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  • Writing Weird Decibels 1, part 2 the tricky middle bit.

    Its now late 2010 early 2011 we’ve played and recorded our album ‘Live! Tonight! (Not Completely) Sold Out! On this live album is four of the tracks that would appear on Weird Decibels 1, they would never be heard in the public domain for another two years. The band lock themselves in the practice room and throw away the keys…

    So we had Speak, Forward, Pay and Crown four tunes we were pleased with but with album projects it is difficult to keep the standard high and its telling the next phase of writing had the songs that were left off the album. To be fair we didn’t know what was going to be omitted until the end!

    Derek setting up the kit for Tonight Live Not Completely Sold Out
    Derek setting up the kit for Tonight Live Not Completely Sold Out

    I had a riff rolling about my head for a while, that guitar lick would become Joker however we titled it ‘Hiding’ as this was a lyric that I sang over and over whilst trying to nail a melody and lyrics. Stu, Derek and Greg, as with all of WdB 1 had so much more input into this record and Joker is no different. Here is the early demo

    This Hiding demo has different title and differs from final album version, it is similar to how we play it live though! (albeit tighter!)

    A lot of the lyrics are in place on this version but its a bit slower than it ended up. Pleased at how this song was turning out we added it to our set and moved on to writing more. At this time however it was proving difficult to get together as a band. I had changed hours, Greg was working long shifts and Derek was struggling with the pub. It was a frustrating time but we kept it together and we always seemed to arrive with new ideas.

    Lets pick up the speed with the writing!
    Lets pick up the speed with the writing!

    Three songs were left out of WdB1 Bullet, Buddy and Rusted. In their own way good songs but in the end they did not fit into the album. Bullet tells the story of a young couple who have to escape their town and never knowing when the ‘bullet’ is coming. Buddy was stronger lyrically but weaker musically apart from the sublime solo Stu plays at the end of the finished version of the song (hear it on the secret track on the WdB1 CD). Buddy recalls a lover with another man’s wife and as he stares out of the window he sees the riots play out below him. Sometimes I wish I could take these lyrics to another song. Rusted is push against being called Thatchers Children which you are labelled if you fall into the 3o’s age bracket. However Rusted, (known as Decibels at this early stage) despite being Greg’s favourite song of the sessions, Is too similar to a lot of work we had done before.

    Rusted or Decibels as it was known then, has all the old hallmarks of our old music and was sadly left out of WdB1

    DSCN2440
    Stu on form with his solos saw one left off the album, the cracker on Buddy

    The tricky middle bit then… Wait for it!

    We hunkered down through the years harsh winter knowing we wanted this album out late 2011 (that didn’t happen then!!). During these middle sessions Wait! and Industry arrived to save the day. Wait is simply a balls out jam with next to no lyrics, it pays homage to Territorial Pissings on Nirvana’s Nevermind. Industry has Alice in Chians all over it. Based on my simple E riff, Stu built the chorus and Derek along with Greg knitted the song to an sinister beauty we’ve never touched on.  Industry is less in the way of a story and more psychological… ‘You get inside my head, and dig it with a spoon, lay it on the bed and rummage through’ These tracks reminded us how simple it could be to write decent tunes that different from our earlier output.

    Wait demo from March 2011

    Off focus in this pic but during the writing of WdB1 Greg had a very clear goal. To create some brilliant bass.
    Off focus in this pic but during the writing of WdB1 Greg had a very clear goal. To create some brilliant bass.

    I started to look for lodges that would be our remote home for a week while we would record the album. At this point the plan was to do as we did with the Acts and record the whole album in a week. This would change given the scope of WdB 1. We needed some more tracks. We had to finish writing the album in style.

    I’ll tell you about Psalm, Power, Deliverance, Steel and of course… Wonder in the next blog.

  • Writing Weird Decibels 1, Its a joint effort this time round. Part 1, the early songs

    Its 2009. the year got off to a tragic start. 

    pabs77On the 12th of January 2009 Dave Broon our great friend and avid listener of our music sadly leaves this world in the most tragic of circumstances. The band is stunned, everything changes, our outlook to life and our music.  Suddenly everyone takes stock of where they are, what we are doing with our fleeting time on this world. We needed to make a new album.

    Quiet Act was fine.  We enjoyed writing and making an acoustic record that we had to get out of our system. Now our thoughts turned to a new album, possibly something heavier, back to our roots would be the easiest cliché to fling in here.

    The first song was Speak an angsty fist shake at God in whatever form he (or she) may be.  I guess as years pass by you say goodbye to more and more people who have filled your life (happily I would learn later, you say hello to new people as well!). Sometimes they way our loved ones leave this world is unjust. In Speak I ask God why this is so.

    http://weirddecibels.bandcamp.com/track/speak

    I was told you work, In mysterious ways
    I learned you were liberal, with your selection
    I’ve been gifted a life, with wonderful people
    Why must you start, to take them from me?

