and his work appears to have paid off as this was a well attended show.

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Deborah Lang has powerful vocals and this was the right venue; the large room would allow her range to be appreciated. I was glad to see the band at the Trinity Church, her vocals seem to thrive beyond the confines of the studio and this is the beauty of live music.

After the final song the hour was late and the punters quickly drifted off to various locations in the town. It was a great night of music in a brilliant setting. The people of the church opened their doors to the Falkirk scene. The church is about community,  I saw many familiar faces from the Falkirk music scene. I hope we are cementing our own community to take us forward. We need to nourish our own scene, it has to grow if we are ever to have a chance to get one of our more talented artists to cut through the ever thickening digital mass of bands that swamp the industry. Hopefully with a little bit of divine intervention another Falkirk band will eventually rise above the flock.

Pabs

 

Categories
photographs

Whapper Snappers

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One of the first pictures of a young Weird, probably taken by my mum. Pabs

When we started the band in 1995 legacy was not at the front of our minds indeed we were keen to break into the mainstream and become a successful band. Well that dream still floats somewhere between fantasy and madness. 21 years have passed and we enjoy playing in the band more than ever. We have albums and clippings from the papers, scribbled setlists to show our kids, we have a history.

A massive part of our history is the photographs, especially the group pictures or the shoots of us live. I cannot thank enough the photographers who have taken our portraits over the years. So this article is a dedication to the guys and gals who have shaped our image from photoshoots to live captures. Legends.

The Whapper Snappers

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Kevin Byrne is a very patient photographer who will often dismiss the band when they say they are happy with a picture and continue to take pictures. Here he is with us at the Cavern in Liverpool around March 2006

Kevin Byrne. Long time friend of the band Kevin has offered us advice since day one. He tears what is left of his hair out when we fail to build on any momentum we ever create. He has taken photographs for years; he took things more seriously 4 years ago when he studied the discipline of photography in Glasgow. He moved to Ettn Luer (a beautiful small suburb in Holland) for employment in photography and snapped some stunning pieces of work. Now he is back home and regularly displays his portraits to eager audiences the latest was the successful Red display.

Kevin has snapped us on several occasions. Some of his work at the ABC2 was iconic and who can forget the ‘lithgae’ snap that would be used several times in our local paper and in our promo work.

 

Eindp Photography AKA Rory. Rory has snapped bands for some time now, he tirelessly frequents many venues to professionally snap bands that normally would not be exposed to this sort of photography. He is an avid supporter of the Falkirk Music Scene (and beyond, basically he stands up for the wee guys), attends many local gigs and there is a high chance you will hear the click of his shutter as the artists play.

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a familiar sight for artists playing live across Scotland, Rory behind the lens. Pic Sweet P Photography

Rory first snapped us in Stirling playing at the Oxjam festival, he since has shot us at North Star and he has kindly shared his work for our blog. I caught up with him once, up at Behind the Wall and you could not fault his enthusiasm. Rory is a musician in his own right occasionally strumming the guitar at the various acoustic gatherings now frequenting the Falkirk scene.

 

Juls Sampson. Juls is a magnificent supporter of the band and has been from day one back in ’95, both her and her husband Phil and daughter Paige are great friends of ours. Juls has taken many pictures of Weird. The Sampson clan have been to many of our gigs over the years and Juls has taken many snaps that we look fondly back on. She took the pics that we used for our rare live album recorded at the Argyle in 2010.

 

Neil Henderson. Neil was a frequent attendee of the Falkirk scene for many years. He was part of the Happening Club. While we played Neil could be seen darting through various parts of the venue to take ever elaborate shots. Neil’s work can be found on the sleeve of both Coldhome Street and more significantly the portraits in Weird Decibels 1 inside sleeve.

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Neil went on to snap several bands throughout the metal hardcore scene. Most notable was his work for Attica Rage (with whom we played a gig in Glasgow Uni).

Notable others

Gary Ivady took some dynamic pics at North Star among other pictures of us live

 

Kenichi images took some great  stills from our gig at ABC 2 which were a highlight of our time in Glasgow promoting Weird Decibels 1

Iain Constable who shot the pictures used for the original Firkin Outburst photoshoot; these pictures were taken on the old railway track that would become the Camelon bypass. Iain also shot some of our earliest videos from the Martell

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That old bridge is now the blue bridge on the Camelon bypass