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One More Solo

To celebrate the re-release of One  More Solo on all digital platforms including Spotify we have a look back the album.

This story can be found on this Bandcamp page but i thought I’d update it for the blog

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i can see my future i see it EVERYDAY!

I loved my time in the Seventeenth, I can say that now as it’s been over 12 years since the band split. However at that time it was a different story. The Seventeenth were going nowhere, songs were hard to come by, Jon and I weren’t getting on musically and Stu was back on the scene.

There was also the small tale of a tiny HMR (Hame Made Records is our hobbyist record label) band called Sllablo. This was a collaboration between myself and Derek at a time when the Seventeenth were struggling to write songs. Born from frustration, we wrote and recorded a rather fun lo fi album in 9 hrs. Now you are quite within your rights to ask what the hell this has to do with Weird. Put simply, Sllablo proved that Derek and I could still hammer out simple tunes. It was to be the catalyst for the (regretful) end of the Seventeenth and for the second era of Weird.

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we played a lot of gigs in support of OMS

We had no plans to reform Weird; we wanted to start a new band. Myself , Stu, Derek and Greg were all present and correct for our first rehearsal with new musical buddies Chris (Taz) Burt (brother of Jemma who appears on several HMR records) and ex Foam god Kevin Byrne (again another HMR regular).

The six of us booked a slot in Hallglen community centre and wrote a couple of songs ( the Weird versions appear on the extremely rare  Official Bootleg 1).

We decided to move our rehearsals back to our old practise room. Other commitments kept Taz and Byrne away from practise so we, the original four from Weird, found ourselves back in the room. We wrote a song called Stand For Your Rights and I’m going to use that tired old cliché, it rocked.

We were back together after a 4 year break. I could not believe the hunger we had rediscovered. One More Solo wrote itself, it was too damn easy; it was to be one of the finest era’s of the band. We recorded the album on a digital 8 Track a Tascam 788 at Derek’s flat. We build a basic vocal booth out of egg cartons. It was a time of beautiful recorded naivety.

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Kevin Byrne takes one of his many pictures to feature in the Falkirk Herald with this article about OMS

One More Solo has many songs we still play live today, Waiting on The Sound Of Your High Heels is a live favourite, Cold Calling, Whiskey In My Head and band favourite The Ending always find a way to get on the set list. Fighting With Forever and Hanging By A Thread show our harder edge with the flip side Trying To Grab Hold redefining the term laid back.

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the only release from OMS

We gigged this record a lot, driving around Scotland in my old automatic Vauxhall Carlton that we called ‘The Vulture’. We could fit the whole band in this wonderful car. We met many bands some who became our friends. Kranksolo, Roller and Popup to name a few. We travelled to the world famous Cavern club in Liverpool to play.

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Weird Decibels live at the Cavern

It was the track Easy Way that had us flirting with record label success, This angry kick against modern life struck a chord with a small indie label called Bracken Records (now called Fruit De Mer Records).

In my humble self serving opinion One More Solo is a wonderful record set in a brilliant time. The end of our youth if you like. A time when you could play a gig whenever you wanted, now we have to get babysitters or shift swaps! Listen to the end of Bit Part Optimist Greg has just nailed his bass part in one take, listen to the drunken lads clap, whoop and laugh at the end. This was what it was like at the time. A big party.

Now, I can see my future, I see it everyday

2016

Since this piece was written OMS had a bit of a makeover. The original album was muddy in tone so I attempted to clean it up to some limited success. I found some old CDRs with alternative mixes that worked well. Dereks hated the long fades and to be honest it did show a lack of restraint and discipline; the ‘remaster’ now sounds a bit tighter.

We played a few shows in 2016 and still people (Wilson mainly!) shout for High Heels and for some reason we don’t play it (this will change). I listen back fondly on tracks like the Ending and Tried to Grab Hold two reflective moments on the record. The rest of the disc is balls out rock apart from the alternative mix of cold calling which has a dreamy echo flooded fade out.

Weird Decibels has barely transcended further than our beloved friend and family; One More Solo was no exception. It was a fun album and we made some friends along the way. The fact that our wonderful listeners think this is one of our best sits fine with me. Now that it is on all the digital platforms hopefully this little rock record will find a new audience and join Wilson in shouts for High Heels!

 

Categories
Gigs retro corner

Weird Decibels talk Gigs!

By the time you read this we are about to, or will have played Jims Bar at the QMU in Glasgow (june 21st 2014), So below is a recount of some of our gigs, in no particular order we include the finest, the worst and the strangest moments from our time on the stage.

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Greg at the ABC2 2013

 

Classic. 1996 Martell Falkirk Battle of the Bands Quarter Finals. We had just started playing and our heads were full of dreams. Greg, Stu and I had just left school to go to college and Derek, the youngster was still growing cress on the carpet of the common room in Larbert high School. Three teenage kids and a fresh 20-year-old took to the stage to one of our biggest and most eager crowds. The place was packed, i couldn’t see anything from the glare of the lights but every time we finished a song the place erupted. It was the start of our dream.

Weird. 1996 A Field in Crossgates.. Chris from Cage phones us. ‘Hey guys want to stand in for us? Its a biker rally festival in Crossgates’  I thought biker rally = really drunk moshers + our brand of rock + festival = riot of a gig. When we turned up, it was a field full of cow shit. We were directed to the ‘stage’. The power generator was louder than us. The crowd was a single mother bouncing her baby up and down on her knee. The rocking bikers stayed outside playing spin around the stick whilst drinking whiskey. Stu and Derek were happy though, they sat and ate a bag of onion rings and drank  cheep beer…

Great Gig. 2013  Oran Mor, Glasgow.

