We are heading into our first professional studio in nearly 20 years in January 2019 so we are looking back at our previous experiences before we went DIY.
The end of the 90’s was a strange time for four musicians who loved their rock. Grunge was long gone, rock was out of fashion (again) and Britpop was now a bloated mess of champagne and coke. Everyone apart from the general public were panicking about the millennium bug.
The band was drifting, by now we were treading water, turning up every Wednesday to play some tunes then we would head home for another week. We were no longer playing gigs or making any attempt to promote the band. We were writing songs though, a lot of songs, now we were away from the ‘classic’ Weird setup, I was full time on rhythm guitars.
After the slightly disappointing second return to Split Level we decided to look for a new studio to record some new tracks. I can’t even remember how we booked the place.
Located in Clydebank, just a short walk from the river is Red Eye Studios, an unassuming single story brick building which seem tacked on the old Clydebank Cooperative. Like many studios it’s not obvious that a fully functioning music studio is set up inside.
Greg drove the first day, I had my license by this time but Greg always seemed to find himself behind the wheel in the early days. We arrived at the studio, rather excited to what lay ahead and this time we were prepared. Derek and I would return for a second day of mixing. So here we look back at our session in this studio.
I thought the studio didn’t look like much when we arrived but this is normal, its whats inside that counts. I couldn’t wait to see inside. I was now getting an increasing enthusiasm for sound engineering. We walked in and there was a long corridor, the guy met us and took us into the control room. We were met by a large control desk and a window that looked into the live room. It was a fairly big room, I think we did all the drums in there, in fact everything. There was no vocal booth or anything like that.
We picked three songs to record. ‘I Tried to Fly’, ‘Hope’ and ‘Sun Shines Brighter’. They were probably our most ‘pop’ sounding songs, quite far removed from the heavier rock we had done previously. They were fairly easy arrangements and pretty straight forward to record. Even when I recorded the vocals I didn’t go for the louder vocals, my style was changing, looking back it kind of lacked the passion that I usually have
I always thought the guitars sounded a wee bit tinny, a bit thin, but we didn’t really cause a fuss, I was starting to wonder if we’d be able to record our own music. On reflection I think my setup didn’t help either.
By the end of the day the only thing left to record was the backing vocals, Stu headed through and started singing the backing vocals to Hope, is quite a high key. There is a bit at the end, ‘la la la la laaaaa’ or something as we head towards the finale of the song. The music was blaring and I looked up, Stu was in the room singing his heart out. I looked back at the desk listening to the rough mix when suddenly the singing stopped. I looked back up and Stu was gone! We all rushed out of the control room, into the live area and there was Stu face planted into the sofa with the music blaring through the ear phones. He’d passed out, it was for a couple of seconds and then he was back up, if a little stunned.
I remember Bo driving me home after I passed out, my heart was still racing and he drove like a racing driver!
Ah the days when I had a (relatively) fast car..
Greg’s love of cars and big exhausts goes back a long way.
For Redeye we recorded it all one day but only Pabs and Deek went back for the mixing and mastering. I seem to remember Pabs getting excited about a snare ring?
For some reason Pabs and myself went back through, just the two of us to finish the mix, was it the Monday? I remember listening to it in Pabs old Toyota on the way home marvelling at the reverb on his vocal at the end of Sun Shines Brighter like we just invented vocal reverb!!
I remember the mixing of ‘I Tried to Fly’ the engineer had everything panned centre apart from the toms of the drums, so they really stuck out. The bass had a nice tone, the guitars tone was not too bad although having them all panned centre meant the tracks lacked stereo width. So when it came to Hope I asked the guy to pan the guitars, it did make a difference. I found it strange that I had to ask for this, it was another step to the bands eventual hiatus, we were just letting things pass over our head. I think these songs would have sounded brilliant had we not settled for these mixes. Maybe the sound engineer thought we just wanted a demo, I’m not sure. Maybe the guy was just starting out, you have to remember this was twenty years ago.
We didn’t go back to Red Eye studios, the songs were used on the album ‘Coldhome Street’ an album that arguably proved to be our weakest. This wasn’t the studios fault, we had kind of lost out way at this point, this is the only album that we haven’t released on digital distribution but it can be found on Bandcamp.
Red Eye looks like it is still going strong today, judging by the photos it looks well kitted out with rehearsal rooms and the studio is well connected with the local scene. We still had lots of ideas that we wanted to put down for our third album so it was back to the yellow pages to see if we could find another studio. One caught my eye in Stirling.
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