    So speak to me
    Let me hear what you say
    Speak to me

    You built this world, in all it’s glory
    You gave us greed, to strip it all away ( Worldly themes are spread throughout Weird Decibels 1 and Speak touches on this.)
    But I hope you’re there, taking care
    Offering refuge, for our weary souls (I believe there is a greater power behind our existence, just not sure who or what that may be)

    Speak started life as the simple picked riff from G, I can’t remember how I discovered it, often its strumming the guitar in front of the TV. Anyway I played it for weeks. Stu took the simple riff and added the rest. I was worried by the standard Em G A progression, but the pause after every riff made it work. The verses were based around the initial G riff, I found another picked progression and Stu layers a riff over the top. The verses avoid the pitfall of bar chord riffs that had served us well for many years. It was time to develop our playing. Stu hammered out the chords for the middle 8 and the solo speaks volumes of his form throughout this album. Derek’s tribal beat is now the signature of this song and Greg plays a neat Bass cycle high up the fret board throughout the verse which fits the mood perfectly. It was an easy song to write, it kick started what would be a long development cycle however we had a creative surge mid 09 to mid 2010. I also remember Wilson being a rare guest in our practice room he gave Speak the thumbs up. Phew.

    Speak was part of a trio of songs. Speak, Forward and Pay.

    This is a party we had to listen to Weird's old music at this time we were all thinking of a new album
    This is a party we had to listen to Weird’s old music at this time we were all thinking of a new album
    It was a great night and we sank a lot of beer, we now have a Weird fest (pat on the back sesh) once a year. Sad I know, but hey!
    It was a great night and we sank a lot of beer, we now have a Weird fest (pat on the back sesh) once a year. Sad I know, but hey!

    I can’t remember what came after Speak but I’m going to put half my chips on Forward

    http://weirddecibels.bandcamp.com/track/forward

    Perhaps one of the last songs I had written about myself, eventually I would turn to writing stories about characters I had made up or politics, I guess this is a sign of getting older.

    Leave now
    We have to get in the car and leave now
    Dusk is falling and we’re getting left behind (throughout the last few years I have had a fear of being left behind)
    The ghosts of our past are going to rob us blind (I have a bad habit of looking to the past)
    I cannot pay if you do not show the way

    Moving forward can’t see where we’re going

    Forced by
    A hand you never see or want to feel now
    Pushing you on the back you’d think its real (life turns, eventually you do all the things life expects you to do)

    Moving forward can’t see where we’re going
    Forward

    Another guitar riff that had been given to me by either a fluke or constantly playing around with the guitar, the intro. Much of Weird Decibels 1 is a  guitar lick that is built upon by the band. This is the first record for many years that I have not turned up to practice with complete songs for the  band to either say yay or nay. The first since Whapper Stormer. The long intro goes against all the rules of modern music, (Fast. Punchy. Straight to the Point or Skip)… Forward takes its time. The song progresses to a middle 8 where Stu and I play solos. I struggled for a long long time to nail this. Derek flexes his drum fill muscles and Greg nails another solid bass line. Both knit all this album together in a wonderful way. Makes me want to buy them a beer.

    The jam that is Pay

    http://weirddecibels.bandcamp.com/track/pay

    The idea of a rolling riff right through the song was nicked of a Munich band called The Colour Haze, below is a link to the song I love and that gave me the idea for Pay.

    If we take this now
    will we pay for it later  ( often wonder if our early excesses in our youth will come back to haunt us…)
    If we take this now
    Is it the start of the summer

    If I grab your smile
    can I save it for later
    for every easy straight
    there is a difficult corner (another reflection on the ups and downs of life, everything is great when all is well!!)
    -but what the hell lets just go for it-

    if we take this now
    will we pay for it later
    the nights are short
    and the days are getting longer (I’ll always play this song on summer solstice, love the long nights)
    -so what the hell lets just go for it-

    Early WdB1 sessions see Greg and Derek wrap up warm
    Early WdB1 sessions see Greg and Derek wrap up warm

    At one practice I had the whole band outside listening to this record on my car. Half an hour later Pay was born. Stu and I spent some time trying to nail a riff that would work. Eventually I slipped back to rhythm  and Stu just effortlessly poured this beautiful riff all over the track. Derek subtly builds the drums to a perfect beat and Greg’s bass binds it all together with a blend of high and low notes. This was another example of us changing our writing, using our influences to within an inch of plagiarism.

    Next blog will tell all about the next phase of writing WdB1 including two of the songs we omitted from the album…

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