We rate our recordings from 10 to 6 in part two of our feature. A couple of ‘official’ albums appear in this part, as we counted up our scores we were surprised at some of the results… Our latest recording Everyday Heroes EP is out soon.
10.Live! Tonight! Not Completely Sold Out! (2010, this has not been officially released, a few limited copies are kicking about)
The tongue in cheek title, based on Nirvana’s film of a similar name Live! Tonight! Not Completely Sold Out! Was our first stab at recording a live album. We arranged a gig at the Argyll bar that was once owned by Derek.
Our first attempt at recording one of our gigs, we had previous recordings from camcorder footage and a couple of recordings from venues like the Cathouse but we’d never attempted to record the full show.
We basically placed mics in front of the kit and the amps and took a feed off the PA, it was a quick setup, we pressed record and just started playing. The one regret is not placing a mic at the back of the room to capture the crowd. When I say crowd there were a few people at the back of the venue, it was busy if I recall, but not packed.
I was a bit disappointed we played so many covers, the album has a pretty even mix of originals and covers but i would’ve preferred tunes from the albums we had at the time. Interestingly there were early versions of Speak and Forward. So we had a live albums with tracks from an album yet to be released! Saying that we haven’t uploaded LTNCSO so not many people have heard it.
I agree with Pabs it’s a pity there are lot of covers but it’s a great wee live album.
I remember this gig well as I used my Ibanez double neck the whole time which sound amazing on the recording but was a complete back breaker. I suffer for my art ha ha.
This recording has a great live feel and sound apart from Bo’s buzzing bass in between tracks hee hee.
Yeah that reminds me of the hours of editing out the buzz whenever he stopped playing the bass.
Great night, great gig which puts it above Live at the North Star, in my opinion. Like Pabs I wish we put a mic at the back of the room.
Yep we would’ve captured Rooz in his full heckling glory!
A collection of live recordings, radio broadcasts and unreleased songs. Official Bootleg 1 spans from 1995 to 2004 and has a broader range of songs that its predecessor.
This was fun to compile; I dusted down about five or six shoe boxes full of old tapes and CDs. Listening back was quite an adventure. This was back around 2004 / 5 around the release of One More Solo. So we didn’t have the recording experience that we have today.
Great to have these recordings to listen back to, radio spots that only a few people will have heard at the time.
There was nearly a decade’s worth of past recordings including b-sides from the Split Level sessions. I found our first four track demos one of which was Educational Suicide; the first song we ever created.
Some of the recordings were pretty poor, the camcorder footage for the Martell gigs was recorded in Mono and there was no scope for mixing it. However it did capture the atmosphere of those early gigs which was fantastic.
Of course the Official Bootleg 1 was where I was interviewed by Central FM and uttered the ‘it’s just a hobby’ quote for which the guys have never let me forget.
Love this. So many hidden wee gems. All the radio interviews ‘It’s a hobby’ lol
Original version of Educational and live version of Creep live at the Glasgow Cathouse.
Nothing wrong with bootlegs but there are better versions of the songs on our albums.
Our 5th album Riot Act come in at 8 2nd lowest appearance of an official album. Pabs explains why he voted it down.
I have never connected to Riot Act in a way I have done with the other albums; I even voted Coldhome Street higher than Riot Act. Despite its inferior sound Coldhome meant more to me than this album because I thought it was our last and listened to it many times.
I think its dated pretty badly, partly because of the lyrics. I wasn’t writing particularly imaginative lyrics and got lazy. I lost it here!
Still love underachiever what a great track and solo. Very punky and influenced by all the cover gigs we were playing at the time.
Classics Razor wire and all work out in the end still sound great and of course the Sky is Falling.Also arguably out best cover artwork for an album.plus we played the Cavern touring this cd.
Although my favourite song (that we’ve done) is Sky is Fallen the other songs didn’t age as well, although there are other high spots. I feel the album is inconsistent.
Stu is spot on about the cover art, it’s probably our best cover and Derek suffered for his art. He punched the wall to open up a wound. Thats real blood folks!
Dave Broon to Stu as he was scraping his knuckles on the wall outside – that’s not how you do it *punches door* that’s how you do it. Poor Stus knuckles were bloodied up but didn’t make the cover. Still one of my favourite albums that we’ve done. Also, it’s not all real blood pabs, pretty sure there’s some ketchup in there as the blood wasn’t showing up on camera enough. Was this the album Stu and I built the ‘vocal booth’ in the hall with eggboxes and cardboard?
Yes we built a makeshift vocal booth in the small corridor, it didn’t really work though, we were still learning at this time. I guess we’re always learning about sound production.
It is often seen as the flip side of Riot Act; this was a big change in sound for us (going acoustic) but not necessarily a change in direction.
Good songs but not quite as good as I feel we have the potential to do on acoustics. We had a fantastic time recording this album in a stunning location though.
I always knew that Derek would vote this album high as it was his idea to try an album without our trademark distortion. There was a bit of reluctance from the rest of us but we weren’t particularly busy at the time so we decided to experiment.
I really like listening to Quiet Act these days, I prefer it to its sister album Riot Act and with the distortion turned off it allowed the more integrate parts of our music (mainly Stu’s solo parts) to breathe little more.
I also like the recording quality. I was learning new mic placements and mixing techniques. This was a good learning experience for me. It’s quite a well balanced album, maybe missing a nice kick sound but overall its clarity is one of its strengths.
And yes I’m with Greg on the location for this record, it was stunning.
Get the distortion back on ha ha.
Great wee mellow album. We pushed ourselves with this.There is nowhere to hide in an acoustic setting and we needed to do something different which would mean Weird Decibels 1 could be very loud and heavy.
Which it was!
A lot of fun to record(especially when me and Bo starred drinking cider during Derek’s drum takes)Plus sitting in that living room recording guitar with that stunning view was very inspirational.
6. Live from the North Star (2016)
A live set recorded at the North Star May 2016. This is the highest non-studio album on the list but just misses out on the top five.
To be fair I’ve not heard this much, good night though.
I recorded. Mixed, mastered and designed the sleeve in order to be ready for Christmas 2016 so I could hand the CDs to the lads…and now I discover Derek’s hardly listened to it!
Really like this record listened to it twice that Christmas morning! All the good stuff of wdb1 and 2.Cracking extended version of Wait.
We kick serious arse on this recording considering it was quite a loose gig.
I remember this night; I recorded the Sonic Blues and the Rabid Dogs and I had to do their sound. I was knackered by the time we played. For some reason we pointed our lights up towards the ceiling. But it turned out it was right in my fecking eyes and I could’nt see the fret board of my guitar. I dropped a few notes. Our sound was all over the place as we were playing through Rabids amps. I had to chop a few songs from the recording but whats left has turned out alright.
Always great to hear a live recording, even though I accidently left a phaser setting on with my pedal that I didn’t seem to hear at the time and carries it over a few songs.
Haha yes the phaser all through a couple of songs. What is it with buzzes and phaser pedals on live records Greg?
Years of standing next to noisy lorries I guess. Hearings shot 😂
All you can hear is Dale shouting get more drunk Boris. Brilliant
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4 replies on “We rate our recordings part 2. 10-6”
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Love this little feature you’re running, great idea! Fantastic music too, can tell you’ve got experience as a band…shame you’ve never got the plaudits you deserve.
Thanks! It was great fun doing this
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