Split level part 2 February 1998
The heady early days of being in a band are irreplaceable from the euphoric high of writing your first songs to the adrenalized buzz of playing your first gig. A band in its infancy can produce a surge of creativity often known as the ‘early stuff’. Then there were the large high school Martell crowds, the first articles in the Falkirk Herald all the first targets were being met.
So as the dust settled on our arrival at the music scene we knew that new songs had to arrive. By now we were students at college, drinking at every practise and generally having a laugh. We wrote many songs, probably forgot more than we remember. The tracks that did stick had to be recorded; there was a need to be back in the studio. There was only one choice for us. Split Level. Around the local scene our first demo had been a massive success, The Rain, Vancouver and Chameleon had been well received by the local radio station. With this in mind we had to pick three songs that would propel us further.
So here are our thoughts and memories for what would be our last session at Split Level. Also joining us for a look back is our long time friend John Baines who with our late great friend Dave Brown visited during the session.
Pabs
The choice of studio was a no brainer, we just wanted to go back to Split Level, it had been around 18 months since we recorded our first demo. The choice of songs would prove to be more difficult. We had written a number of songs, we had forgotten a lot more, so much alcohol flowed and we lost focus, it was just a bit of a laugh at this point. I remember Culture Creature was pretty much certain to be on the demo. Summerhigh was an early choice as well I think but trying to pick the third track was tricky. We couldn’t agree on the third song and the studio was booked so there was like a deadline. So I don’t think we had decided, so on the first day in the studio we were picking the last song and that turned out to be Today Was Insane. I didn’t think it was our best, but we went with it. The excitement was still there are we drove to the studio, the place was still a bit of a scrap yard, a wee house hidden by trees just outside the Edinburgh airport.
Derek
I remember Neil’s cars, he had loads of VW Scirroco’s (in the yard)
Pabs
The set up was the same, the studio hadn’t changed which was fine. Neil arrived, he could remember us from the first time and he still had that laid back approach to everything.
I think the atmosphere was different this time, it didn’t have the same feel for me, I don’t think we were ready to be honest.
John Baines
It’s all a bit hazy now but from what I can remember you’d blitzed through the majority of the songs on your first day and spent (most) your time there on 1 song. Am I right in saying it got a bit smoky in there too? Bizarrely my main memory is of Dave flicking a lit fag into his mouth. Lit end first obviously!
Pabs
I would’ve paid money to see that! I must’ve been in the vocal booth at that time, I spent many takes trying to get Culture Creature right, not only the vocals but the little guitar part in the middle. Stu and I play a strange dual solo that I don’t think we’ve properly nailed since!
Culture Creature was difficult, it’s a sad song with dark lyrics, I remember after a few vocal takes coming back into the control room and everyone just looked flat.
Stu
I Remember deciding to record Today Was Insane either just before or when we got there. Culture creature depressed everybody! Neil wasn’t quite as jovial as the 1st time. Did we crash at Deeks flat in Edinburgh in between days. Can’t remember.
Derek
I didn’t have my flat then!
Pabs
John and Dave were just sitting on the couch. The rest of the guys were quiet and yeah Neil looked a bit bored. I agree with Stu he didn’t joke or have a laugh like he did during the first demo.
John
I’ll put my poor recollections down to repeated concussions (and alcohol perhaps). Was it not Culture Creature that took the longest? Well worth it in my opinion
Pabs
Yes definitely, it took the longest. Summerhigh was pretty seamless, I can’t remember how Today Was Insane took but to be honest I didn’t care much for it. Culture Creature was worth it, it was worth the effort to get it right. I think it is one of our best songs, even if it sits in disjointed (but fun) album, Firkin Outburst.
John
Is the studio still there? Always look out for it when I’m going past.
Pabs
It is! It’s still nestled behind the large trees, the airport parking edges ever closer though. I think Neil still works in the studio. I’m the same, I’ll take a wee glance over, we had great times in there but to date, sadly, we’ve not been back.
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