A pensive Weird Decibels
A pensive Weird Decibels

 

Superb gig in the basement of Oran Mor. We supported Life On Standby who are now doing very well, that night they played a fine set to a growing audience. We went on halfway through the night. It was a great crowd really up for it. Our album Weird Decibels 1 was doing well and we were getting into the swing of playing it live. The sound was simply amazing, one of he best live sounds we have ever had. Annie Walker was kind enough to take some brilliant photos and through this gig we got a slot on the Third Classic ticket radio show run by Tommy Clark. One of those great nights.

 

 

 

 

Bad gig. The Cathouse Glasgow. A pay to play gig. Hate them. These days they still do them but in a more subtle way. We sold a few tickets and paid to play only for the bouncers to refuse entry to most of the people who had travel through to see us. Derek was raging, he can be heard venting his anger on a live recording which appears on our official bootleg. The place was nearly empty, it was a real setback for the band.

Great Gig 2009, The Argyll Falkirk.

Derek setting up the kit for Tonight Live Not Completely Sold Out
Derek setting up the kit for Tonight Live Not Completely Sold Out

 

In the ‘slender’ years between ‘Quiet Act’ and ‘Weird Decibels 1’ we were writing the new album and played a handful of gigs at various venues around our home town of Falkirk. Derek owned the Argyll pub at this time so it was an ideal opportunity for us to organise our own gigs. This meant we could use all our own gear and record our performance. We recorded this gig in question, this would eventually become ‘Tonight! Live! Not Completely Sold Out! A mixture of covers, old songs and four new tracks that would appear on WdB1. It was our faithful crowd who have followed us from day one and it was a great laugh. Keep an eye on Bandcamp, I’ll upload these tracks very soon. https://weirddecibels.bandcamp.com/

 

 

 

 

Weird but brilliant. around early 2000’s My Parents Garden at a BBQ. A gigs a gig! Stu reminded me of this one. My parents held a BBQ every year and asked us to play a wee acoustic gig which we happily agreed. I took down the 4 track and flung a few mics around. The gig started well with cheers and laughs, that is until we played the Ace of Spades on acoustic guitars! The recording was great until my Dad started trying  to break a big block of ice cubes which was picked up on the recording, and yes it was out of time…

Classic Gig. Around 2005. The Path Tavern. Kirkcaldy. The venue may be closed and turned into a restaurant but the memories will remain. We played with Kranksolo, our two bands formed a fine friendship and shared a few gigs. 13 Tombs supported. They were superb, the singer had these massive boots that lit up. He looked like dynamo from Running Man. It was a small but fantastic crowd, they dug our music which at the time was One More Solo. We sold a few albums and we were even asked to sign them! Greg drove us back in the ‘Vulture’ old Vauxhall Carlton automatic. It took all the gear, three drunk band members and a sober bass player.

 

 Bad Gig, But Great experience. Around 2005. The Cavern. Liverpool.

Weird Rock the Cavern, the easy way...
Weird Rock the Cavern, the easy way…

 

Contradiction perhaps but this was one of the most memorable experiences for the band. We even saw the ‘Beatles’. In our desire to expand to other countries, starting with England Greg managed to get us a gig in the world-famous venue the Carvern home of a band called the Beatles. Quite good actually. On the road down Derek nearly broke his hand when Greg decided his stricken limb looked good as a door stop. It was a Back To The Future moment when Kevin Byrne was considered to stand in. The gig itself was empty, everyone was watching the Beatles, we discovered that night that most people listen to music they are familiar with. One the road back I needed to pee really bad as we had been drinking all night. I’m not sure why I’m mentioning this but it is scorched in my memory how long Greg made me wait… Thanks to Neil Henderson and Kevin Byrne who came down and took the photos.

 

Great Gig. 2013 ABC 2 Glasgow.

Rocking the ABC2
Rocking the ABC2

 

2013 was a great year for us live, the ABC 2 was a great gig. the sound the crowd and our performance ensured a great night. It was the first time we actually had a proper merch stand. Yes we have been together nearly 20 years but it takes us time to catch on… It was at this gig we played a brand new song Miss Asphyxia from our future album Weird Decibels 2. It seemed to herald in a new chapter for the band. The fact that it went down well was fantastic. There is a back stage room with a fridge which 5 years ago we would’ve filled with beer, however…it was not to be.

 

 

 

 

We are a small but perfectly formed rock band, there are no major venues with packed crowds. However we love playing live and every Monday when we return to our jobs, surrounded by the sound of keyboards typing furious emails and office workers sniping we can look back on these times with pleasure and indeed look forward. We never know what is around the corner, maybe when we step from backstage one day and see a wee venue packed with our friends and our fans. We play live 22nd August 2014,  13th  Note Glasgow. Make an unforgettable night with us. 

I finish with;

Ten Facts about Weird Decibels live

  1. Waiting On the Sound of Your High Heels Baby from One More Solo is our most played song.
  2. Dave Broon was our manager for a night, at a gig in Edinburgh, he paid us with a beer. Legend.
  3. A couple got ‘frisky’ when we played ‘Glass People’ at McSorley’s in Glasgow.
  4. The venue we have played most is still the Martell, Falkirk.
  5. Our sound checks take 2 minutes. Plug in. Play.
  6. I have broken one stage (the Martell)
  7. Derek winds the band up by getting changed into gig clothes during the walk on music.
  8. Stu averages around 3 devil signs per song, one during solo. God.
  9. Greg doesn’t need a setlist as he does not know the name of our songs.
  10. Phil and Juls Sampson have been to the most Weird Decibel gigs. Legends. In fact all of our hardcore fans are brilliant people.
  11. Wilson, our friend and a fan of the band has a Weird Decibels Tattoo. Nothing to do with gigs. But thought I’d mention it.

Pabs.

Phil, one of our greatest fans and a friend of the band.
Phil, one of our greatest fans and a friend of the band.